Contributeurs
Marta Anguera is a Spanish freelance graphic
designer and holds a MRes in Communication Design
from the Royal College of Art. She founded Mottiv
studio in 2003, focusing her practice on visual
identity and editorial projects with national and
international clients.
Ksenija Berk is an independent scholar and critic
from Ljubljana (Slovenia). She holds a PhD in
Aesthetics and an MA in Historical Anthropology
of Visual Arts. Her research interest focuses on
history of design in the Balkans, design and politics,
dissent, politics of the street, and documentary
photography. She has particular interest in under-
standing how design works as an agent of social
and political change.
Hannah Drayson is an intermedia artist and lecturer
in the School of Art, Design and Architecture at the
University of Plymouth, ROYAUME-UNI. She is Co-convenor of
Transtechnology Research. Through transdisciplinary
theoretical and practice-led research her work
explores the technical and conceptual manifestations
of embodied imagination.
Ian Hargraves is an assistant professor of Medicine
with the Mayo Clinic’s Knowledge and Evaluation
Research Unit. There he works closely in-clinic with
clinicians and scientists researching and designing
Shared Decision Making—the interactions in which
patients and clinicians together design programs
of care. He also enquires into the possibility of design
as an art of care.
Rachel Hunnicutt is a graduate student of History
of Design and Curatorial Studies at Parsons School
of Design and Cooper Hewitt, Smithsonian Design
Museum. With particular interests in twentieth-
century corporate design management and package
conception, Hunnicutt is interested in the intersection of
objets, identité, and the everyday. She is a graduate
student teacher, assistant to the dean of Art and
Design History and Theory at Parsons, and former
Cooper Hewitt Curatorial Fellow in Product Design
and Decorative Arts.
Sampsa Hyysalo is professor of CoDesign in Depart-
ment of Design, Aalto University. His research interest
is in the interplay between designers and users in
the development of new products and services. Son
work combines design research, science & technologie
études, and innovation studies. His work has resulted
in about 50 articles and a handful of books—the latest
is The New Production of Users: Changing Innovation
Communities and Involvement Strategies (with Elgaard
Jensen and Oudshoorn, Routledge, 2016).
Virve Hyysalo is a participation planner at
Helsinki City where she engages citizens and
partners to design cultural and recreational services
for the future. Her interests involve co-design, service
conception, public participation, and open democracy.
She believes that design-based approaches can help
the public sector improve its services and address
social issues. Virve’s PhD dissertation project is titled,
“Co-creative Practices in Library Services.”
Miso Kim is an assistant professor in the Department
of Art + Design at Northeastern University. She holds
a PhD in Design, an MDes in Interaction Design, et
an MDes in Communication Planning and Informa-
tion Design from the School of Design at Carnegie
Mellon University. Prior to joining Northeastern,
Miso was a senior user experience designer at Cisco
Systems in Silicon Valley. She studies service design
using a humanist framework.
Rodrigo Magalhaes is a professor of Information
Systems and Organization, with research interests
in organization design. He has published in areas of
information systems management, organizational
changement, knowledge management, organization
learning, business process management, e-HRM and
e-learning. He is currently affiliated to Kuwait College
of Science and Technology and is a member of the
Centre for Organization Design and Engineering,
INOV, Lisbon and the Centre for Spacial and
Organizational Dynamics, University do Algarve,
both in Portugal. He was formerly with the
Kuwait-Maastricht Business School in Kuwait,
and the School of Management and Economics
at Catholic University of Portugal. He holds a PhD
from The London School of Economics, University
de Londres.
111
je
D
o
w
n
o
un
d
e
d
F
r
o
m
h
t
t
p
:
/
/
d
je
r
e
c
t
.
m
je
t
.
/
e
d
toi
d
e
s
je
/
je
un
r
t
je
c
e
–
p
d
F
/
/
/
/
3
4
3
1
1
1
1
7
1
5
9
3
2
d
e
s
_
X
_
0
0
5
0
4
p
d
.
/
je
F
b
oui
g
toi
e
s
t
t
o
n
0
8
S
e
p
e
m
b
e
r
2
0
2
3
Les problèmes de conception: Volume 34, Nombre 3 Été 2018
John Massey is the cover designer of this issue of
Problèmes de conception (Volume XXXIV, Nombre 3 Été
2018). An artist, designer, and educator, John Massey
is Professor Emeritus at University of Illinois, Chicago
where he also was the former professor of Design.
He was the former director of Corporate Design and
Communication, Container Corporation of America.
Kate Nelischer is a PhD student in Planning at the
University of Toronto, studying smart cities. Kate
is also the Assistant Dean, Academic and Outreach
Programs at the John H. Daniels Faculty of Archi-
tecture, Landscape, and Design at the University
of Toronto.
Özlem Özkal is an assistant professor of commu-
nication design at Özyeğin University (OzU) dans
Istanbul. She taught graduate and undergraduate
classes in typography, graphic design, and visual
studies in METU, SMFA-Boston, and Bilkent
Universities. Her research fields are Ottoman typo-
graphic history, visual culture and communication.
Elizabeth Resnick is Professor Emerita and current
part-time faculty at Massachusetts College of Art and
Design, Boston. She is a designer, design educator,
author and curator. Her recent projects include the
publication Developing Citizen Designers (Bloomsbury
Academic, 2016), and the poster exhibition Women’s
Rights Are Human Rights: International Posters for
Gender-based Inequality, Violence and Discrimination
(2016).
Robert Wiesenberger is a curator and historian
of art, conception, and architecture. He is a critic at the
Yale School of Art, and from 2014–16, he was the
Stefan Engelhorn Curatorial Fellow at the Harvard
Art Museums, where he was responsible for the
museums’ Bauhaus collections. He is coauthor, avec
David Reinfurt, of Muriel Cooper (AVEC Presse, 2017).
He holds a BA in History and German from the
University of Chicago, and a PhD in art history
from Columbia University.
112
je
D
o
w
n
o
un
d
e
d
F
r
o
m
h
t
t
p
:
/
/
d
je
r
e
c
t
.
m
je
t
.
/
e
d
toi
d
e
s
je
/
je
un
r
t
je
c
e
–
p
d
F
/
/
/
/
3
4
3
1
1
1
1
7
1
5
9
3
2
d
e
s
_
X
_
0
0
5
0
4
p
d
.
/
je
F
b
oui
g
toi
e
s
t
t
o
n
0
8
S
e
p
e
m
b
e
r
2
0
2
3
Les problèmes de conception: Volume 34, Nombre 3 Été 2018
Télécharger le PDF