Contributeurs
Pedro Ignacio Alonso is an architect and earned
his Master of Architecture at Pontificia Universidad
Católica de Chile [Catholic University of Chile] dans
2000, and his PhD in Architecture at Architectural
Association School of Architecture in 2008. Son 2014
Chile Pavilion titled Monolith Controversies and
co–curated with Hugo Palmarola was awarded
a Silver Lion during the 14th Venice Architecture
Biennial. He is associate professor at Pontificia
Universidad Católica de Chile in Santiago, visiting
tutor at Architectural Association in London,
and Princeton-Mellon Fellow 2015–2016 at
Princeton University.
Per Åman is a senior lecturer in the Department
of Management and Engineering at Linköping Uni-
versity. He holds a PhD in international business
études. Research interests include strategic and orga-
nizational change, globalization of R&D, connaissance
synergies in M&UN, knowledge integration in complex
products and systems, and design management.
Hans Andersson is a senior lecturer in the Depart-
ment of Management and Engineering at Linköping
University. He holds a PhD in Business administra-
tion. His research interests cover innovative individu-
als in organizations, creativity, product development,
conception, and knowledge integration. He is currently
involved in research on business models in recycling
and other “green” contexts.
Uday Athavankar is a professor of design in the
Industrial Design Center, Indian Institute of Tech-
nology Powai. He is committed to education and
research on design and design-related consulting for
over 30 années. He prefers a cognitive and theoretical
approach to the study of mental imagery and visual-
ization in the design process and early creative
thinking, product semantics, and concept of identity.
Ozge Merzali Celikoglu is a researcher in the Depart-
ment of Industrial Product Design, Istanbul Technical
University (ITU), where she received her MSc and
PhD degrees. During her doctoral research, elle
conducted her studies as a visiting scholar at The
Annenberg School for Communication, Université de
Pennsylvania. Her research is primarily concerned
with how ethnography informs design—exploring the
intersections of user-centered design, material culture,
and symbolic interactionism in particular.
Cees de Bont is currently dean and Swire Chair
Professor of the School of Design at Hong Kong
Polytechnic University. Prior to this, he was dean at
Delft University of Technology and spent ten years
with Philips Royal Electronics. He is interested in
strategic design, innovation, and design education.
Ryan Hageman is a graphic designer and the
founder of Gurafiku, a website on the history of
Japanese graphic design. He has worked as a graphic
designer for museums and cultural institutions,
including the Art Institute of Chicago, the Walker
Art Center, MCAD DesignWorks, and the MVA
Studio. He received his MA in arts administration and
non-profit management from the School of the Art
Institute of Chicago and a BFA in graphic design from
the Minneapolis College of Art and Design.
Mike Hobday is professor of Innovation Management
and formerly head of CENTRIM (Center for Research
in Innovation Management) at Brighton University—
one of the world’s leading institutes in innovation
management research. He has led many research proj-
ects, including innovation and design, and the role of
projects in bringing about innovation. Mike is the
author of more than 200 publications including books
and journal articles.
Pramod Khadilkar recently submitted his doctoral
thesis at the Center for Product Design and Manufac-
turing, Indian Institute of Science, Bangalore. He is a
designer with nearly seven years of industrial experi-
ence and one year of academic experience. Pramod
believes in greater ownership of design in human
well-being. He enjoys going to field and interacting
with the stakeholders.
Klaus Krippendorff is a graduate from the Ulm
School of Design and is the Gregory Bateson Professor
Emeritus for Cybernetics, Language, and Culture
at The Annenberg School for Communication,
University of Pennsylvania. Over a hundred of his
publications contributed to communication theory,
cybernetics, social science methodology, and design.
He is the author of several books, among them
Content Analysis: An Introduction to its Methodology;
On Communicating, Otherness, Meaning, and Information;
and The Semantic Turn: A New Foundation for Design.
He critically explores how realities are socially con-
structed in discourse, by design and through actions
with an emphasis on emancipation from burdensome
conceptions of reality.
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Les problèmes de conception: Volume 33, Nombre 2 Spring 2017
Sylvia Xihui Liu is a research assistant professor in
the School of Design at the Hong Kong Polytechnic
University. Prior to this, she was design manager at
Nova Design, a strategic design consultancy operating
from Shanghai. Her research areas are: design value
and design policy. As an expert of innovation design
policy and the digital creative industry in China, elle
is on the team to draft national design policy with a
focus on design education.
Lindsay Poirier is a doctoral student in Science
and Technology Studies at Rensselaer Polytechnic
Institut. Her research ethnographically analyzes the
histories and logics of information infrastructures,
how they shape a politics of representation, and how
critical data practitioners engage them. She is the
lead platform architect for the Platform for Experi-
mental Collaborative Ethnography (PECE), a digital
humanities platform.
Koumudi Patil is an assistant professor at the Indian
Institut de technologie, Kanpur. She works in the area
of design thinking with emphasis on how informal
designers solve problems. Her initiative, YuKTI-
Yogya Kalakriti ki Taknike [YuKTI-Designing for
Appropriate Innovation] closely collaborates with
many craft communities as well as small-scale indus-
tries for developing appropriate design, technologie,
and learning aids to strengthen community acceptable
practices of change and innovation.
Matthew Terdich is the cover designer for this issue
(vol. 33, Non. 2) of Design Issues. He is a Chicago-based
graphic designer and typographer. He serves as
creative director for the Chicago Design Museum and
teaches classes on digital media, color theory, et
visual communication at the University of Illinois at
Chicago and the School of the Art Institute Chicago.
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Sebnem Timur Ogut graduated from the Department
of Industrial Design at METU in 1994 and received
her MFA and PhD degrees from Bilkent University,
Department of Graphic Design. She conducted a
post-doctoral study as an honorary research fellow
at University College London in the Department of
Anthropology, Material Culture. She currently
teaches at Istanbul Technical University, Department
of Industrial Design. Her research interests mainly
concentrate on design and particularly objects as
cultural phenomena at the intersection point of semi-
otics, material culture, and visual culture studies.
Hugo Palmarola is a designer from the Pontificia
Universidad Católica de Chile [Catholic University of
Chili]. He earned his MA in Industrial Design at the
Universidad Nacional Autónoma de México [National
Autonomous University of Mexico]. Son 2014 Chili
Pavilion titled Monolith Controversies and co-curated
with Pedro Alonso was awarded a Silver Lion during
the 14th Venice Architecture Biennial. With Alonso,
he co-authored Panel (Architectural Association,
2014) and Monolith Controversies (Hatje Cantz, 2014),
which was awarded a DAM Architectural Book
Award from the Deutsches Architekturmuseum
[German Architecture Museum] and Frankfurt Book
Fair (2014). Palmarola is a professor in the School of
Design at the Pontificia Universidad Católica de Chile.
104
Les problèmes de conception: Volume 33, Nombre 2 Spring 2017
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