ConTRibuToRS
Francesca Dal Lago is an independent
art historian specializing in the history of
Chinese modern and contemporary art.
Having lived and worked extensively in
Porcelana, Canada, and the Netherlands, she
is now based in Paris, where she is writing
a book on the artistic exchanges between
China and France during the early 20th
siglo.
Mathias Danbolt teaches in the Depart-
ment of Arts and Cultural Studies at the
Universidad de Copenhague. He specializes
in contemporary art and performance, con
special interests in antiracist, queer, and fem-
inist art theory. He is the founding editor
of Trikster: Nordic Queer Journal and co-editor
of the book Lost and Found: Queerying the
Archive (2009). His writings have been
published in books including Chewing the
Scenery (2011), Performing Archives/Archives of
Actuación (2013), and re.act.feminism #2—
a performing archive (2014).
Duygu Demir is a writer and curator based
in Istanbul and Cambridge, REINO UNIDO. Currently a
graduate student in MIT’s History, Teoría,
and Criticism of Art and Architecture pro-
gram, she was also, hasta hace poco, a program-
mer for SALT, Istanbul. She has contributed
articles and reviews to magazines and online
platforms, including Art Asia Pacific, Arte
Documentos, Broadsheet, and Ibraaz, and was previ-
ously the managing editor of RES Art World/
World Art.
Pamela Karimi teaches in the Department
of Art History at the University of Massa-
chusetts, Dartmouth. She is the author of
Domesticity and Consumer Culture in Iran:
Interior Revolutions of the Modern Era
(Routledge, 2013) and the co-editor of
“Images of the Child and Childhood in
Modern Muslim Contexts,” a special
volume of Comparative Studies of South
Asia, África, and the Middle East (Duke
Prensa universitaria, 2012).
Jenny Lin teaches in the Department of Art
and the Department of History of Art and
Architecture at the University of Oregon.
Specializing in contemporary art history and
theory, she is currently writing a book on
modern and contemporary transnational art
and design experiments created in and
around cosmopolitan Shanghai.
Sven Spieker teaches in the Comparative
Literature Program at the University of
California, Santa Bárbara. Specializing in
modern and contemporary art and art theory,
he has lectured and published on topics
ranging from the historical avant-garde in
Russia and Germany to late 20th-century art.
His last book, The Big Archive, focuses on the
archive as a crucible of European modernism
(CON prensa, 2008). Spieker is a founding
editor of ARTMargins Print and a co-editor
of ARTMargins Online.
Rayyane Tabet is an artist living and
working in Beirut.
Karin Zitzewitz teaches in the Department
of Art, Art History, and Design at Michigan
State University. She is the author of The
Art of Secularism: The Cultural Politics
of Modernist Art in Contemporary India
(Hurst and Oxford University Press, 2014).
She recently curated two exhibits, Naiza
Kan: Karachi Elegies (2013) and Mithu Sen:
Border Unseen (2014), at the Broad Museum
at MSU.
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