Colaboradores
Elisa Giaccardi is professor and chair of interaction
design at Delft University of Technology, el
Países Bajos. De 2018 till 2020, she had also been
professor in post-industrial design at the Umeå
Institute of Design, Suecia. Elisa is the editor of
Heritage and Social Media: Understanding Heritage in a
Participatory Culture (Routledge 2012).
Mahmoud Keshavarz is a Senior Lecturer in Design
Studies at HDK-Valand Academy of Art and Design,
University of Gothenburg and a Research Fellow
at the Engaging Vulnerability Research Program,
Department of Cultural Anthropology, Uppsala
Universidad. His work sits at the intersection of design
studies and politics of movement and migration.
He is author of The Design Politics of the Passport:
Materiality, Immobility, and Dissent (Bloomsbury, 2019),
Co-editor-in-chief of the journal Design and Culture,
and founding member of Decolonizing Design.
Miso Kim is an assistant professor in the Department
of Art + Design at Northeastern University. She holds
a PhD in Design, an MDes in Interaction Design,
and an MDes in Communication Planning and Infor-
mation Design from the School of Design at Carnegie
Mellon University. Prior to joining Northeastern,
Miso was a senior user experience designer at Cisco
Systems in Silicon Valley. She studies service design
using a humanist framework.
Kipum Lee leads design and innovation at University
Hospitals in Cleveland, Ohio. He works closely with
management and system leadership to implement
innovation and transformation initiatives that improve
the delivery of care, strengthen partnership relation-
buques, promote a culture of intra/entrepreneurship,
and enhance the experiences of those served by the
organización. He is co-editor of Design Issues and a
PhD candidate at Case Western Reserve University.
Hung Ky Nguyen holds a PhD in design anthro-
pology at Curtin University (2014), where he has
taught visual communication from 1995 a 2014.
Working now as an independent researcher, su
research interests encompass cross–cultural design,
design anthropology, visual communication, y
Japanese culture, aesthetics, arte, and design.
Rebecca Price is an assistant professor of Transition
Design at Delft University of Technology, Países Bajos.
She works with public and private organizations
to support the application of design upon complex
innovation challenges. While the predominant
domain of her work to date has been mobility
(aviation, automotive, urban transport), her meth-
odological research in particular holds increasing
value to domains related to public health and
energy transitions that stem from a socio-technical
perspective of the possibilities of design.
Johan Redström is professor in design at Umeå
Institute of Design, Umeå University, Suecia.
Previously he was rector of Umeå Institute of Design,
and before that design director of the Interactive
Instituto, Suecia. His most recent books are Making
Design Theory (CON prensa 2017), and Changing Things:
The Future of Objects in a Digital World co-authored
with Heather Wiltse (Bloomsbury 2019).
Arden Stern is a design historian whose scholarship
focuses on graphic design, printing, and visual culture
in the United States. Her research explores vernacular
design practices and typography across multiple
platforms, from hand-painted signage to ransom
notas. She teaches in the Department of Humanities
& Sciences at ArtCenter College of Design.
Niya Stoimenova is a doctoral candidate at Delft
University of Technology, Los países bajos. Su
research focus is two-fold: (1) identifying and
addressing the unintended consequences of AI-
powered solutions through design and (2) the creation
and implementation of organizational structures that
support such behaviour. Tal como, she is particularly
interested in the possible future roles design(ers)
could play and their potential impact on society.
Felipe Taborda is the cover designer of this issue of
Design Issues (Volumen 36, Número 4 Otoño 2020).
Felipe is a graphic designer, author, and curator from
Río de Janeiro, Brasil. A graduate of Rio’s Catholic
Universidad, he studied cinema and photography at the
London International Film School (Inglaterra), Commu-
nication Arts at the New York Institute of Technology,
and Graphic Design at the School of Visual Arts (EE.UU).
He has had his own office since 1990, working mainly
in the cultural, publishing and recording areas. En
2008 he launched his book Latin American Graphic
Diseño, the very first comprehensive compilation of
historical and contemporary design of this region,
published by Taschen. www.felipetaborda.com.br;
https://www.instagram.com/ftaborda.design/?hl=en
Cameron Tonkinwise is a professor of Design Studies
and the director of the Design Innovation Research
Centre at the University of Technology Sydney. Él
was previously the director of Doctoral Studies at
CMU and co-chair of the Tishman Environment and
Design Centre at Parsons The New School for Design.
Alice Twemlow is a research professor at the Royal
College of Art, The Hague (KABK), and an associate
professor at Leiden University. Previously, she was
head of the Master Department in Design Curating
and Writing at Design Academy Eindhoven and
before that she was the founding chair of the MFA in
Design Criticism at the School of Visual Arts in New
york. Her book, Sifting the Trash: A History of Design
Criticism, was published by MIT Press in 2017.
96
Problemas de diseño: Volumen 36, Número 4 Otoño 2020
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