faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Variabilidad relacionada con la edad en la participación en la red durante la música

faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Variabilidad relacionada con la edad en la participación en la red durante la música
escuchando. Neurociencia en red, Publicación anticipada. https://doi.org/10.1162/netn_a_00333.

Age-related variability in network

engagement during music listening

Author List: faber, S.1,2, belden, A.G.3, Luis, P.3, & McIntosh, A.R.2

1universidad de toronto

2Simon Fraser University

3Northeastern University

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Abstracto

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Listening to music is an enjoyable behaviour that engages multiple networks of brain regions.

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Tal como, the act of music listening may offer a way to interrogate network activity, y para

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examine the reconfigurations of brain networks that have been observed in healthy aging. El

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present study is an exploratory examination of brain network dynamics during music listening in

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healthy older and younger adults. Network measures were extracted and analyzed together with

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behavioural data using a combination of hidden Markov modelling and partial least squares. Nosotros

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found age- and preference-related differences in fMRI data collected during music listening in

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healthy younger and older adults. Both age groups showed higher occupancy (the proportion of

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time a network was active) in a temporal-mesolimbic network while listening to self-selected

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música. Activity in this network was strongly positively correlated with liking and familiarity

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ratings in younger adults, but less so in older adults. Además, older adults showed a higher

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degree of correlation between liking and familiarity ratings consistent with past behavioural

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work on age-related dedifferentiation. We conclude that, while older adults do show network and

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behaviour patterns consistent with dedifferentiation, activity in the temporal-mesolimbic network

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is relatively robust to dedifferentiation. These findings may help explain how music listening

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remains meaningful and rewarding in old age.

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Palabras clave: Music, Aging, Computational Neuroscience

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Fondo

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Brain function changes with age across multiple spatial scales. The brain can be thought of as a

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series of overlapping functional networks where each network is a collection of brain regions

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that act in concert over time. With age, regions that were once nodes in densely-connected

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functional networks may become disconnected while regions in previously distinct functional

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networks may become more connected (Grady et al., 2016), though whether this reconfiguration

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of functional network boundaries is adaptive or maladaptive remains unclear. In healthy older

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adultos, networks that were once well-defined and responded preferentially to a particular

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stimulus or set of conditions begin to activate (or to fail to deactivate) less discerningly in a

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process known as dedifferentiation (Grady et al., 2012; Rieck et al., 2017).

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In music listening, there is behavioural evidence of age-related perceptual changes that may

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serve as a behavioural counterpart to the dedifferentiation seen in network brain dynamics.

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Music is reported as more broadly pleasant with age (a positivity effect, Bones & Plack, 2015;

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Groarke & Hogan, 2019; Laukka & Juslin, 2007; Lima & Castro, 2011), and perceptual features

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also become less distinct with age, with higher correlations observed between perceived arousal

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and valence in older adults (Vieillard et al., 2012). This blurring of the lines between the

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perceived pleasantness and dimensions of a musical signal might indicate underlying network

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cambios, but do not seem to affect the music listening experience negatively.

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Musical sounds are complex stimuli that, using building blocks of timbre, tono, pitch, ritmo,

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melody, and harmony, can engender expectancy and surprise to make us laugh, cry, dance, sing,

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and reminisce. As musical stimuli are complex and hierarchically organized, brain responses to

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music are likewise complex and hierarchical, with many temporally-dependent overlapping

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procesos. Features extracted from musical signals stimulate activity in multiple brain regions

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(Alluri et al., 2012; Burunat et al., 2017; Williams et al., 2022), and networks, including the

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default mode network (DMN; Wilkins et al., 2014; Koelsch et al., 2022; Taruffi et al., 2017) y

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reward networks (Fasano et al., 2022).

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Multivariate statistical modelling tools provide us with a unique opportunity to observe and

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describe whole-brain network activity in a data-driven way. Working in network space, dónde

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the smallest unit of measurement is a network, allows us to examine the shifting patterns of brain

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activity that accompany music, which has the potential to add nuance that cannot be seen when

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looking at isolated regions of interest. This approach may also be of value in understanding the

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neural foundation of age-related perceptual changes, and may shed light on why music is so

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salient in clinical populations (Cuddy & Duffin, 2005; Leggieri et al., 2017; Särkämö et al.,

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2014; Thaut et al., 2020, Matziorinis & Koelsch, 2022).

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Where older adults show network reconfigurations compared to younger cohorts in rest and

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during cognitive tasks, what can music reveal about the aging brain? In the present exploratory

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estudiar, we studied age differences in network-level dynamics during familiar and novel music

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listening in a cohort of healthy younger and older adults. We aim to demonstrate age-related

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changes in network dynamics using a novel analysis paradigm comprising hidden Markov

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modelling and partial least squares analyses.

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Métodos

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Networks were estimated using hidden Markov modelling (HMM) and analyses were completed

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using partial least squares (PLS). We chose HMM rather than a seed-based or canonical network

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análisis (see Bressler & menón, 2010) in an effort to base our analyses on data-driven patterns

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as much as possible. A substantial advantage of HMM is that it derives networks from patterns in

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the original data without the constraints of canonical network boundaries or specified time

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windows.

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A brief outline of data collection is included here. For a detailed description of participant

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recruitment, study protocol, and data acquisition, please see Quinci et al. (2022) and Belden et al.

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(2023).

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Participantes

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Participants were right-handed, cognitively healthy younger (norte = 44, 11 machos, edad media =

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19.24, DE = 1.92) and older (norte = 27, 13 machos, edad media = 67.34, DE = 8.27) adults with normal

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hearing established via audiogram. Inclusion criteria included normal hearing, successful

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completion of MRI screening, and a minimum age of 18 for younger adults and 50 for older

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adultos. Exclusion criteria comprised medication changes 6 weeks prior to screening, a history of

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any medical condition that could impair cognition, a history of chemotherapy in the preceding 10

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años, or any medical condition requiring medical treatment within three months of screening.

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Data from two younger participants were excluded following data collection due to problems

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with the ratings apparatus. Ethics approval was granted by the Northeastern University

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Institutional Review Board and all research was conducted consistent with the Declaration of

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Helsinki.

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Procedimiento

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Prior to data collection, participants completed a screening call with researchers to confirm their

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eligibility for the study, and to collect a list of six songs that are familiar and well-liked by the

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partícipe. Following screening, eligible participants completed a battery of neuropsychological

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pruebas, structural and functional MRI scans, and a blood draw. The present study focuses on the

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fMRI data; other aspects of the results are in preparation and will be described in separate

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reports.

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Adquisición de datos

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All scans took place at Northeastern University. Functional scans were acquired with a Siemens

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Magnetom 3T scanner with a 64-channel head coil. The total scan time for task data was 11.4

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minutes with continuous acquisition at a fast TR of 475 ms over 1440 volumes. A resting state

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scan was also performed with these parameters, and findings will be reported in a future

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manuscript. T1 images were captured, but will not be discussed in detail in this manuscript.

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Task fMRI consisted of a block of resting state followed by music presentation (24 excerpts,

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each played for 20 artículos de segunda clase). Musical excerpts were either familiar and well-liked self-selected

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música (6/24), or experimenter-selected music chosen to be popular or possibly recognizable

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(10/24), or novel including excerpts purpose-composed for research purposes (8/24). Estímulos

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were presented randomly and following each 20 second musical excerpt, participants were asked

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to rate their familiarity and liking of the excerpt for two seconds each, using 4-point Likert

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escamas.

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Data pre-processing

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Functional MRI data were pre-processed using the TVB-UKBB pipeline detailed by Frazier-

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Logue et al. (2022). T1 images were registered to the Montreal Neurological Institute T1

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template. Functional data pre-processing was done using a pipeline using the FMRIB Software

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Library (FSL; Woolrich et al., 2009), including the fMRI Expert Analysis Tool (FEAT, versión

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6.0). Within the pipeline, pre-processing of functional data comprised gradient echo fieldmap

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distortion correction, motion correction using MCFLIRT, and independent component analysis

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(ICA) artifact classification using MELODIC and FIX.

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We assembled an ICA training set for non-cerebral artifact detection. ICA reports from 16

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participants per age group were visually inspected for noisy vs. clean components and manually

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anotado. Subsequent participants’ ICA reports were cleaned using this training set. El

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processed datasets were down-sampled to 220 regions of interest using the Schaefer-Tian 220

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parcellation, which provides ample spatial resolution of auditory regions and subcortical

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estructuras (Schaefer et al., 2017, Tian et al., 2020). Regional time series data were normalized to

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control for between-subject amplitude differences and exported to MatLab (MathWorks, 2019)

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for Hidden Markov Model estimation and analysis.

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Network Estimation

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To estimate networks, we used the HMM-MAR Toolbox (Vidaurre et al., 2017, 2018). El

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estimation uses ROI time series data and calculates the K networks that best describe the entire

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conjunto de datos. It then allocates each time window to the single best-fitting network within the original

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time series. HMM, as a dimensionality reduction technique, returns states (hereafter referred to

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as networks) that can be used to observe how networks interact over time.

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The output from HMM is a time series showing the most prominent network at each timepoint.

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From this timeseries, it is possible to calculate fractional occupancy and state-wise transitional

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probabilidad (Vidaurre et al., 2017). Fractional occupancy is the proportion of the total number of

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timepoints each network was occupied during a time series task, and shows a particular

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network’s prominence during target time windows. Transitional probability shows the most

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likely patterns of steps from one network to another. De este modo, both are related measures, but contain

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different information about how the networks interact.

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We estimated HMMs with variable K values between 3 y 20. We found the estimations with 4

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y 7 states to provide the most optimal model-derived free energy values (see Vidaurre et al.,

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2017; Vidaurre et al., 2018). Partial least squares analyses showed statistically significant effects

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for both estimations with comparable effect sizes (see Fasano et al., 2022). We further

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interrogated the spatial properties of the states in each estimation by computing a dot product of

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the normalized state means, finding that the spatial properties of the states in the estimation with

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7 states were well-represented in the estimation with 4 estados. We ultimately chose the 4 estado

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estimation as it provided a single state with activity in temporal and mesolimbic regions together.

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Temporal and mesolimbic region activity has been previously related to auditory reward

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(Salimpoor et al., 2011, Fasano et al., 2020), including prior analyses of subsets of the present

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datos (Belden et al., 2023, Quinci et al., 2022).

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The K networks identified by the HMM estimation are shown in Figure 1 (cortical regions only)

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and the regions of interest are detailed in Table 1. Where this analysis did not use canonical

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network-based seeds, we assigned anatomical labels to the networks based on the taxonomy of

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functional brain networks consistent with the wider network literature (Uddin et al, 2019). El

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functional properties of these states will be addressed in the discussion.

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Cifra 1: Mean activity plots returned from HMM analysis. Colours represent relative activity of

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the states and all have been normalized within-state. See Table 1 for subcortical regions not

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displayed here.

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Estado

Main Regions

Red

1

2

3

Bilateral middle-frontal and left temporal regions.
Subcortical regions include the bilateral temporal
pole, left nucleus accumbens, and right hippocampal
body

Medial frontoparietal network

Bilateral temporal and frontal regions

Temporal network

Bilateral temporal and mesolimbic regions
Subcortical regions include the left globus pallidus,
left hippocampal body, right putamen, y correcto
hippocampal tail

Temporal mesolimbic
network

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Bilateral superior frontal and middle parietal regions Frontoparietal network

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Mesa 1: Regions of interest and network labels from HMM analysis. Network labels are based

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on the work of Uddin et al. (2019).

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PLS

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We used partial least squares (PLS) to analyze between- and within-group differences on the

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HMM-extracted measures. PLS is a multivariate analysis technique that uses singular value

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decomposition to quantify the relationship(s) between data matrices and experimental features, en

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este caso, fractional occupancy and transitional probability measures. In these analyses, we used

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mean-centred PLS to analyze group and task differences using the HMM-extracted measures and

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the within-subject relation of the measure to participant liking and familiarity ratings. A

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emphasize group main effects, we performed mean-centred analyses subtracting the overall

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grand mean from the group means. To focus on task main effects and task by group interactions,

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secondary mean centred analyses were performed, subtracting the group mean from the task

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mean within each group (es decir., rendering the group main effect zero).

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PLS analysis returns mutually-orthogonal latent variables (LVs) that describe group and/or task

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efectos. Each LV’s statistical significance and reliability are calculated via permutation testing

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and bootstrap estimation, respectively with a statistical threshold of p <.05. The reliability and 187 strength of the group or task effects is depicted through the confidence interval estimation of LV 188 scores for all participants, where LV scores are the dot-product of subject data and LV weights. 189 LV weights themselves are evaluated for reliability through bootstrap ratios of the weight 190 divided by its estimated standard error, which can be interpreted as a z-score for the 191 corresponding confidence interval (see McIntosh & Lobaugh, 2004). 9 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / / t e d u n e n a r t i c e - p d l f / d o i / / t / . 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d . / t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 192 193 Results 194 Prior to HMM decomposition, we tested for sex differences using mean-centred PLS on each 195 participant’s average functional connectivity matrix from the music listening task. No significant 196 sex-related differences were found. Following these analyses, we ran additional PLS analyses to 197 test for sex effects in fractional occupancy and transitional probability, returning no significant 198 effects. Data were subsequently pooled together for the remainder of the analysis. l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . 199 Fractional Occupancy / / t e d u n e n a r t i c e - p d l 200 We extracted average fractional occupancy for each participant, and fractional occupancy for f / d o i / . / / t 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d t . / f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 201 each participant for each category of musical excerpt (self-selected, experimenter-selected 202 popular, and experimenter-selected novel) and used PLS to observe differences in fractional 203 occupancy across age groups and stimuli categories. Mean-centred PLS analysis returned one 204 significant LV (p = .024) showing an age effect, with younger adults showing higher fractional 205 occupancy in the temporal network (network/state 2), and older adults showing higher fractional 206 occupancy in the frontoparietal network (network/state 4). 207 208 Figure 2: Age-related differences in fractional occupancy (FO). (A) PLS contrasts between age 209 groups in music listening. Error bars were calculated using bootstrap resampling and reflect the 210 95% confidence interval. The contrasts show an age effect on FO (B), with the higher FO in 211 network 2 in younger adults, and higher FO in network 4 in older adults. The colour scale 212 represents the bootstrap ratio for each network. 213 10 214 When divided into stimulus categories and analyzed for task main effects and task-by-group 215 interactions, mean-centred PLS analysis returned one significant LV (p < .01, Figure 2) showing 216 an effect of self-selected music vs experimenter-selected music on fractional occupancy in the 217 temporal-mesolimbic network (network 3). Fractional occupancy is higher for this network while 218 listening to self-selected music (music that is highly familiar and well-liked) in both younger and 219 older adults. Fractional occupancy for the temporal network (network 2) is higher when listening 220 to experimenter-selected music. Both effects are qualitatively more reliable in younger adults 221 based on confidence intervals (Figure 3A). 222 223 Figure 3: (A) PLS contrasts between age groups in stimuli category and fractional occupancy 224 (FO). Error bars were calculated using bootstrap resampling and reflect the 95% confidence 225 interval. The contrasts show a stimulus-type effect on FO in both age groups (B), with the higher 226 FO in network 3 in both groups during self-selected music listening (SS Y and SS O), and higher 227 FO in network 2 during experimenter-selected music listening (Pop and Nov delineating popular 228 and novel excerpts respectively). 229 Transitional Probability 230 We next examined the transitional probability matrices for differences in network interaction on 231 average and between the different stimulus categories. Important to note: the data being analyzed 232 is the directional likelihood of transitioning from each network to each other network. Rather 233 than looking at networks by themselves, these results show the link or edge that connects each 234 network to each other network. 235 11 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . t / / e d u n e n a r t i c e - p d l f / d o i / t . / / 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d / t . f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 236 The averaged transitional probability mean-centred PLS returned one significant LV (p < .001), 237 showing a contrast between younger and older adults, with younger adults more likely than older 238 adults to transition into the temporal network (network 2) from other networks, and less likely 239 than older adults to transition to the frontoparietal network (network 4) from the temporal 240 network (network 2) In examining network persistence (the likelihood of staying in a network), 241 younger adults were more likely to stay in the temporal network when listening to experimenter- 242 selected music (Figure 4). 243 244 Figure 4: (A) PLS contrasts between age groups and transitional probability (TP). Error bars 245 were calculated using bootstrap resampling and reflect the 95% confidence interval. The 246 contrasts show an age effect on TP in both age groups (B), with younger adults more likely to 247 transition into network 2 from networks 1, 2, and 3 than older adults; and less likely to transition 248 to network 4 from network 2 than older adults (C). The colour scale represents the bootstrap 249 ratio for each network. 250 251 When divided into stimulus categories and analyzed for task main effects and task-by-group 252 interactions, both groups were more likely to transition from the temporal network to the 253 temporal-mesolimbic and frontoparietal networks during self-selected music listening. In 254 experimenter-selected music, both groups were most likely to transition from the temporal- 255 mesolimbic network to the temporal network, but this effect was more pronounced in younger 256 adults. In examining network persistence (the likelihood of staying in a network), all participants 257 were more likely to stay in the temporal-mesolimbic network when listening to self-selected 258 music and more likely to stay in the temporal network when listening to experimenter-selected 12 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / / t e d u n e n a r t i c e - p d l f / d o i / / / . t 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d . t / f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 259 music. When analyzed within age, older participants did not show a significant network 260 persistence pattern in the temporal network during experimenter-selected music (Figure 5). 261 262 Figure 5: (A) PLS contrasts between age groups in stimulus category and transitional 263 probabilities. SS refers to self-selected music, Pop and Nov refers to popular and novel 264 experimenter-selected music. Error bars were calculated using bootstrap resampling and reflect 265 the 95% confidence interval. The contrasts (B) show a stimulus-type effect on transitional 266 probability (TP), illustrated with the TP magnitude in panel C. Panel C shows the between- 267 network TP with solid lines representing self-selected music and dashed lines representing 268 experimenter-selected music. 269 Effects of liking and familiarity on brain measures 270 We next analyzed the network fractional occupancy and transitional probability matrices with 271 participants’ liking and familiarity ratings. We correlated liking and familiarity ratings for each 272 excerpt with fractional occupancy for each participant. Initial mean-centred PLS analysis 273 returned no significant LVs. Following this analysis, we ran the PLS centred to the overall grand 274 mean to allow for a full factorial analysis: group main effect, task main effect and group-by-task 275 interactions. 276 277 The results from the full factorial PLS returned one significant LV (p < .001) showing the 278 contrast between age groups. In younger adults, the temporal-mesolimbic network featured 279 prominently, showing a greater positive correlation than other networks with both liking and 280 familiarity. Older adults showed a more ambiguous correlation between liking and familiarity 281 and fractional occupancy in the temporal network (Figure 7). 13 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / t / e d u n e n a r t i c e - p d l f / d o i / . / / t 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d . t / f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 282 283 Figure 6:(A) PLS contrasts between age groups in stimulus category and fractional occupancy. 284 Error bars were calculated using bootstrap resampling and reflect the 95% confidence interval. 285 The contrasts show an age effect on correlations between liking and familiarity (Fam) and 286 network fractional occupancy (B), illustrated with the relevant magnitude in panel C. 287 288 We next vectorized the excerpt-wise transitional probability matrices for each participant, and 289 correlated them with each participant’s piece-wise liking and familiarity ratings, returning two 290 transitional probability -correlation matrices per participant: liking*transitional probability and 291 familiarity*transitional probability. 292 293 A full factorial PLS consistent with the above analysis returned one significant LV (p < 0.001) 294 showing an age effect. Younger adults’ liking and familiarity ratings were more strongly 295 positively correlated with the likelihood of transitioning to the temporal-mesolimbic network 296 from the temporal and frontoparietal networks. Younger adults’ ratings were more strongly 297 negatively correlated with persistence in the temporal-mesolimbic network, and the likelihood of 298 transitioning from the temporal-mesolimbic network to the medial frontoparietal network. 299 Transitioning from the frontoparietal network to the temporal network was more positively 300 correlated with ratings in older adults, and more negatively correlated with ratings in younger 301 adults (Figure 7). 302 303 Figure 7:(A) PLS contrasts between age groups in stimulus category and transitional 304 probabilities. Error bars were calculated using bootstrap resampling and reflect the 95% 14 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / t / e d u n e n a r t i c e - p d l f / d o i / / / . t 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d t / . f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 305 confidence interval. The contrasts (B) show an age effect on correlations between liking and 306 familiarity (Fam) and network transitional probability, illustrated with the relevant magnitude in 307 panel C. The colour scale represents the bootstrap ratio for each network. 308 Within-age mean-centred PLS analyses did not return any significant LVs. 309 Liking and familiarity behavioural ratings 310 Finally, we examined the ratings themselves. Mean-centred PLS showed older adults rated 311 excerpts as significantly less familiar than younger adults (p < .01). However, they did not 312 significantly differ in liking ratings. Mean-centred PLS also showed older adults’ liking and 313 familiarity data were significantly more highly correlated than younger adults (r = 0.57 for older 314 adults and r = 0.43 for younger adults, PLS p < .01). 315 Discussion 316 Music listening engages multiple brain networks that may reorganize in multiple ways as we age. 317 While there are well-documented effects of music listening on auditory and reward networks and 318 auditory-motor networks, less is known about how music listening may encourage persistence 319 within networks, or transitions between networks. Treating data-driven brain networks as units of 320 analysis, we detailed age-related similarities and differences in network occupancy and between- 321 network transitional probabilities during music listening. The two most commonly-featured 322 networks in these analyses were the temporal and temporal-mesolimbic networks. Activity in 323 temporal-mesolimbic regions overlaps with auditory-reward network activity (see Wang et al., 324 2020), while temporal regions are firmly affiliated with auditory processing (Belfi & Loui, 325 2019). 15 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / t / e d u n e n a r t i c e - p d l f / d o i / . / / t 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d t . / f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 326 327 Both younger and older adults showed the highest fractional occupancy in the temporal- 328 mesolimbic network while listening to self-selected music compared to experimenter-selected 329 music. These stimuli were selected by participants to be familiar and well-liked, and auditory- 330 reward network activation for preferred music has been well-documented in prior studies 331 (Salimpoor et al., 2011, Fasano et al., 2020), including on a subset of these data (Quinci et al., 332 2022). This network was active for experimenter-selected music as well, though to a lesser extent 333 than self-selected music, particularly in younger adults. 334 335 When looking at the transitional probability matrices, self-selected music was again linked to 336 persistence in the temporal-mesolimbic network and a greater probability of transition to this 337 network from the temporal network in both age groups. Experimenter-selected music was linked 338 to higher persistence in the temporal network and a greater probability of transition to the 339 temporal network from the temporal-mesolimbic network in both age groups, indicating that 340 music listening employs a distributed network of frontal and temporal regions; but to engage 341 mesolimbic structures, a degree of liking and familiarity is needed. 342 343 However, when analyzed separately, group differences were more obvious. Older subjects 344 showed an increased likelihood of persistence in the temporal network during experimenter- 345 selected music, but this effect was less reliable than in younger adults. Older adults also showed 346 an increased likelihood of transitioning to the temporal-mesolimbic network from the medial 347 frontoparietal network in self-selected music. This network shares many regions with the default 348 mode network (DMN; Uddin et al., 2019). The DMN is implicated in listening to liked (Wilkins 16 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / t / e d u n e n a r t i c e - p d l f / d o i / / . / t 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d t . / f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 349 et al., 2014; Pereira et al., 2011) and timbrally rich music (Alluri et al., 2012), and is less 350 attenuated during cognitive tasks with age (Rieck et al., 2017). One possible explanation is that 351 older adults are less likely to transition from the medial frontoparietal network to the temporal 352 network during music listening than younger adults, instead remaining in the medial 353 frontoparietal network until transitioning to the temporal-mesolimbic network while a younger 354 adult may transition from the medial frontotemporal network to the temporal network. 355 356 The older adult transitional probability matrices showed more transitions to the temporal- 357 mesolimbic network during experimenter-selected music, which could indicate an age-related 358 shift in between-network dynamics. Former pathways (in this case, the likelihood of transitioning 359 from an auditory reward network to an auditory perception network during unfamiliar music, or 360 staying in an auditory perception network during unfamiliar music) reconfigure in favour of 361 consistency across multiple types of music involving the temporal mesolimbic network. This is 362 consistent with earlier findings that network functional specificity declines in favour of a more 363 standard set of responses to multiple stimuli types (Rieck et al., 2020). 364 365 In younger adults, liking and familiarity ratings were correlated with fractional occupancy in the 366 temporal and temporal mesolimbic networks, with the temporal network most occupied when 367 familiarity and liking are low and the temporal mesolimbic network most occupied when 368 familiarity and liking are high. In older adults, correlations between fractional occupancy and 369 liking and familiarity ratings are more ambiguous, indicating a reconfiguration of network 370 engagement related to aging. Correlations between ratings and transitional probabilities were 371 consistent with this pattern: younger adults’ likelihood of transitioning into the temporal and 17 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . t / / e d u n e n a r t i c e - p d l f / d o i / / t . / 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d / . t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 372 temporal-mesolimbic networks were more strongly correlated with liking and familiarity than 373 older adults who showed a more diffuse pattern. 374 375 Older adults showed high fractional occupancy in the temporal-mesolimbic network during all 376 music types. This difference could be because older adults show less differentiation between 377 liking and familiarity during novel music listening. If familiarity is lower among older adults, but 378 liking is consistent with younger adults, it is possible that older adults would engage a different 379 network response to music that is unfamiliar but liked. Liking and familiarity are more 380 positively correlated in older adults than younger adults, consistent with earlier findings on age- 381 related blunting of emotional intensity and liking (where stimuli are consistently rated as less 382 extremely pleasant and unpleasant. See Baird et al., 2020; Groarke & Hogan, 2019; Laukka & 383 Juslin, 2007). 384 385 While these results offer a promising look into capturing age-related changes in network-level 386 dynamics in naturalistic behaviours, there are several areas for further inquiry. To more fully 387 examine age, future studies could include a more continuous range of participants, particularly 388 those in middle adulthood to disambiguate age and cohort effects. While this study did not focus 389 on music and memory, future work could include a measure of music-related memory (see 390 Jakubowski & Eerola, 2022) to disambiguate group differences due to memory and lived 391 experience. The methods presented here were in effort to identify networks most relevant to this 392 dataset in a data-driven way. This approach, while advantageous in presenting nuanced 393 fluctuations in network membership, may prove challenging to reconcile with the canonical 394 network literature. Future work could employ both canonical and data-driven methods to directly 18 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / / t e d u n e n a r t i c e - p d l f / d o i / . t / / 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d / t . f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 395 examine network membership and behaviour in an effort to link both methodological 396 approaches. 397 398 These observations could illustrate the broader pattern of the network dynamics of music 399 listening, and the age-related reorganization of these networks. For older adults, the temporal 400 network becomes less finely tuned to liking and familiarity, while the temporal mesolimbic 401 network remains active. There are several exciting implications of these findings. The first is in 402 studying naturalistic behaviours in “network space”: investigating the behaviours and 403 interactions of networks as behaviour unfolds. The need to understand the brain as a complex, 404 dynamic system, one that is continually adapting to its surroundings, has been the topic of much 405 discussion (see McIntosh & Jirsa, 2019; Calhoun et al., 2014). The brain is more than a 406 collection of regions and its emergent properties can be captured in fascinating detail using 407 music. Though the methods presented here are not unique to music, we also hope to present 408 music as a viable stimulus to interrogate higher cognition. 409 410 In the same way that the brain is not merely a collection of regions, music is more than a simple 411 collection of notes. It is ubiquitous in the human experience (Savage, 2019; Cross & Morley, 412 2010) but has yet to experience its renaissance in cognitive neuroscience. There are good reasons 413 for this: music data contain many layers of information from the content of the signal itself to the 414 content of the memories or the quality of movement it generates in the listener. However, the 415 scientific potential of music is too beguiling to ignore. Here is a stimulus that, unlike rest, has a 416 rich, externally-measurable temporal structure that, unlike traditional task paradigms, does not 417 require extensive training or fortitude to endure. It combines the best of both worlds with the 19 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / / t e d u n e n a r t i c e - p d l f / d o i / / / . t 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d t / . f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 418 added benefit of being accessible to clinical populations in ways that other tasks, especially those 419 reliant on language, are not. 420 421 By examining music’s network properties, we present a data-driven methodological framework 422 for future hypothesis-driven studies of musical behaviour while offering an alternative to 423 traditional paradigms that is externally measurable, ecologically valid, and accessible to those 424 with cognitive decline or who are non-verbal. 425 References 426 Alluri, V., Toiviainen, P., Jääskeläinen, I. P., Glerean, E., Sams, M., & Brattico, E. 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Neuroimage, 45(1), S173-S186. 26 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / / t e d u n e n a r t i c e - p d l f / d o i / . / t / 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d t . / f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / t / e d u n e n a r t i c e - p d l f / d o i / / / t . 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d . / t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . t / / e d u n e n a r t i c e - p d l f / d o i / t . / / 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d / . t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . t / / e d u n e n a r t i c e - p d l f / d o i / / / t . 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d / . t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . t / / e d u n e n a r t i c e - p d l f / d o i / / t / . 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d t / . f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / / t e d u n e n a r t i c e - p d l f / d o i / t / / . 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d / . t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / / t e d u n e n a r t i c e - p d l f / d o i / / t / . 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d t / . f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / / t e d u n e n a r t i c e - p d l f / d o i / / t / . 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d / . t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / t / e d u n e n a r t i c e - p d l f / d o i / / . / t 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d . t / f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / t / e d u n e n a r t i c e - p d l f / d o i / . / / t 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d t . / f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / / t e d u n e n a r t i c e - p d l f / d o i / . t / / 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d / . t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / t / e d u n e n a r t i c e - p d l f / d o i / . t / / 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d . / t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3 Author Summary This article explores age-related differences in between-network dynamics during music listening using fMRI data collected from a sample of healthy younger and older adults. We estimated brain networks using Hidden Markov Modelling (HMM) and tested for age- and stimulus-related differences using Partial Least Squares (PLS). HMM returned four functional connectivity networks, including a bilateral temporal network and a bilateral temporal- mesolimbic network. We found differences related to age and stimulus with both age groups spending more time in the temporal-mesolimbic network while listening to familiar, well-liked music. Younger adults’ activity in this network was positively correlated with liking and familiarity ratings, but this was not the case for older adults, consistent with past work on age- related dedifferentiation. We conclude that activity in the temporal-mesolimbic network is robust to dedifferentiation and discuss how these conclusions and analysis tools can be of use in future work with clinical populations. l D o w n o a d e d f r o m h t t p : / / d i r e c t . m i t . / t / e d u n e n a r t i c e - p d l f / d o i / / / t . 1 0 1 1 6 2 n e n _ a _ 0 0 3 3 3 2 1 5 5 2 0 2 n e n _ a _ 0 0 3 3 3 p d . / t f b y g u e s t t o n 0 7 S e p e m b e r 2 0 2 3faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image
faber, SEM, belden, A.G., Luis, PAG., & McInsosh, R. (2023). Age-related variability in network engagement during music image

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