Colaboradores

Adrian Anagnost is the Jessie Poesch Assistant
Professor of Art History in the Newcomb Art
Department at Tulane University, with research
focus on intersections of art, architecture, urbanism,
and design in the United States, América Latina,
and Europe after 1960. Anagnost’s recent book is
Spatial Orders, Social Forms: Art and the City in Modern
Brasil (Prensa de la Universidad de Yale, 2022).

Sharon Prendeville is senior lecturer/associate
professor at the Institute for Design Innovation,
Loughborough University London, leading research
on critical interdisciplinary perspectives on design
innovation. She heads and is principal investigator on
the AHRC-funded project “Counter-Framing Design.”
Prendeville was DRS2018 Chair of Conversations and
worked at TU Delft and the Royal College of Art.
En 2014, Prendeville co-founded the global grassroots
collective OSCEdays. Grant number AH/T002875/1.

Bas de Boer is an assistant professor at the University
of Twente, Los países bajos. A philosopher of
technoscience, he is interested in how technoscientific
developments shape the ways people understand
themselves and their surrounding world, y
shape how they experience and understand their
health and well-being. De Boer authored How
Scientific Instruments Speak: Postphenomenology and
Technological Mediations in Neuroscientific Practice
(Lexington Books, 2021).

Timothy Samara is the cover designer for this issue
of Design Issues (volumen. 38 No. 3 Verano 2022). Él es
a New York-based graphic designer who splits his
time between consulting, writing, and academia.
Samara is currently a visiting assistant professor at
SUNY Purchase College and an adjunct at Parsons/
The New School for Design, Nueva York. He has
authored ten books, which have been translated
into ten languages and are used by students and
practitioners around the world.

Diana Garvin is an assistant professor of Italian
with a specialty in Mediterranean Studies in the
Department of Romance Languages at the University
of Oregon. Garvin authored Feeding Fascism: El
Politics of Women’s Foodwork (universidad de toronto
Prensa, 2022). Garvin’s research on Fascist Italy
and Italian East Africa has been supported by the
Fulbright Global Scholar Award, Getty Library
Research Grant, Rome Prize, Wolfsonian-FIU
Fellowship, CLIR Mellon Fellowship, and Oxford
Cherwell Fellowship.

Manol B. Gueorguiev is an artist and design
historian working at the intersections of performance,
diseño, idioma, and sculpture. He teaches in the
Design Program at the Tulane University School
of Architecture.

Mailin Lemke is a design researcher at the Technical
University of Delft in the Netherlands, focusing on
the intersection of design and behavior change
intervenciones. Her work encompasses analyzing
how designs can influence user behavior and creating
solutions for different user groups that allow and
facilitate behavior change. She has published about
the role of disgust in the context of health promotion
and how to design for disgust in the context of critical
food designs.

Laura Santamaria is associate professor and deputy
head at Cambridge School of Arts, con 20+ años
of experience in branding, user experience, strategic
communications, and forecasting research. laura
worked extensively in the U.K. corporate and
non-profit sectors and as an independent consultant
through her agency, SantamariaMedia. Ella es
co-founder of Sublime magazine. With expertise
in lifestyle aspects of sustainability, she is recognized
as a leading voice in the field.

Anika Sarin is an assistant professor of Design and
a graphic designer practicing in New York and Los
Angeles. Her research interests spread across design
systems used in folk cultures, culture-specific
aesthetics and typography, and process-oriented
diseño. She investigates ways of “making” practiced
in creative folk communities to construct innovative
tools and methods useful in design. Her work
contributes to an inclusive design heritage that
shapes the politics of decolonization in design and
creates a dialogue with social constructs of identity
and power in design.

Pandora Syperek is Leverhulme Trust Early Career
Fellow at the Institute for Design Innovation,
Loughborough University London. ella era
previously a research associate on the AHRC-funded
research project Counter-Framing Design. Syperek
is a historian of modern and contemporary art,
diseño, and display culture, with a special interest
in gender and the nonhuman. Grant number AH/
T002875/1.

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Problemas de diseño: Volumen 38, Número 3 Verano 2022

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