Uroš Pajovi´c works and researches in and
around architecture, the politics of space,
visual arts, socialist histories, (post-)Yugoslav
空间, 和 (空间的) self-management. 他
edits the online periodical Communiqué and
is currently coediting Lefebvre for Activists,
to be published in Germany in 2019.

Gemma Sharpe is a Humanities Fellow and
PhD candidate in art history at the Graduate
中心, 纽约城市大学. 她
research focuses on modern art in South
亚洲, particularly Pakistan, and relationships
between internationalism, nation building,
and artistic media, particularly on paper.

Alise Tifentale is a PhD candidate in
art history at the Graduate Center, 城市
University of New York, and research fellow
at the Cultural Analytics Lab. 她是
author of The Photograph as Art in Latvia,
1960–1969 (2011), as well as numerous arti-
cles and book chapters on global issues in
contemporary photography. She has written
extensively on the history of art and photogra-
phy in Latvia and on selected other topics in
Soviet and Eastern European art history.

Yang Wang teaches art history at the
University of Colorado Denver. She is author-
ing a book on the Chang’an School of ink
绘画, which examines the art collective in
the context of nationalism, Cold War politics,
modernism, 和新- traditionalism in the
early People’s Republic of China (1949–76).
Her research has been supported by a
Fulbright grant, as well as by the American
Oriental Society and P.E.O. 国际的.

CoNTRibUToRS

Nikolas Drosos is a postdoctoral fellow at
the Getty Research Institute. He holds a PhD
from the Graduate Center, City University of
New York and has been the recipient of fel-
lowships from the Fulbright program, 这
Center for Advanced Study in the Visual
艺术, and Columbia University’s Harriman
研究所. He is currently working on his first
书, entitled Reforms: Art, Architecture, 和
Socialism in Eastern Europe, 1953–1958.

Chelsea Haines is a PhD candidate in
art history at the Graduate Center, 城市
University of New York. Her dissertation,
“Staging the Modern, Building the Nation:
Exhibiting Israeli Art, 1939–1965,” explores
the role of art exhibitions in Israeli nation-
building from the founding of the state to
the establishment of the Israel Museum
in Jerusalem. She is a former editor of
Guernica and The Exhibitionist and recently
coedited Entry Points: The Vera List Center
Field Guide on Art and Social Justice (Duke
大学出版社, 2015).

Rattanamol Singh Johal is a PhD candi-
date in the Department of Art History and
Archaeology at Columbia University. 他的
research focuses on transformations in con-
temporary art practice, including institu-
tional contexts and international networks
during the 1990s, with a specific focus on
the development of installation art in India.
He was the C-MAP Fellow for Asia in the
Department of Media and Performance Art
at MoMA and a Helena Rubinstein Critical
Studies Fellow at the Whitney Independent
Study Program.

Naeem Mohaiemen combines films,
装置, and essays in order to research
former left utopias and incomplete decoloni-
zations. His essay “Fear of a Muslim Planet:
Islamic Roots of HipHop” (Sound Unbound,
与新闻界, 2008) was a finalist for the
Transmediale Vilém Flusser Award.

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