retrActIon of HoLMes, ros. 2018. “MeAnWHILe In cHInA … MIAo

yIng AnD tHe rIse of cHInternet UgLy.” ArtMArgIns 7 (1): 31–57

“Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly,”
published in ARTMargins Volume 7, 问题 1, (https://doi.org/10.1162
/ARTM_a_00199) has been retracted by agreement between the author,
the ARTMargins editors, and the MIT Press. A reader conveyed con-
cerns regarding the originality of parts of the author’s article in May
2022. The journal independently investigated the charges and verified
他们. Following Dr. Holmes’s admission of plagiarism in all the
instances identified by the ARTMargins investigation, the journal
informed the journals and authors whose work was left un-cited, 还有
as the Ethics Committee at the author’s university. Below is a non-
exhaustive list of the sources the author failed to cite:

Alice Ming Wai Jim, ‘The Different Worlds of Cao Fei’, Yishu: Journal of Contemporary

11, 不. 3 (六月 2012).

David Joselit, ‘What to Do with Pictures’, 十月 138 (2011): 81–94, https://doi.org

/10.1162/OCTO_a_00068.

Laurie Penny, ‘Laurie Penny on Psychology: If You Live in a Surveillance State for

Long Enough, You Create a Censor in Your Head’, New Statesman (blog),
10 六月 2021, https://www.newstatesman.com/science-tech/2013/06/if-you
-live-surveillance-state-long-enough-you-create-censor-your-head.

Jack L. Goldsmith and Tim Wu, Who Controls the Internet? Illusions of a Borderless

世界 (纽约: 牛津大学出版社, 2008).

Gabriele de Seta, ‘Postdigital Wangluo: The Internet in Chinese Everyday Life’,

Anthropology Now 7, 不. 3 (2 九月 2015): 106–17, https://doi.org/10.1080
/19428200.2015.1103621.

Wenny Teo, ‘The Elephant in the Church: Ai Weiwei, the Media Circus and the

Global Canon’, in Re-Envisioning the Contemporary Art Canon: Perspectives in a
Global World, 编辑. Ruth Iskin (伦敦; 纽约: 劳特利奇, 泰勒 & Francis
团体, 2017).

Guobin Yang, ‘A Chinese Internet? 历史, 实践, and Globalization’, Chinese
Journal of Communication 5, 不. 1 (1 行进 2012): 49–54, https://doi.org/10
.1080/17544750.2011.647744.

Laine Nooney and Laura Portwood-Stacer, ‘One Does Not Simply: 简介
the Special Issue on Internet Memes’, Journal of Visual Culture 13, 不. 3 (2014):
248–52, https://doi.org/10.1177/1470412914551351.

Maghiel van Crevel, ‘Book Review: Verse Going Viral: China’s New Media Scenes,

Written by Heather Inwood’, Asiascape: Digital Asia 2, 不. 1–2 (15 一月 2015):
162–68, https://doi.org/10.1163/22142312-12340026.

Jonathan Hassid, ‘The Internet, Social Media, and a Changing China, Edited by
Jacques DeLisle, Avery Goldstein, and Guobin Yang’, The China Journal 78
(1 七月 2017): 158–60, https://doi.org/10.1086/691709.

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Shih-Wen Chen, ‘Baozou Manhua (Rage Comics), Internet Humour and Everyday

Life’, Continuum 28, 不. 5 (3 九月 2014): 690–708, https://doi.org/10
.1080/10304312.2014.941334.

Louise Atkinson, ‘Souvenirs from the British Isles: Archiving, Curating, 和

Collecting in Contemporary Art Practice’ (PhD Dissertation, 大学
Leeds, 2016), https://etheses.whiterose.ac.uk/16860/1/Souvenirs%20from%20
the%20British%20Isles.pdf.

Katharine Viner, ‘How Technology Disrupted the Truth’, 守护者, 12 七月 2016,
秒. 媒体, https://www.theguardian.com/media/2016/jul/12/how-technology
-disrupted-the-truth.

‘Oregon Police Bust Crime Ring Attempting to Ship $750K+ Worth of IPhones to

Hong Kong’, AppleInsider, 24 十二月 2015, https://appleinsider.com/articles
/15/12/24/oregon-police-bust-crime-ring-attempting-to-ship-750k-worth-of
-iphones-to-hong-kong.

Peidong Yang, Lijun Tang, and Xuan Wang, ‘Diaosi as Infrapolitics: Scatological
Tropes, Identity-Making and Cultural Intimacy on China’s Internet’, 媒体,
Culture & 社会 37, 不. 2 (2015): 197–214, https://doi.org/10.1177/01634437
14557980.

Nick Douglas, ‘It’s Supposed to Look Like Shit: The Internet Ugly Aesthetic’, 杂志

of Visual Culture 13, 不. 3 (1 十二月 2014): 314–39, https://doi.org/10.1177
/1470412914544516.

Andrea K. 斯科特, ‘Futurism’, 纽约客, 23 可能 2011, http://www.newyorker.com

/magazine/2011/05/30/futurism.

Claire Bishop, ‘Claire Bishop on Peter Fischli and David Weiss’, Artforum, 四月 2016,
https://www.artforum.com/print/reviews/201604/peter-fischli-and-david-weiss
-58717.

Christopher Tzechung Fan, ‘American Techno-Orientalism: Speculative Fiction and
the Rise of China’ (PhD Dissertation, 加州大学, 伯克利, 2016),
https://digitalassets.lib.berkeley.edu/etd/ucb/text/Fan_berkeley_0028E_16283
.pdf.

Winnie Won Yin Wong, ‘The Panda Man and the Anti-Counterfeiting Hero: Art,

Activism and Appropriation in Contemporary China’, Journal of Visual Culture
11, 不. 1 (1 四月 2012): 20–37, https://doi.org/10.1177/1470412911430463.
‘Bilibili’, in Wikipedia, 31 八月 2017, https://en.wikipedia.org/w/index.php?title=

Bilibili&oldid=1090245749.

Marcella Szablewicz, ‘The “Losers” of China’s Internet: Memes as “Structures of

Feeling” for Disillusioned Young Netizens’, China Information 28, 不. 2 (1 七月
2014): 259–75, https://doi.org/10.1177/0920203X14531538.

Kevin McGarry, ‘Using, 使用, Used’, Rhizome (blog), 24 二月 2010, http://

rhizome.org/editorial/2010/feb/24/using-using-used/.

Ying Miao, ‘My Brain Hole Just Dilated Another 2 Inches’, Rhizome (blog), 2 二月
2015, http://rhizome.org/editorial/2015/feb/02/my-brain-hole-just-dilated
-another-2-inches/.

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