设计问题: Authors Index

A
Amagai, Yoshinori. The Kobu Bijutsu Gakko and
the Beginning of Design Education in Modern Japan
(19:2 春天, 2003), 35–44.
Amir, Sulfikar. Industrial Design in Indonesia:
教育, Industry and Policy (18:1 冬天, 2002),
36–48.
Anceschi, 乔万尼. Introduction to Enzo Paci’s
Presentation at the 10th Triennial (18:4 秋天,
2002), 48–50.
Anceschi, 乔万尼. Visibility in Progress
(12:3 秋天, 1996), 3–13.
Anysley, Jeremy. Pressa Cologne, 1928: Exhibitions
and Publications Design in the Weimar Period (10:3
秋天, 1994), 52–76.
Arnheim, 鲁道夫. Sketching and the Psychology
of Design (9:2 春天, 1993), 15–19.
Arnheim, 鲁道夫. The Way of the Crafts
(10:1 春天, 1994) 29–36.
Ashwin, Clive. 绘画, Design and Semiotics
(1:2 落下, 1984) 42–52.
Athavankar, Uday A. Categorization: Natural
Language and Design (5:2 春天, 1989), 100–111.
Athavankar, Uday. Design in Search of Roots:
An Indian Experience (18:3 夏天, 2002) 43–57.
Atzmon, Leslie. Arthur Rackham’s Phrenological
Landscape: In-betweens, Goblins, and Femmes Fatales
(18:4 秋天, 2002) 64–83.
Atzmon, Leslie. The Scarecrow Fairytale:
A Collaboration of Theo Van Doesburg and Kurt
Schwitter (12:3 秋天, 1996) 14–35.
Avenier, Marie-Jose.; Nourry, Laetitia. Sciences of
the Artificial and Knowledge Production:
The Crucial Role of Intervention Research in
Management Sciences (15:2 夏天, 1999) 55–70.
Azrikan, Dmitri. VNIITE, Dinosaur of
Totalitarianism or Plato’s Academy of Design?
(15:3 秋天, 1999), 45–77.

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Badaracco, Claire Hoertz. George Salter’s Book
Jacket Design, 1925–1940 (17:3 夏天, 2001),
40–8.
Badaracco, Claire. Rational Language and
Print Design in Communication Management
(12:1 春天, 1996), 26–37.
Bagnara, Sebastiano. The Design of Training and
Education in Automation (7:1 落下, 1990), 53–70.
贝利, Christopher, reviewer. A View from
the Interior: Feminism, Women and Design
(book review) (7:1 落下, 1990), 71–75.
贝利, Christopher, reviewer. Design History and
the History of Design (book review)
(7:1 落下, 1990), 71–75.
贝利, Christopher, reviewer. Design History
澳大利亚: A Source Text in Methods and Resources
(book review) (7:1 落下, 1990), 71–75.
贝克, Steve. Flying, Stealing: Design’s Improper
Criticism (13:2 夏天, 1997), 65–76.
Balaram, S. Product Symbolism of Gandhi and
Its Connection with Indian Mythology
(5:2 春天, 1989), 68–85.
Barnhurst, Kevin G.; Nerone, 约翰.
Civic Picturing vs. Realist Photojournalism: 这
Regime of Illustrated News, 1856–1901 (16:1 春天,
2000), 59–79.
Barrese, Antonio; Cortesi, Angelo; Dorfles,
Gillo; De Pas, 乔纳森. Scientific Program
on the Themes of the 1983 ICSID Congress
(1:1 春天, 1984), 64–78.
Barris, Roann, reviewer. The Avant-garde Frontier
(book review) (10:3 秋天, 1994), 84–6.
Barris, Roann, reviewer. New Russian Design.
Novyi russkii dizain (book review) (10:3 秋天,
1994), 84–6.
Barris, Roann, reviewer. Theater in Revolution:
Russian Avant-Garde Stage Design 1913-1935
(book review) (9: 1 落下, 1992), 89.

设计问题: 体积 20, 数字 1 冬天 2004

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Barris, Roann. The Constructivist Engaged
Spectator: A Politics of Reception (15:1 春天,
1999), 31–48.
Bartl, 彼得. Some Thoughts on the “Vernacular”
Illustrations (9:2 春天, 1993), 32–33.
Bennett, Audrey. Interactive Aesthetics
(18:3 夏天, 2002) 62–9.
Bennett, James, reviewer. Technology’s
Storytellers: Reweaving the Human Fabric
(book review) (7:1 落下, 1990), 76–77.
Betts, Mary Beth, reviewer. Joseph Urban:
Architecture, Theatre, Opera, Film (book review)
(11:3 秋天, 1995), 74–5.
Betts, 保罗, reviewer. Fast Cars, Clean Bodies
(book review) (13:2 夏天, 1997), 83–4.
Betts, 保罗. 科学, Semiotics and Society:
The Ulm Hochschule für Gestaltung in Retrospect
(14:2 夏天, 1998), 67–82.
Blaich, Robert I. Philips Corporate Industrial
设计: A Personal Account (5:2 春天, 1989),
1–8.
Blankenship, Sherry. Cultural Considerations:
Arabic Calligraphy and Latin Typography?
(19:2 春天, 2003), 60–63.
Blaszczyk, Regina Lee, reviewer. Terra-cotta
Skyline (book review) (16: 1 春天, 2000), 80–1.
Blauvelt, 安德鲁, reviewer. Picturing the Beast:
Animals, Identity and Representation (book review)
(12:1 春天, 1996), 70–72.
Bonsiepe, Gui. Designing the Future: Perspectives
on Industrial and Graphic Design in Latin America
(7:2 春天, 1991), 17–24.
Bonsiepe, Gui. The Invisible Facets of the Hfg Ulm
(11:2 夏天, 1995), 11–20.
Bonsiepe, Gui. A Step Towards the Reinvention
of Graphic Design (10:1 春天, 1994), 47–52.
Bonsiepe, Gui. The Chain of Innovation: 科学
Technology Design (11:3 秋天, 1995), 33–6.
展位, David W. Mathematics as a Design Tool:
The Case of Architecture Reconsidered
(12:3 秋天, 1996), 77–87.
Borgmann, 阿尔伯特. Information and Reality at the
Turn of the Century (11:2 夏天, 1995), 21–30.
Branzi, 安德里亚. We are the Primitives
(3:1 春天, 1986), 23: 7.

Brett, 大卫. Design Reform and the Laws of Nature
(11:3 秋天, 1995), 37–49.
Brett, 大卫. Drawing and the Ideology of
Industrialization (3:2 落下, 1986), 59–72.
布坎南, 理查德, reviewer. Elements of Graph
设计 (book review) (12:1 春天, 1996), 73–75.
布坎南, 理查德, reviewer. Emilio Ambasz:
The Poetics of the Pragmatic (book review)
(7: 1 落下, 1990), 78–82.
布坎南, 理查德, reviewer. Flow:
The Psychology of Optimal Experience
(book review) (8:1 落下, 1991), 80.
布坎南, 理查德, reviewer. Gaetano Pesce:
Architecture Design Art (book review)
(7:1 落下, 1990), 78–82.
布坎南, 理查德, reviewer. The Materials of
发明: Materials and Design (book review)
(7:1 落下, 1990), 78–82.
布坎南, 理查德. Branzi’s Dilemma: 设计
in Contemporary Culture (14:1 春天, 1998), 3–20.
布坎南, 理查德. Children of the Moving
展示: The Ecology of Culture and the Search for
Causes in Design (17:1 冬天, 2001), 67–84.
布坎南, 理查德. Declaration by Design:
Rhetoric, 争论, and Demonstration in Design
实践 (2:1 春天, 1985), 4–22.
布坎南, 理查德. Design Research and the New
学习 (17:4 秋天, 2001), 3–23.
布坎南, 理查德. Education and Professional
Practice in Design (14:2 夏天, 1998), 63–6.
布坎南, 理查德. Human Dignity and Human
Rights: Thoughts on the Principles of Human-
Centered Design (17:3 夏天, 2001), 35–9.
布坎南, 理查德. Myth and Maturity:
Toward a New Order in the Decade of Design
(6:2 春天, 1990), 70–80.
布坎南, 理查德. A Response to Klaus
克里彭多夫 (2:2 落下 1985), 71–74.
布坎南, Richard.Wicked Problems
in Design Thinking (8:2 春天, 1992), 5–22.
布坎南, 理查德; Doordan, 丹尼斯;
Margolin, Victor. A Statement of Editorial Policy:
To Begin Again (10:1 春天, 1994), 1–4.

设计问题: 体积 20, 数字 1 冬天 2004

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Buckley, Cheryl. Made in Patriarchy:
Towards a Feminist Analysis of Women and Design
(3:2 落下, 1986), 3–14.
Bull, 大卫, reviewer. Graphic Design Sources
(book review) (15:3 秋天, 1999), 78–9.
Burall, 保罗. The Official Critic—Irrelevant or
Influential? (13:2 夏天, 1997) 36–9.
伯克, Christopher, reviewer. The Graphic
Language of Neville Brody (book review). (12:2
夏天, 1996), 80–3.
Burkhardt, François. Tendencies of German Design
Theories in the Past Fifteen Years (3:2 落下, 1986),
31–6.
Burns, Auˇsra. Emotion and Urban Experience:
Implications for Design (16: 3 秋天, 2000),
67–79.
衬套, Anne. Criticism and the Discerning Eye
(13:2 夏天, 1997), 16–23.
衬套, Donald J., reviewer. By Design:
Why There Are No Locks on the Bathroom Doors
in the Hotel Louis XIV and Other Object Lessons
(book review) (1: 2 落下, 1984), 80-82.
衬套, Donald J., reviewer. Design for Human
Scale (book review) (1:2 落下, 1984), 80-82
衬套, Donald J., reviewer. Xanadu,
The Computerized Home of Tomorrow and How It
Can Be Yours Today! (book review) (1:2 落下, 1984),
80–82.
衬套, Donald, reviewer. C.R. Ashbee: Architect,
Designer and Romantic Socialist (book review)
(3:2 落下, 1986), 86–89.
衬套, Donald, reviewer. Redesigning the World:
William Morris, the 1880s, and the Arts and Crafts
(book review) (3:2 落下, 1986), 86–89.
衬套, Donald, reviewer. The Simple Life: C.R.
Ashbee in the Cotswolks (book review) (3:2 落下,
1986), 86–89.
衬套, Donald, reviewer. Utopian Craftsmen: 这
Arts and Crafts Movement from the Cotswolds to
芝加哥 (book review) (3:2 落下, 1986), 86–89.

管家, Frances C. Eating the Image: The Graphic
Designer and the Starving Audience (1:1 春天,
1984), 27–40.
管家, Frances, C。, reviewer. The Un-Necessary
图像 (book review) (1:2 落下, 1984), 80–89.
管家, Frances, C。, reviewer. Truth & Falsehood
in Visual Images (book review) (1:2 落下, 1984),
82–86.
Butter, Reinhart. Putting Theory into Practice:
An Application of Product Semantics to Transpor-
tation Design (5:2 春天, 1989), 51–67.

C
Cabianca, 大卫. Great Expectations: A Note on
the AIGA 365 Debate (19:4 秋天, 2003), 19–25.
Celano, Christine. A Typographic Visualization of
the Narrative Structure of On the Road
(9:1 落下, 1992), 45–55.
Charter of Graphic Design: Proposal for Debate on
Visual Communication Design (8:1 落下, 1991),
67–73.
Cheng, A. Line (7:2 春天, 1991), 5–16.
Chiapponi, Medardo. 环境设计
and Industrial Design: Integrating Knowledge
around Urgent Issues (14:3 秋天, 1998), 74–84.
Chu, Cecilia. Interior Design in Hong Kong:
A Practice in Transition (19: 3 夏天, 2003),
37–37.
钟, Kyung Won. Strategies for Promoting
Korean Design Excellence (14:2 夏天, 1998),
3–15.
钟, Siu King. Redeveloping Design Education
in Hong Kong? (19:3 夏天, 2003), 83–93.
钟, Wayne C., reviewer. Real time:
Preparing for the Age of the Never Satisfied Customer
(book review). (15:1 春天, 1999), 80.
克拉克, Hazel. 介绍 (19:3 夏天, 2003),
1–4.
克莱顿, Hollis, reviewer. The Spectacle of Women:
Imagery of the Suffrage Campaign, 1907-1914
(book review) (6:2 春天, 1990), 85–86.
Clegg, Sue; Mayfield, Wendy. Gendered by
设计: How Women’s Place in Design is Still
Defined by Gender (15:3 秋天 1999), 3–16.

设计问题: 体积 20, 数字 1 冬天 2004

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Cogdell, Christina. Products or Bodies? Streamline
Design and Eugenics as Applied Biology
(19: 1 冬天, 2003), 36–53.
科恩, Stuart, reviewer. Artists Design Furniture
(book review) (2:2 落下, 1985), 77-80
科恩, Stuart, reviewer. Chicago Furniture. Art,
Craft, & Industry, 1833-1983(book review)
(2:2 落下, 1985), 77–80.
科恩, Stuart, reviewer. Master Pieces:
Making Furniture from Paintings (book review)
(2:2 落下, 1985), 77–80.
科恩, Stuart, reviewer. Mid-Century Modern
(book review) (2:2 落下, 1985), 77–80.
柯林斯, Bradford R. The Poster as Art:
Jules Cheret and the Struggle for the Equality of the
Arts in late Nineteenth-Century France
(2:1 春天, 1985), 41–50.
Conradi, Jan, reviewer. Brodovitch (book review)
(8:2 春天, 1992), 86.
Conradi, Jan, reviewer. Typographic Communica–
tions Today (book review) (8:2 春天, 1992), 86.
库珀, 雷切尔. Winners! (book review)
(14:2 夏天, 1998), 95–6.
Correa de Jesus, Sergio. Environmental Commu–
nication: Design Planning for Wayfinding (10:3
秋天, 1994), 32–51.
考克斯, Geoff. The Digital Crowd: Some Questions
on Globalization and Agency (15:1 春天, 1999),
16–25.
Coyne, 理查德; Snodgrass, Adrian. Problem
Setting within Prevalent Metaphors of Design
(11:2 夏天, 1995), 31–61.
Craig, 罗伯特·L. Designing Ethnicity: The Ideology
of Images (7:2 春天, 1991), 34–42.
Craig, 罗伯特. Ideological Aspects of Publication
设计 (6:2 春天, 1990), 18–27.
克劳福德, 艾伦. Ideas and Objects: The Arts and
Crafts Movement in Britain (13:1 春天, 1997),
15–26.

叉, 奈杰尔. Can a Machine Design?
(17: 4 秋天, 2001), 44–50.
叉, 奈杰尔. Design Research: A Disciplined
对话 (15:2 夏天 1999), 5–10.
叉, 奈杰尔. Designerly Ways of Knowing:
Design Discipline versus Design Science
(17:3 夏天, 2001). 49–55.
Csikszentmihalyi, Mihaly. Design and Order
in Everyday Life (8:1 落下, 1991), 26–34.

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Declaration of the Central European Design
会议. (9:1 落下, 1992), 86–88.
DeForest, 保罗, reviewer. Macro: A Clear Vision of
How Science and Technology Will Shape Our Future
(book review) (2:1 春天 1985), 82–84.
DeForest, 保罗, reviewer. The Culture of
技术 (book review) (2:1 春天, 1985),
82–84.
Deforge, Yves. Avatars of Design: Design before
设计 (6:2 春天, 1990), 43–50.
Design quo vadis? Strategies and Tools for the Future
of European Design—A Recommendation to the
European Community (10: 3 秋天, 1994), 77–83.
Diani, Marco, reviewer. Forces of Production:
A Social History of Industrial Automation (书
review) (2:2 落下, 1985), 81–84.
Diani, Marco, reviewer. Work Transformed:
Automation and Labor in the Computer Age
(book review) (2:2 落下, 1985), 81–84.
Diani, Marco. Immateriality takes Command
(4: 1-2 1988), 6–11.
Diani, Marco. The Science of Design (4:1-2 1988),
65–66.
Diani, Marco. The Social Design of Office Auto–
运动 (3:2 落下, 1986), 73–82.
Dilnot, Clive. The State of Design History, 第一部分:
Mapping the Field (1:1 春天, 1984), 3–23.
Dilnot, Clive. The State of Design History: 第二部分:
Problems and Possibilities (1:2 落下, 1984), 3–20.
Dilnot, Clive. Which Way Will the Dragon Turn?
Four Scenarios for the Design of China/Hong Kong in
the Next Half Century (19:3 夏天, 2003), 5–20.

设计问题: 体积 20, 数字 1 冬天 2004

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Dilnot, Clive. The Gift (9:2 落下, 1993), 51–65,
DiSalvo, Carl Francis. World Wide Web Interfaces
and Designing of the Emergence of Knowledge (18:1
冬天, 2002), 68–77.
Doloughan, Fiona J. The Language of Reflective
Practice in Art and Design (18:2 春天, 2002),
57–64.
Donnelly, Brian, reviewer. The Visible Word:
Experimental Typography and Modern Art 1909-
1923 (book review) (14:1 春天, 1998), 81–3.
Doordan, Dennis P. In the Shadow of the Fasces:
Political Design in Fascist Italy (13: 1 春天, 1997),
39–52.
Doordan, Dennis P. 介绍 (13:1 春天,
1997), 1–4.
Doordan, Dennis P. On History (11:1 春天
1995), 76–81.
Doordan, Dennis P. Promoting Aluminum:
Designers and the American Aluminum Industry
(9:2 春天, 1993), 44–50.
Doordan, Dennis P. Simulated Seas: Exhibition
Design in Contemporary Aquariums (11:2 夏天,
1995), 3–10.
Doordan, Dennis P., reviewer. Bamboo in Japan
(book review). (18:2 春天, 2002), 78–9.
Doordan, Dennis P. On Materials (19:4 秋天,
2003), 3–8.
Doordan, Dennis P. Design at CBS (6:2 春天,
1990), 4–17.
Doss, Erika. Toward an Iconography of American
劳动: 工作, Workers, and the Work Ethic in
American Art, 1930-1945 (13:11 春天, 1997),
53–66.
Drucker, Johanna. Black Riders: The Visible
Language of Modernism (book review). (10:2
夏天, 1994). 84.
Duszek, Roman; Porebski, Jerzy; Surawski,
Jacek; Wroblewski, Andrzej.
System for Orientation in Cities (2:1 春天, 1985),
33–40.

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Eames, 查尔斯; Eames, Ray. The Eames Report
(7:2 春天, 1991), 63–75.
Eckersley, 迈克尔; Makela, 磷. 斯科特;
Byrne, J. Kevin; Shaffer, Ellen. Three Lies to Live
(10:3 秋天, 1994), 3–21.
Edman, Ross, reviewer. In Pursuit of Beauty:
Americans and the Aesthetic Movement
(book review) (5:1 落下, 1988), 112–116.
Edman, Ross, reviewer. The Art That is Life:
The Arts and Crafts Movement in America 1975-
1920 (book review) (5:1 落下, 1988), 112–116.
Ehses, Hanno H. J. Representing Macbeth:
A Case Study in Visual Rhetoric (1:1 春天, 1984),
53–63.
Ehses, Hanno. Speaking of the Heart:
Some Annotations (18:1 冬天, 2002), 62–67.
Engelbrecht, Lloyd C., reviewer. Consultant
设计 (book review) (1:1 春天, 1984), 85–87.
Engelbrecht, Lloyd C., reviewer. The Industrial
Designer and His Public (book review)
(1:1 春天, 1984), 85–87.
Er, H. Alpay; Bayazit, Nigan.
Redefining the “Ph.D. in Design” in the Periphery:
Doctoral Education in Industrial Design in Turkey
(15: 3 秋天, 1999), 34–44.
Er, H. Alpay; Korkut, Fatma and Özlem, Er.
我们. Involvement in the Development of Design in
the Periphery: The Case History of Industrial Design
Education in Turkey, 1950s-1970s
(19: 2 春天, 2003), 17–34.
Ernyey, Gyula. Developmental Problems and
Possibilities in Times of Change (5:1 落下, 1988),
82–6.
Eskilson, 斯蒂芬. Color and Consumption
(18:2 春天, 2002), 17–29.

设计问题: 体积 20, 数字 1 冬天 2004

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F
Fathers, James. Peripheral Vision: An Interview
with Gui Bonsiepe Charting a Lifetime of
Commitment to Design (19:4 秋天, 2003),
44–56.
费尔德曼, Roberta M., reviewer. Discrimination
by Design: A Feminist Critique of the Man-Made
环境 (book review) (9:2 落下, 1993), 83.
Ferraris, Maurizio. Postmodernism and the
Deconstruction of Modernism (4:1-2 1988), 12–24.
Findeli, Alain. Design History and Design Studies:
Methodological, Epistemological and Pedagogical
Inquiry (11:1 春天, 1995), 43–65.
Findeli, Alain. 伦理, Aesthetics, 和设计
(10:2 夏天, 1994), 49–68.
Findeli, Alain. Rethinking Design Education for
21世纪: Theoretical, Methodological, 和
Ethical Discussion (17:1 冬天, 2001), 5–17.
Findeli, Alain. The Methodological and
Philosophical Foundations of Moholy-Nagy’s Design
Pedagogy in Chicago (1937-1946) (7:1 落下, 1990),
4–19.
Findeli, Alain. 介绍 (15:2 夏天, 1999),
1–4.
Fleischmann, Gerd. A Poster by Max Bill, 或者
Love of Geometry (17:2 春天, 2001), 53–63.
Fleming, 大卫. Design Talk: Constructing the
Object in Studio Conversations (14:2 夏天,
1998), 41–62.
弗莱彻, Kate T.; Goggin, Phillip A.
The Dominant Stances on Ecodesign: A Critique
(17:3 夏天, 2001), 15–25.
弗鲁瑟, Vilém. Three Essays and an Introduction
(11:3 秋天, 1995), 50–61.
Forest, Fred. Communication Esthetics, Interactive
Participation and Artistic Systems of Communication
and Expression (4:1-2 1988), 97–115.
Forlizzi, Jodi; 莱邦, Cherie. From Formalism
to Social Significance in Communication Design
(18:4 秋天, 2002), 3–13.
Forty, Adrian. Debate: A Reply to Victor Margolin
(11: 1 春天, 1995), 16–18.
弗拉斯卡拉, 豪尔赫, reviewer. Manufactured Pleasures/
Psychological Responces to Design (book review)
(12:1 春天, 1996), 76–7.

弗拉斯卡拉, 豪尔赫. Communications for Change:
Strategies and Difficulties (12:3 秋天, 1996),
44–59.
弗拉斯卡拉, 豪尔赫. 平面设计: Fine Art or Social
科学? (5:1 落下, 1988), 18–29.
弗雷德里克森, Laurel. Vision and Material Practice:
Vladimir Tatlin and the Design of Everyday Objects
(15:1 春天, 1999), 49–74.
Fry, Tony, reviewer. New American Design:
Products and Graphics for a Post-Industrial Age
(book review) (6:2 春天, 1990), 81–82.
Fry, Tony. Against an Essential Theory of “Need”:
Some Considerations for Design Theory
(8:2 春天, 1992), 41–54.
Fry, Tony. The “Futurings” of Hong Kong
(19: 3 夏天, 2003), 71–82.
Fry, Tony. A Geography of Power: 设计, 历史
and Marginality (6:1 落下, 1989), 15–30.

G
Gartman, 大卫. Harley Earl and the Art and Color
部分: The Birth of Styling at General Motors
(10:2 落下, 1994), 3–26.
Gauthier, Philippe. Technological Intervention
and the Malady of Happiness (15:2 夏天, 1999),
40–54.
Gavreau, Jean-Marie. Art, Handicrafts, 和
National Culture in Quebec from the 1920s until the
1950s (10:3 秋天 1994), 22–31.
乔治, Leigh, reviewer. The Form of the News:
A History (Book review) (19:1 冬天, 2003),
89–90.
乔治, Leigh. “The Sun’s Only Rival:” General
Electric’s Mazda Trademark and the Marketing of
Electric Light (19:1 冬天, 2003), 62–71.
Gessert, 乔治. Kitsch Ornamental Plants
(13:3 秋天 1997), 45–51.
Ghose, Rajeshwari. 设计, 发展, Culture
and Cultural Legacies in Asia (6:1 落下, 1989), 31–48.
Giard, Jacques R. Design Education in Crisis:
The Transition from Skills to Knowledge
(7:1 落下, 1990), 23–8.
Gillman, Ursula. Only Flying is More Beautiful
(8:2 春天, 1992), 54–9.

设计问题: 体积 20, 数字 1 冬天 2004

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Glanville, Ranulph. Researching Design and
Designing Research (15:2 夏天, 1999), 80–91.
戈德施密特, Gabriela. The Backtalk of Self-
Generated Sketches (19:1 冬天, 2003), 72—88.
戈德施密特, Gabriela; 韦尔, Maya.
Contents and Structure in Design Reasoning
(14:3 秋天, 1998), 85–100.
Golec, 迈克尔, reviewer. The New Typography
(book review) (13:2 夏天, 1997), 79–81.
Golec, 迈克尔, reviewer. The End of Print:
The Graphic Art of David Carson (book review)
(13:2 夏天, 1997), 79–81.
Golec, 迈克尔. A Natural History of a Disem–
bodied Eye: The Structure of Gyorgy Kepes’s
Language of Vision (18:2 春天, 2002), 3–16.
Golsby-Smith, Tony. Fourth Order Design:
A Practical Perspective (12:1 春天, 1996), 5–25.
Gorman, Carma R. “An Educated Demand:”
The Implications of “Art in Every day Life”
for American Industrial Design, 1925–1950
(16:3 秋天, 2000), 45–66.
Gorman, Carma R. Reshaping and Rethinking:
Recent Feminist Scholarship on Design and
Designers (17:4 秋天, 2001), 72–88.
戈特弗里德, 赫伯特, reviewer. 一个介绍
to Design and Culture in the Twentieth Century
(book review) (3:2 落下, 1986), 90–91.
Gottschalk, Fritz. (讣告) (12:2 夏天,
1996), 71.
Gowan, 铝, reviewer. A History of Graphic Design
(book review) (1:1 春天, 1984), 87–89.
Gowan, 铝, reviewer. History of Graphic Design
and Communication (book review)
(1:1 春天, 1984), 87–89.
Gravier, Marina Garone. Nineteenth-Century
Mexican Graphic Design: The Case of Ignacio
Cumplido (18:4 秋天, 2002), 54–63.
Greeley, Robin Adèle. Richard Duardo’s “Aztlán”
海报: Interrogating Cultural Hegemony in Graphic
设计 (14:1 春天, 1998), 21–34.
Gutierres, Laurent; Portefaix, Valerie.
Homes for China (19:3 夏天, 2003), 21–36.

H
Hadlaw, Janin. The London Underground Map:
Imagining Modern Time and Space
(19:1 冬天, 2003), 25–35.
Haiman, György. Imre Kner and the revival
of Hungarian Printing (7:2 春天, 1991), 43–53.
Hales, 彼得, reviewer. Half a Truth is Better
Than None (book review) (1:1 春天, 1984),
82–85.
Hanington, 布鲁斯, reviewer. 设计
Pleasurable Products: An Introduction to the New
Human Factors (book review) (18:1 冬天, 2002),
87.
Hanington, 布鲁斯. Methods in the Making:
A Perspective on the State of Human Research in
设计 (19:4 秋天, 2003), 9–18.
哈代, 汤姆, reviewer. Marketing Aesthetics:
The Strategic Management of Brands, 身份, 和
图像 (book review) (15:1 春天, 1999), 81–82.
Harrington, Kevin. (Interviewer)
Bauhaus Symposium (5:1 落下, 1988), 45–58.
Hartlaub, G.F. Art as Advertising (1928)
(9:2 落下 1993), 72–76.
Haruhiko, Fujita. Notomi Kaijiro: An Industrial
Art Pioneer and the First Design Educator of Modern
日本 (17: 2 春天, 2001), 17–31.
Hausmann, Raoul. Photomontage; Form Dialectic
in Photograpyh; Typography (14: 3 秋天, 1998),
65–73.
Heller, Steven, reviewer. The Origins of Graphic
Design in America, 1870-1920 (book review)
(14:1 春天, 1998), 84–5.
Heller, Steven, reviewer. The Swastika
(book review) (11:3 秋天, 1995), 81–3.
Heller, Steven, reviewer. The Art of the Masses:
A Radical Magazine and Its Graphics, 1911–1917
(book review) (6:2 春天, 1990) 83–84.
Heller, Steven. reviewer. The Unexplored Art
of Designer’s Biographies (book review)
(5:1 落下, 1988), 106–108.
Heller, Steven. Dan Friedman, 1945–1995 (11:3
秋天, 1995), 二.
Heller, Steven. 保罗·兰德, 1914–1996 (13.1
Spring1997), 82.
Heller, Steven. Notes on the Cover Designer
(12:3 秋天, 1996), 88–9.
Heller, Steven. Bonehead Design: Style as Language
(12:2 夏天, 1996), 61–70.

设计问题: 体积 20, 数字 1 冬天 2004

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Henderson, Susan R. “New Buildings Create New
People”: The Pavilion Schools of Weimar Frankfurt as
a Model of Pedagogical Reform (13:1 春天, 1997),
27–38.
Heskett, 约翰, reviewer. American Design Ethic
(book review) (1:1 春天, 1984), 79–81.
Heskett, 约翰, reviewer. Russel Wright: 美国人
设计师 (book review) (1:1 春天, 1984), 79–91.
Heskett, 约翰. 过去的, 展示, and Future in Design
for Industry (17:1 冬天, 2001), 18–26.
Heward, Tony. Revivalism and Cultural Shift:
British Graphic Design Since 1945 (15:3 秋天,
1999), 17–33.
Hewitt, 约翰. Posters of Distinction: Art,
Advertising and the London, Midland, and Scottish
Railways (16:1 春天, 2000), 16–35.
希金斯, Hannah B, reviewer. Visual Display
Culture beyond Appearances (book review)
(13:1 春天, 1997), 83–6.
Hirano, Takuo. The Development of Modern
Japanese Design: A Personal Account
(7:2 春天, 1991), 54–62.
Hirst, 约翰·M. Values in Design: “Existenz–mini-
妈妈,” “Maximum Quality,” and “Optimal Balance”
(12: 1 春天, 1996), 38–47.
Hosey, Lance. HALO Communication Booth
(8:3 夏天, 2002), 58–61.
Houze, Rebecca. From “Wiener Kunst im Hause”
to the Wiener Werkstätte: Marketing Domesticity
with Fashionable Interior Design (18:1 冬天,
2002), 3–23.
Hull, Judith S., reviewer. Cranbrook Design:
The New Discourse (book review) (9:2 落下, 1993),
84–87.
Hull, Judith S., reviewer. Design in America:
The Cranbrook Vision 1925–1950 (book review)
(9:2 落下, 1993), 84-87.
Huszar, Marta J., Make-Overs: The Shifting Palettes
of Change (14:1 春天, 1998), 35–39.
Huygen, Frederike. Report from Holland: 设计
Criticism after Postmodernism (13:2 夏天, 1997),
40–3.

我
Iadin, Omar C., Scribe 1984 or A Fiction in Design
(4:1-2 1988), 52–58.
Ingram, 杰克, reviewer. The Design Agenda:
A Guide to Successful Design Management (书
review). (13:2 夏天, 1997), 82.
Isaacs, Ken, reviewer. The Green Imperative:
Design for the Real World (book review).
(13:2 夏天, 1997), 78.
Iwao, Yamawaki; introduction by Chow, Mary.
Reminiscences of Dessau (2:2 落下, 1985), 56–68.

J
Jackson, 西蒙. The “Stump-Jumpers:” National
Identity and the Mythology of Australian Industrial
Design in the Period 1930-1975 (18:4 秋天,
2002), 14–23.
Jaffee, 芭芭拉, reviewer. Hiding in the Light,
On Images and Things (book review)
(8:2 春天, 1992), 84–85.
Jaskot, 保罗, reviewer. The Bauhaus Idea and
Bauhaus Politics (book review).
(14:2 夏天, 1998), 93–4.
Jerrard, 罗伯特. Quantifying the Unquantifiable:
An Inquiry into the Design Process
(14:1 春天, 1998), 40–53.
Jerrard, 罗伯特. Person-system Interaction and
设计: Re-establishing Values (9:2 春天,
1993), 20–31.
Jiménez Narváez, Luz María. Design’s Own
知识 (16:1 春天, 2000), 36–51.
Jonas, Wolfgang, reviewer. the internet and every-
一 (book review) (17:3 夏天, 2001), 88–9.
Jonas, Wolfgang. A Scenario for Design
(17:2 春天, 2001), 64–80.
琼斯, John Chris, reviewer. 楷模 & Constructs:
Margin Notes to a Design Culture (book review) (8:
2 春天, 1992), 87–88.
琼斯, John Chris, reviewer. The Crafts in Britain
in the 20th Century (book review)
(17:1 冬天, 2001), 91–2.
Juan, Adelaida de. Three Essays on Design
(16:2 夏天, 2000), 45–61.
Jue-Steuck, Jennifer. 约翰·J. Graham: Behind the
Peacock’s Plumage (19:4 秋天, 2003), 91–96.

设计问题: 体积 20, 数字 1 冬天 2004

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K
Kallish, 亚当, reviewer. Thinking Design
(book review) (18:3 夏天, 2002), 91–2.
Kathman, Jerry. Brand Identity Development in the
New Economy (18:1 冬天, 2002), 24–35.
Katz, Barry M., reviewer. Being Digital (书
review) (13:2 夏天, 1997), 77.
Katz, Barry M., reviewer. City of Bits
(book review) (13:2 夏天, 1997), 77.
Katz, Barry. “Leading ‘The Simple Life’:
The Arts and Crafts Movement in Britain, 1880–
1910” (16: 2 夏天, 2000), 87–9.
Katz, Barry. The Arts of War :”Visual Presentation”
and National Intelligence (12:2 夏天, 1996),
3–21.
Kazmierczak, Elzbieta T. Design as Meaning
制作: From Making Things to the Design of
Thinking (19:2 春天, 2003), 45–59.
凯莉, Rob Roy. Recollections of Josef Albers
(16:2 夏天, 2000), 3–24.
凯莉, Rob Roy. The Early Years of Graphic Design
at Yale University (17:3 夏天, 2001), 3–14.
Keyvanian, Carla. Manfredo Tafuri: 从
Critique of Ideology to Microhistories (16:1 春天,
2000), 3–15.
Kinross, 罗宾, reviewer. Pioneers of Modern
Typography (book review) (1:1 春天, 1984),
89-91
Kinross, 罗宾. The Rhetoric of Neutrality
(2:2 落下, 1985), 18–30.
Kintzele, Jeff. 男人, Money and Time. Logic of
Credit – Logic of Modernity? (4:1-2 1988), 131–140.
Knupfer, Anne Meis. African-American Designers:
The Chicago Experience Then and Now (16:3
秋天, 2000), 84–91.
Kotro, Tanja; Pantzar, Mika. Product Development
and Changing Cultural Landscapes—Is Our Future
in “Snowboarding”? (18:2 春天, 2002), 30–45.
Krampen, 马丁. Semiotics in Architecture and
Industrial Product Design (5:2 春天, 1989),
124–140.

Krippendorf, Klaus. Comments to Richard
Buchanan’s”’Declaration by Design” (2:2 落下,
1985), 70.
Krippendorf, Klaus. On the Essential Contexts
of Artifacts or On the Proposition That “Design is
Making Sense (of Things)” (5:2 春天, 1989), 9–39.
Krohn, Lisa; McCoy, 迈克尔. Beyond Beige:
Interpretive Design for the Post-Industrial Age (5:2
春天, 1989), 112–123.
Külling, Ruedi. (讣告) 12: 2 夏天, 1996,
72.

L
Lagana, Gretchen. Collecting Design Resources
at the University of Illinois at Chicago (3:2 落下,
1986), 37–46.
Lange, Martha. Italian Death Notices: Seen on
your Morning Walk: The Morning After: Italian
Mourning Posters (5:1 落下, 1988) 30–3.
Lange, Martha. Session with Gerhard Richter,
Former Bauhaus Student (5:1 落下, 1988), 35–44.
Lannoch, Helga; Lannoch Hans Jurgen.
Toward a Semantic Notion of Space (5:2 春天,
1989), 40–50.
大的, 迈克尔. Communication Among all People,
到处: Paul Arthur and the Maturing of
设计 (17:2 春天, 2001), 81–90.
劳伦斯, Sidney. Declaration of Function:
Documents from the Museum of Modern Art’s
Design Crusade, 1933-1950 (2:1 春天, 1985),
65–77.
Leong, Benny; 克拉克, Hazel. Culture Based
知识: Towards New Design Thinking and
Practice—A Dialogue (19: 3 夏天, 2003), 48–58.
征收, Richard S., reviewer. The Swastika: Symbol
beyond Redemption (book review) (17:3 夏天,
2001), 91–2.
征收, Ron. Design Education: Time to Reflect
(7:1 落下, 1990), 42–52.
征收, Ron. Toward a Technoethic and Anxious
启示 (9:2 落下, 1993), 5–14.
Lloyd, 彼得; Busby, Jerry. Softening Up the Facts:
Engineers in Design Meetings (17:3 夏天, 2001),
67–82.

设计问题: 体积 20, 数字 1 冬天 2004

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勒普顿, Ellen. Reading Isotype (3:2 落下, 1986),
47–58.
Lutchmansingh, Larry D. Evolutionary Affinity
in Arthur Mackmurdo’s Botanical Design
(6:2 春天, 1990), 51–57.

中号
Maciuika, John V. Adolf Loos and the Aphoristic
Style: Rhetorical Practice in Early Twentieth-century
Design Criticism (16:2 夏天, 2000), 75–86.
Madge, Pauline. Ecological Design: A New Critique
(13:2 夏天, 1997), 44–54.
Maffei, Nicolas, reviewer. The Work of Charles
and Ray Eames (book review) (15:1 春天, 1999),
75–9.
Maffesoli, Michel. Jeux De Masques: Postmodern
Tribalism (4:1-2 1988), 141–151.
Makela, Laurie Haycock. Little Miss Alpha Bit
Stories and Projects for Pre-Literate Kids and Post-
Modern Types (12:2 夏天, 1996), 33–9.
Maldonado, Tomás. Taking Eyeglasses Seriously
(17:4 秋天, 2001), 32–43.
Maldonado, Tomás. Defoe and the “Projecting
Age” (18:1 冬天, 2002), 78–85.
Maldonado, Tomás. The Idea of Comfort
(8:1 落下, 1991), 35–43.
Manovich, Lev. “Real” Wars: Esthetics and
Professionalism in Computer Animation
(8:1 落下, 1991), 18–25.
Manzini, Ezio. Prometheus of the Everyday:
The Ecology of the Artificial and the Designer’s
Responsibility (9:1 落下, 1992), 5–20.
Manzini, Ezio. 设计, Environment and Social
Quality: From Existenzminimum to Quality
Maximum (10:1 春天, 1994), 37–43.
Manzini, Ezio. Hong Kong as “Laboratory of the
Future” (19:3 夏天, 2003), 59–70.
Manzini, Ezio. Hong Kong as “Laboratory of the
Future” (19:3 夏天, 2003), 59–70.

Marchand, Roland, reviewer. Philips: A Study of
the Corporate Management of Design (book review)
(7:1 落下, 1990), 83–84.
Marchand, Roland. The Designers go to the Fair II:
Norman Bel Geddes, the General Motors “Futurama”
and the Visit to the Factory Transformed (8:2 春天,
1992), 23–40.
Marchand, Roland. The Designers go to the Fair:
Walter Dorwin Teague and the Professionalization of
Corporate Industrial Exhibits, 1933-1940
(8:1 落下, 1991), 4–17.
Margolin, Victor, reivewer. Avant-Garde Book
设计, 1900-1950 (19:4 秋天, 2003), 97–99.
Margolin, Victor, reviewer. Chinese Graphic
Design in the Twentieth Century (book review)
(8:2 春天, 1992), 82–83.
Margolin, Victor, reviewer. The Meanings of
Modern Design: Towards the Twenty-First Century
(book review) (8:1 落下, 1991), 81–83.
Margolin, Victor. The Age of Communication:
A Challenge to Designers (10:1 春天, 1994),
65–70.
Margolin, Victor. A Reply to Adrian Forty
(11:1 春天, 1995), 19–21.
Margolin, Victor. Design for a Sustainable World
(14:2 夏天, 1998), 83–92.
Margolin, Victor. Design History or Design
学习: Subject Matter and Methods (11:1 春天,
1995), 4–15.
Margolin, Victor. Expanding the Boundaries of
设计: The Product Environment and the New User
(4:1-2 1988), 59–64.
Margolin, Victor. Global Expansion or Global
Equilibrium? Design and the World Situation
(12:2 夏天, 1996), 22–32.
Margolin, Victor. Micky Wolfson’s Cabinet of
Wonders: From Private Passion to Public Purpose
(13:1 春天, 1997), 67–81.
Margolin, Victor. 叛乱, 改革, 和
革命: American Graphic Design for Social
改变 (5:1 落下, 1988), 59–70.
Margolin, Victor. The Shoeshine Boxes of Turkey
(19:1 冬天, 2003), 54–56.

设计问题: 体积 20, 数字 1 冬天 2004

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Margolin, Victor; Margolin, Sylvia. A “Social
Model” of Design: Issues of Practice and Research
(18:4 秋天, 2002), 24–30.
McCoy, Katherine. Information and Persuasion:
Rivals or Partners? (16:3 秋天, 2000), 80–3.
McCoy, Katherine. Professional Design Education:
An Opinion and a Proposal (7:1 落下, 1990), 20–2.
Meggs, Phillip, reviewer. Herbert Bayer:
The Complete Work (book review) (2:2 落下, 1985),
88.
Meikle, Jeffrey L., reviewer. A History of
工业设计 (book review) (1:2 落下, 1984),
87–89.
Meikle, Jeffrey L., reviewer. Aluminum by Design
(book review).(18:3 夏天, 2002), 89–90.
Meikle, Jeffrey L., reviewer. Design Since 1945
(book review) (1:2 落下, 1984), 87–89.
Meikle, Jeffrey L., reviewer. Advertising the
American Dream: Making Way for Modernity, 1920–
1940 (book review) (3:1 落下, 1986), 85–86.
Meikle, 杰弗里. Design History for What?
Reflections on an Elusive Goal (11:1 春天, 1995),
71–5.
Meiksins, 彼得, reviewer. What Engineers Know
and How They Know It (book review)
(12:2 夏天, 1996), 75–6.
Meurer, 贝恩德. The Transformation of Design
(17:1 冬天, 2001), 44–53.
Meurer, 贝恩德. New Design Challenges and
Concepts (15:1 春天, 1999), 26–30.
迈克尔, Vincent. Reyner Banham: Signs and
Designs in the Time Without Style
(18:2 春天, 2002), 65–77.
Miles, Malcom. Picking Up Stones: 设计
Research and Urban Settlement (17:2 春天, 2001),
32–52.
Mitchum, Carl. In Memoriam: Ivan Illich: Critic
of Professionalized Design (19:4 秋天, 2003),
26–30.
Moles, Abraham A. Design and Immateriality:
What of It in a Post Industrial Society? (4:1-2 1988),
25–32.
Moles, Abraham A. The Comprehensive Guarantee:
A New Consumer Value (2:1 春天, 1985), 53–64.
Moles, Abraham. A. The Legibility of the World:
A Project of Graphic Design (3:1 春天, 1986),
43–53.

Morelli, Nicola, Designing Product/Service
系统: A Methodological Exploration (18: 3
夏天, 2002), 3–17.
Morello, Augusto, Design Predicts the Future
When It Anticipates Experience (16:3 秋天,
2000), 35–44.
Morello, Augusto, 1928–2002. Obituary/
Remembrance (19:1 冬天, 2003), 2–3.
摩根, Ann Lee, reviewer. Alphonse Mucha: 这
Complete Posters and Panels (book review)
(2:1 春天, 1985), 85–89.
摩根, Ann Lee, reviewer. Art Journal Vol. 44,
不. 1 (book review) (2:1 春天, 1985), 85–89.
摩根, Ann Lee, reviewer. Lance Hidy’s Posters
(book review) (2:1 春天,1985), 85–89.
摩根, Ann Lee, reviewer. 海报: The 20th
Century Poster–Design of the Avant-Garde
(book review) (2:1 春天, 1985), 85–89.
Morgantini, Maurizio. “A Newfound Bareness on
the Threshold of the Third Millenium” (4:1-2 1988),
33–7.
Morgantini, Maurizio. Man Confronted by the
Third Technological Generation (1:2 落下, 1984),
21–5.
Moyer, 大学教师. What I saw at TED6
(11:3 秋天, 1995), 66–73.
Mykheeva, Marina M.; Azrikan, Dmitri A.;
Tarakov, Igor A.; Sinelnikov, Alexey S.
FUTURE–DESIGN: The Design of the Future—
The Design of the Neo-Sphere, a Concept for a
Prognostic Project (8:1 落下, 1991), 44–56.

氮
Naylor, Gillian, reviewer. The De Stijl
环境 (book review) (2:2 落下, 1985), 85–87.
Naylor, Gillian, reviewer. The Omega Workshops
(book review) (2:2 落下, 1985), 85–87.
Negrotti, Massimo. Designing the Artificial:
An Interdisciplinary Study (17:2 春天 2001),
4–16.
Netti, Alba; Perlman, Karyn; Rager, Christi.
Graphics (2:1 春天, 1985), 51–52.
诺伊曼, Eckhard. The Planned Economy
in Search of the World Standard: 反思
Advertising and Design in the DDR (8:2 春天,
1992), 74–81.

设计问题: 体积 20, 数字 1 冬天 2004

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Niederhelman, Melissa. Education through
设计 (17:3 夏天, 2001), 83–7.
Nini, Paul J., reviewer. Scenarios: The Future of the
未来 (book review) (12:2 夏天, 1996), 73–4.
Nini, 保罗, reviewer. Inconspicuous Consumption
(book review) (13:3 秋天, 1997) 86.
Nisbet, 彼得, reviewer. Bauhaus (book review)
(2:1 春天, 1985), 78–81.
Nisbet, 彼得, reviewer. Russian Constructivism
(book review) (2:1 春天, 1985), 78–81.
诺顿, Lisa, reviewer. Design You Don’t Know
What to do With: A Book About (the Meanings
的) Design and its Alternatives (审查) (19:3
夏天, 2003), 94–5.

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Orel, Tufan. The Technologies of Self-Fashioning:
Beyond Universality and Variance of the Industrial
产品 (4:1-2 1988), 38–51.
Oswald, Laura. The Place and Space of
Consumption in a Material World (12:1 春天,
1996), 48–62.
Otto, Christian F., reviewer. Industriekultur Peter
Behrens and the AEG, 1907–1914 (book review)
(2:1 春天, 1985), 90–92.
欧文, Charles L. Design Education in the
Information Age (7:2 春天, 1991), 25–33.
欧文, 查尔斯. Structured Planning in Design:
Information-Age Tools for Product Development
(17:1 冬天, 2001), 27-43
Ozcan, Oguzhan. Cultures, the Traditional Shadow
Play, and Interactive Media Design (18:3 夏天,
2002), 18–26.
Ozcan, Oguzhan.; Akarun, Lale. Mathematics and
Design Education (17:3 夏天, 2001), 26–34.

磷
Paci, Enzo. Presentation at the 10th Triennial (18:4
秋天, 2002), 48–53.
Pansera, Anty. The Triennale of Milan: 过去的,
展示, 和未来 (2:1 春天, 1985), 23–32.
Pantzar, Mika. Consumption as Work, Play, 和
Art: Representation of the Consumer in Future
Scenarios (16:3 秋天, 2000), 3–18.
Pantzar, Mika. Domestication of Everyday Life
技术: Dynamic Views on the Social Histories
of Artifacts (13:3 秋天, 1997) 52–65.
Papanek, Victor. The Future Isn’t What It Used
To Be (5:1 落下, 1988), 4–17.
Pekarik, 安德鲁, reviewer. Japanese Design:
A Survey since 1950 (11:2 夏天, 1995), 71–84.
Pérez-Gómez, 阿尔贝托. Hermeneutics as Discourse
in Design (15:2 夏天, 1999), 71–9.
Poggenpohl, Sharon Helmer; Ahn, San-Soo.
Between Word and Deed: The ICOGRADA Design
Education Manifesto, Seoul 2000 (18:2 春天,
2002), 46–56.
Poling, Clark V., reviewer. Bauhaus Photography
(book review) (3:1 落下, 1986), 87–88.
Poling, Clark V., reviewer. Moholy-Nagy
(book review) (3:1 落下, 1986), 87–88.
Poling, Clark V., reviewer. The Bauhaus
Reassessed: Sources and Design Theory
(book review) (3:1 落下, 1986), 87–88.
Porch, 理查德. The Digital Watch: Tribal Bracelet
of the Consumer Society (2:2 落下, 1985), 46–9.
Pressler, 查尔斯, reviewer. Distinction
(book review) (2:2 落下, 1985), 75.
Punt, 迈克尔. A New Home for the Cinema? Doors
of Perception 2 @home, 阿姆斯特丹 1994
(11:2 夏天, 1995), 62–70.
Punt, 迈克尔. Accidental Machines: the Impact
of Popular Participation in Computer Technology
(14:1 春天, 1998), 54–80.

设计问题: 体积 20, 数字 1 冬天 2004

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Racine, Martin with Findeli, Alain. Julien Hébert
and the Emergence of Industrial Design in Canada
(19:4 秋天, 2003), 31–43.
Rams, Dieter. Omit the Unimportant (1:1 春天,
1984), 24–6.
Reidharr, James W., reviewer. The Visual Display
of Quantitative Information (book review) (3:1 落下,
1986), 89–91.
Remington, 右. 罗杰. Remembrances of Philip B.
Meggs 19:2 春天, 2003), 74–75.
Repp, Philip. Reflecting on a Stone (11:3 秋天,
1995), 62–5.
Riccini, Raimonda. Innovation as a Field of
Historical Knowledge for Industrial Design
(17:4 秋天, 2001), 24–31.
Riccini, Raimondi. History from Things: Notes
on the History of Industrial Design (14:3 秋天,
1998), 43–64.
理查森, 亚当. The Death of the Designer
(9:2 春天, 1993), 34–43.
理查森, 亚当, reviewer. Design for Society
(book review) (12:2 夏天, 1996), 77–9.
Rivadulla, Eladio, 少年. The Film Poster in Cuba
(1940–1959) (16:2 夏天, 2000), 36–44.
罗宾逊, Rick, reviewer. Things That Make Us
Smart (book review) (10:1 春天, 1994), 77–8.
罗宾逊, Sidney. Charles Rennie Mackintosh
(13:3 秋天, 1997), 82–5.
Rock, 迈克尔, reviewer. Twentieth-Century Type
(book review) (10:1 春天, 1994), 79–82.
Rock, 迈克尔, reviewer. Modern Typography
(book review) (10:1 春天, 1994), 79–82.
Rose, 理查德. Between Object and Gesture: 图像
as Simile (5:1 落下, 1988), 93–101.
Roth, 苏珊. The State of Design Research
(5:2 夏天, 1999), 18–26.
Rothschild, Joan. Changing Office Designs:
The Role of Technology (11:2 夏天, 1995), 85–91.
拉塞尔, 基思. On Displacement, Blind Immediacy,
and the Fallacy of Misplaced Concreteness: Review of
设计 (加) Research Conference, Politecnico
di Milano, 可能 2000 (17:1 冬天, 2001), 85–90.
Ryan, 大卫. Enzo Mari and the Process of Design
(13:3 秋天, 1997), 29–36.

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Sack, Warren. Artificial Human Nature
(13:2 夏天, 1997), 55–64.
Saliga, Pauline. Architecture and Design in
American Museums circa 2000 (5:1 落下, 1988),
71–81.
Salmon, 标记; Gritzer, Glen. Parallel Content:
Social Science and the Design Curriculum (9:1 落下,
1992), 78–85.
Salmond, Wendy. A Matter of Give and Take:
Peasant Crafts and their Revival in Late Imperial
俄罗斯 (13:1 春天, 1997), 5–14.
Sandberg, 威廉; Introduction by Margolin,
Victor. Presentation at Vision ‘67 (3: 1 春天,
1986), 64–77.
Sanders, Liz, reviewer. Human-computer Interface
设计: Success Stories, Emerging Methods, 和
Real-World Context (book review) (13:3 秋天,
1997), 88–9.
Satue, Enric. Super Veloz: A Typographic System
for the Smaller Printer (2:2 落下, 1985), 9–17.
A Scandinavian Design Council Manifesto on
自然, Ecology, and Human Needs for the Future
(8:1 落下, 1991), 78–9.
Scardigli, Victor. Toward Digital Man? (4:1-2
1988), 152–162.
Schmeichen, 詹姆斯·A. Reconsidering the Factory,
Art-Labor and the Schools of Design in Nineteenth-
Century Design (6:2 春天, 1990), 58–69.
施耐德, Sara K. Body Design, Variable Realisms:
The Case of Female Fashion Mannequins
(13:3 秋天, 1997), 5–18.
施耐德, Sara K. “This is my Brain Book”:
Day-Timers and Expedient Design (12: 2 夏天,
1996), 40–6.
施罗德, Jonathan E., reviewer. Reading Ads
Socially (book review) (10:1 春天, 1994), 76–7.
施罗德, 乔纳森, reviewer. Marketing
Modernism in Fin de Siècle Europe (book review)
(11:3 秋天, 1995), 76–80.
施罗德, 乔纳森, reviewer. Fables of
Abundance (book review) (11: 3 秋天, 1995),
76–80.
施罗德, 乔纳森, reviewer. Privacy and
Publicity: Modern Architecture as Mass Media
(book review) (11:3 秋天, 1995), 76–80.

设计问题: 体积 20, 数字 1 冬天 2004

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Schwarzer, 米切尔. The Design Prototype
as Artistic Boundary: The Debate on History
and Industry in Central European Applied Arts
Museums, 1860-1900 (9:1 落下, 1992), 30–44.
Schwarzer, 米切尔, reviewer. Home Front
Furniture: British Utility Design 1941-1951
(book review) (9:2 落下, 1993), 87–88.
Schwarzer, 米切尔, reviewer. Modernism and the
Decorative Arts in France: Art Nouveau to
Le Corbusier (book review) (9:2 落下 1993), 89–90.
Schwitters, Kurt. Designed Typography (1926),
Modern Advertising (1928) (9:2 落下, 1993), 66–71.
Seago, Alex; 邓恩, Anthony. New Method–
ologies in Art and Design Research: The Object as
话语 (15:2 夏天, 1999), 11–17.
Searing, Helen, reviewer. Mechanical Brides
(book review) (10:2 夏天, 1994), 80–3.
Selle, Gert. The Lost Innocence of Poverty: 上
Disappearance of a Culture Difference (8:2 春天,
1992), 61–73.
Selle, Gert. Untimely Opinions (An attempt to
reflect on design) (6:2 春天, 1990), 33–42.
Selle, Gert. There is no Kitsch, There is Only Design
(1:1 春天, 1984), 41–52.
Sellers, 苏珊. Mechanical Brides: The Exhibition
(10:2 夏天, 1994), 69–79.
Sensemann, 苏珊, reviewer. Cut With the
Kitchen Knife (book review) (10:1 春天, 1994),
71–2.
Shannon, 迈克尔·J. Toward a Rationale for Public
Design Education (7:1 落下, 1990), 29–41.
Shaw, 保罗, reviewer. Hermann Zapf and
His Design Philosophy (book review) (5:1 落下,
1988), 109–111.
Shaw, 保罗. Tradition and Innovation:
The Design Work of William Addison Dwiggins
(1:2 落下, 1984), 26–41.
Sherwin, Chris, reviewer. A New Design
Philosophy (book review) (17:3 夏天, 2001), 90.
Simeoni, Daniel. Language Processes and the
Metalinguistic Puzzle (4:1-2 1988), 116–130.
Simmons, Sherwin. Grimaces on the Walls: Anti-
Bolshevist Posters and the Debate About Kitsch (14:2
夏天, 1998), 16–40.

西蒙, Herbert A. The Science of Design: Creating
the Artificial (4:1-2 1988), 67–86.
Siu, Kin Wai Michael. Users’ Creative Responses
and Designers’ Roles (19:2 春天, 2003), 64–73.
Siu, Michael Kin Wai. The Mid-Autumn Festival
Lantern in Contemporary Hong Kong (14:3
秋天, 1998), 19–27.
Smets, Gerda. Perceptual Meaning (5:2 春天,
1989), 86-99.
史密斯, Keren M. “Designing Readers: Redressing
the Texts of Classic Drama” (7:3 夏天, 2001),
56–66.
史密斯, Thomas Gordon, reviewer. Classical Taste
在美国, 1800–1840 (book review). (11:1 春天,
1995), 85–6.
Snodgrass, Adrian; Coyne, 理查德. 楷模,
Metaphors and the Hermeneutics of Designing
(9:1 落下 1992), 56–74.
Solomon, 马丁. The Power of Punctuation
(6:2 春天, 1990), 28–32.
Sonfield, 马修·C. Custom Automotive
Coachbuilding in the United States, 1900-1940
(12:2 夏天, 1996), 47–60.
Spence, 乔纳森, reviewer. Superfluous Things:
Material Culture and Social Status in Early Modern
中国 (book review) (11:1 春天, 1995), 83–4.
Stafford, Barbara Maria. An Image of One’s Own:
Design Discipline vs. Visual Studies (11:1 春天,
1995), 66–70.
Stairs, 大卫. Biophilia and Technophilia:
Examining the Nature/Culture Split in Design
理论 (13:3 秋天, 1997), 37–44.
Stairs, 大卫. Okuwangaala: The Persistent Vitality
of the Vernacular (18:3 夏天, 2002), 70–88.
Staples, Loretta. Typography and the Screen:
A Technical Chronology of Digital Typography, 1984-
1997 (16:3 秋天, 2000), 19–34.
Strickler, Zoe. Elicitation Methods in Experimental
Design Research (15:2 夏天, 1999), 27–39.
Strom, 克尔斯滕. Reading Scott Makela:
The Subversion of Dyslexic Deconstruction
(19:2 春天, 2003), 5–16.

设计问题: 体积 20, 数字 1 冬天 2004

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Thomson, Ellen Mazur. Alms for Oblivion:
The History of Women in Early American Graphic
设计 (10:2 夏天, 1994), 27–48.
Thornton, Richard S. Japanese Posters: The First
100 Years (6:1 落下, 1989), 4–14.
Townsend, 斯科特. Unfolding the Surface
of Information (14:3 秋天, 1998), 5–18.
Traub, 查尔斯; Lipkin, 乔纳森. Creative
Interlocutor and Multimedia Dialog 16:2 夏天,
2000), 25–35.
Triggs, Teal, reviewer. Clean New World:
Culture, Politics and Graphic Design (book review)
(18:3 夏天, 2002), 93–5.
Troy, 南希, reviewer. The Decorative Art of Today
(book review) (6:2 春天, 1990), 87–90.
Troy, 南希. Toward a Redefinition of Tradition in
French Design, 1895 到 1914 (1:2 落下, 1984), 53–69.
Trumbo, 让. The Spatial Environment in Multi-
media Design: Physical, Conceptual, Perceptual, 和
Behavioral Aspects of Design Space (13:3 秋天,
1997), 19–28.
Tschichold, Jan. Something about Book Design
(1932) (9:2 落下 1993), 77–79.
车工, 马修. Early Modern Design in Hong
孔 (6:1 落下, 1989), 79–91.
Turpin, 约翰. The Irish Design Reform Movement
of the 1960s (3:1 春天, 1986), 4–21.
Tyler, Ann C. Shaping Belief: The Role of Audience
in Visual Communication (9:1 落下, 1992), 21–9.
Tyler, 安. It’s a Nice World After All: The Vision
of “difference” in Colors (12:3 秋天, 1996),
60–76.

U
Usherwood, 芭芭拉. The Design Museum:
Form follows Funding (7:2 春天, 1991), 76–87.

Swann, 卡尔. DK = Design Kultur (11:3 秋天
1995), 3–14.
Swann, 卡尔. Icons of the Bush (19:4 秋天,
2003), 72–81,
Swann, 卡尔. Action Research and the Practice
of Design (18:1 冬天, 2002) 49–61.
斯旺森, Gunnar. Graphic Design Education
as a Liberal Art: Design and Knowledge in the
University and the Real World (10:1 春天, 1994),
53–64.
Sylvestrova, Svetlana. That was the Beginning
(3:1 春天, 1986), 54–63.
Tapia, Alejandro. Graphic Design in the Digital
时代: The Rhetoric of Hypertext (19:1 冬天, 2003),
5–24.

时间
Tarkhanov, Aleksei. The Name of the Object
(9:1 落下, 1992), 75–7.
Tatlin,五、; Dymshits-Tolstaia, S。; 介绍
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Project for the Organization of Competitions for
Monuments to Distinguished Persons (1918)
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Exhibition Design in France and Italy (16:2 夏天,
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Tauke, Beth. Stain: Phenomenal and Literary
Approaches to Color Studies (10:1 春天, 1994),
19–28.
泰勒, William M. Characterizing the Inhabitant in
Robert Kerr’s “The Gentleman’s House,” 1864 (18:3
夏天, 2002), 27–42.
Teasley, Sarah. Furnishing the Modern Metropo–
litan: Moriya Nobuo’s Designs for Domestic Interiors
1922–1927 (19:4 秋天, 2003), 57–71.
Terzidis, Kostas. Hybrid Form (19:1 冬天, 2003),
57–61.
Terzidis, Kostas. Hybrid Form Errata (19:2 春天,
2003), 76–80.
The Munich Design Charter (8:1 落下, 1991), 74–7.
Thiel, Tamiko. The Design of the Connection
机器 (10:1 春天, 1994), 5–18.
Thomson, Ellen Mazur. Thorstein Veblen
at the University of Chicago and the Socialization
of Aesthetics (15:1 春天, 1999), 3–15.

设计问题: 体积 20, 数字 1 冬天 2004

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V
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(1929) (9:2 落下, 1993), 80–82.
Vanmalderen, Luc. Investigations into the Image
(2:2 落下, 1985), 50–5.
Verbeek, Peter-Paul; Kockelkoren, Petran.
The Things that Matter (14:3 秋天, 1998),
28–42.
Vermaas, Chris. Bodoni Meets Franklin
(18:4 秋天, 2002), 46–7.
Victore, James. Visual Essay (12:3 秋天, 1996),
36–43.
Vitta, Maurizio. The Meaning of Design (2:2 落下,
1985), 3–8.
沃格尔, Craig, reviewer. The Rise of Big Business,
1860-1920 (book review) (10:2 夏天, 1994),
85–7.

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沃克, Stuart, reviewer. Better Living: In Pursuit
of Happiness from Plato to Prozac (book review)
(16:2 夏天, 2000), 90.
沃克, Stuart, reviewer. Bobos in Paradise: 这
New Upper Class and How They Got There
(book review) (18:1 冬天, 2002), 86.
沃克, Stuart, reviewer Ecological Design
(book review) (13:3 秋天, 1997), 87.
沃克, Stuart. How the Other Half Lives: 产品
设计, Sustainability, and the Human Spirit
(16:1 春天, 2000), 52–8.
沃克, Stuart. The Environment, 产品
Aesthetics and Surface (11:3 秋天, 1995), 15–27.
王, Shou Zhi. Chinese Modern Design:
A Retrospective (6:1 落下, 1989), 49–78.
Washburn, Wilbomb E., reviewer. 文化
Excursions: Marketing, Appetites and Cultural Tastes
in Modern America (book review) (9:1 落下, 1992),
90–91.
Weisberg, Gabriel, reviewer. Art Nouveau in
Fin-de-Siecle France: 政治, Psychology and Style
(book review) (7:1 落下, 1990), 85–88.
Whalley, 彼得, reviewer. The Wheelwright’s Shop
(book review) (1:1 春天, 1995 82–3.
Whalley, 彼得, reviewer. Engineering and the
Mind’s Eye (book review) (10:1 春天, 1994),
73–5.
Whiteley, 奈杰尔. 介绍 (13:2 夏天,
1997), 1–4.

Whiteley, 奈杰尔. Design History or Design Studies?
(11:1 春天, 1995), 38–42.
Whiteley, 奈杰尔. Olympus and the Marketplace:
Reyner Banham and Design Criticism (13:2
夏天, 1997), 24–35.
Whiteley, 奈杰尔. Pop, Consumerism, 和
Design Shift (2:2 落下, 1985), 31–45.
Wiener, Norbert. Chapter X1–Goals and Problems
(4:1-2 1988), 87–96.
Wildhagen, Fredrik. The Challenge of the Green
(11:3 秋天 1995), 28–32.
Wildhagen, Fredrik. The Guzzini Memorandum:
From the Ethic of Projects to the Project of Ethics
(5:1 落下 1988), 87–9.
威廉姆斯, Linda, reviewer. Critique of Commodity
Aesthetics: Appearance, Sexuality and Advertising
in Capitalist Society (book review) (3:2 落下, 1986),
83–85.
威廉姆斯, Linda, reviewer. 女性, Media and
Crisis: Femininity and Disorder (book review)
(3:2 落下, 1986), 83–85.
威廉森, 杰克. The Grid: 历史, Use, 和
意义 (3:2 落下, 1986), 15–30.
Wilson, Kristina, reviewer. Designed for Delight:
Alternative Aspects of Twentieth-Century Decorative
艺术 (book review) (16:3 秋天, 2000), 93–4.
Wilson, Richard Guy, reviewer. Lewis Mumford:
A Life (book review) (8:1 落下, 1991), 84–86.
Winkler, Dietmar R. ModernistPparadigms Never
Die, They just Fade Away (17:1 冬天, 2001),
54–66.
Wolff, Laetitia. Massin in Continuo: A Dictionary
(18:4 秋天, 2002), 31–45.
黄, Wendy Siuyi. Detachment and Unification:
A Chinese Graphic Design History in Greater China
自从 1979 (17:4 秋天, 2001), 51–71.
Wood, 约翰. Situated Criticism and the Experiential
展示 (13:2 夏天, 1997), 5–15.
Woodham, Jonathan M., reviewer. 设计与
British Industry (book review) (5:1 落下, 1988),
102–105.
Woodham, Jonathan M., reviewer. Pop Design:
Modernism to Mod (book review) (5:1 落下, 1988),
102–105.

设计问题: 体积 20, 数字 1 冬天 2004

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