CoNtRibutoRs

Jing Cao is a writer and translator who stud-
ies contemporary Chinese art. She has written
for ARTMargins, Art Practical, Daily Serving,
and Artsy Magazine. Her translations have
appeared in Complementary Modernisms in
China and the United States (2019).

Fares Chalabi teaches philosophy at
American University of Beirut and art theory
at two other Beirut universities, ALBA and
Saint Joseph University. His main fields of
interest are the study of ontological argumen-
站, 伦理, and aesthetics.

Daniele Genadry is an assistant professor
of studio art at the American University of
Beirut. In her artistic practice, she focuses
on the relationship between painting and
photography. Recent exhibitions include
Slow Light, at the Beirut Art Center (2018);
La Fabrique des Illusions, at MUCEM/Sursock
Museum (2019); and Tamawuj, at Sharjah
Biennial 13.

Adriana Michéle Campos Johnson teaches
at the University of California, 尔湾. She is

the author of Sentencing Canudos: Subalternity
in the Backlands of Brazil (2010) and is cur-
rently at work on two books: Infrastructures
of Visuality in Latin America and Thinking
Water.

Nicholas C. Morgan is a PhD candidate
in the Department of Art History and
Archaeology at Columbia University. 他的
research focuses on the institutionalization
of identity politics in art in the late 1980s and
early 1990s, and on art of the AIDS crisis in
a transnational frame. He has contributed to
Artforum and caa.reviews, as well as to several
exhibition catalogs.

John Roberts teaches at the University of
Wolverhampton and is the author of a number
of books, including The Intangibilities of Form:
Skill and Deskilling in Art after the Readymade
(2007), The Necessity of Errors (2010),
Photography and Its Violations (2014),
Revolutionary Time and the Avant-Garde (2015),
and The Reasoning of Unreason: Universalism,
Capitalism and Disenlightenment (2018).

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