A Compositional Approach Derived from Material and Ephemeral Elements Ellen Fullman coffee cans with large metal mix- ing bowls filled with water and rubbed the wires with my hands, tipping the bowl to modulate the…
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Seeking Out the Spaces Between:
Seeking Out the Spaces Between: Using Improvisation in Collaborative Composition with Interactive Technology a b s t r a c t This article presents findings Sarah Nicolls In seeking to create responsive “performance en- vironments”…
LMJ19 CD CoMpanion
LMJ19 CD CoMpanion Listening for Music through Community curated by Pauline Oliveros Leonardo Music Journal CD Series Volume 19 从http下载的://direct.mit.edu/lmj/article-pdf/doi/10.1162/lmj.2009.19.98/1970633/lmj.2009.19.98.pdf by guest on 07 九月 2023 LMJ19 CD Listening for Music through Community…
Special Section introduction
Special Section introduction News and Olds from the Electronic Orchestra Pit When Nic Collins asked me to assist him in tapping into the “wisdom of the crowd” for a special section in LMJ19, I happily…
Special Section introduction
Special Section introduction The Institute of Sonology In 1956, a studio for electronic music was opened within the acoustics depart- ment of Philips Research Laboratories. The productions made in this studio emphasized functional music for…
s p e c i a l s e c t i o n
s p e c i a l s e c t i o n Reflections on the Sonic Commons O+A (Bruce Odland and Sam Auinger) 我们, Odland and Auinger, are sonic thinkers. We trust our…
2009 Author Index
2009 Author Index Leonardo Volume 42 and Leonardo Music Journal Volume 19 ACETI, LANFRANCO. “Without Visible Scars: Digital Art and the Memory of War,” Leonardo 42, 不. 1 (2009). ADAMS, KATHRYN. Review of Ephemeral Bodies:…
LMJ19 CD CoMpanion
LMJ19 CD CoMpanion Listening for Music through Community curated by Pauline Oliveros Leonardo Music Journal CD Series Volume 19 从http下载的://direct.mit.edu/lmj/article-pdf/doi/10.1162/lmj.2009.19.100/1970631/lmj.2009.19.100.pdf by guest on 07 九月 2023 LMJ19 CD Listening for Music through Community…