https://doi.org/10.1162/grey_a_00346 Editors’ Introduction: Pious Technologies and Secular Designs MARÍA GONZÁLEZ PENDÁS AND WHITNEY LAEMMLI The “science of spirits” that structured the taxonomy of the Encyclopédie. Pierre Curie and Marie Curie’s regular séance attendance. Spaceships engineered…
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Cover of Die graphischen
Cover of Die graphischen Künste 22 (1899), which includes Alois Riegl, “Die Stimmung als Inhalt der modernen Kunst” (Mood as the Content of Modern Art). Digital Library Heidelberg. © Universitätsbibliothek Heidelberg. l D o w…
Discussion among members
Discussion among members of Taring Padi and students of the MA in Transcultural Studies and Art History, Heidelberg University, at Documenta 15, Hallenbad Ost, Kassel, 六月 28, 2022. Photograph by Georgy Radchenko. 94 https://doi.org/10.1162/grey_a_00380 Learning…
Gudskul. Installation view,
Gudskul. Installation view, Documenta 15, Kassel, 2022. 64 https://doi.org/10.1162/grey_a_00379 Missed Encounters: Introduction to Documenta 15 Dossier ERIC C.H. DE BRUYN Last summer, Documenta 15 (the latest installment of the quin- tennial exhibition of contemporary art…
On Documenta 15
On Documenta 15 T.J. DEMOS In an early statement on their approach to Documenta 15, the artistic collective ruangrupa announced the exhibition’s frame- 工作: The concept ruangrupa has prepared for documenta fifteen is “Lumbung.” A…
A Provocation to
A Provocation to Contemporary Art as Place-Making: Some Observations after Documenta 15 RAQS MEDIA COLLECTIVE 1. Since the beginning of this century a search for new ways of gathering has been underway. Documenta 11 signified…
Wang Mingqi. Projection
Wang Mingqi. Projection Team on the Lake. Cut-paper illustration by a projectionist of an open-air screening. From Dianying fangying (Film projection), 不. 3 (1965). l D o w n o a d e d f…
“Reproduction of a drawing
“Reproduction of a drawing by M. Suppantschitsch.” Max Suppantschitsch. Cypressen (Cypresses). From Alois Riegl, “Die Stimmung als Inhalt der modernen Kunst” (Mood as the Content of Modern Art). 26 https://doi.org/10.1162/grey_a_00301 Mood as the Content of…
Jack Burnham.
Jack Burnham. Beyond Modern Sculpture: The Effect of Science and Technology on the Sculpture of This Century(1968). Cover. 88 土井:10.1162/GREY_a_00205 Jack Burnham Redux: The Obsolete in Reverse? LUKE SKREBOWSKI The emergence of a “post-formalist esthetic”…