收到的书
维克多·马戈林
Aynsley, Jeremy. Designing Modern Germany. 伦敦:
Reaktion Books, 2009. 国际标准书号 978-1-86189-401-4
(平装); 255 页面. Color and black and white
插图.
One of a series of books from Reaktion that
examines modern design in different countries. 这
author begins with the 1870s and ends with 2005. 一个
excellent summary of material from numerous sources
with considerable new material in English about
postwar design in East and West Germany.
Beegan, Gerry. The Mass Image: A Social History of
Photomechanical Reproduction in Victorian London.
Houndmills and New York: 帕尔格雷夫·麦克米伦, 2008.
国际标准书号 978-0-230-55327-9 (精装); 302 页面. 黑色的
and white illustrations.
A study that relates the production of popular
imagery in late nineteenth century London to the
development of technology, 出版, and strategies
of forming a mass audience. The author discusses how
the media presented London as an urban center, 这
role of the pictorial magazine, and the illustration of
日常生活.
Bello, Paula. Goodscapes: Global Design Processes.
Helsinki: University of Art and Design, 2008. 国际标准书号
978-951-558257-7; 239 页面. Color illustrations and
图表.
Based on the author’s PhD dissertation, 这
book describes the movement of goods around the
world as another type of circulation or flow. Design is
discussed from cross-cultural perspective and linked to
larger forces of globalization.
Bernard, 皮埃尔. My Work is Not My Work: Design for
the Public Domain. Baden: Lars Müller, 2007. 国际标准书号
978-3-03778-087-9; 319 页面. 彩色插图.
Pierre Bernard, co-founder of the design
collective Grapus and now leader of the Paris
studio Atelier de Création Graphique, has produced
documentation in text and images of his career as
a graphic designer for the public sphere. 下列的
several introductory texts by Bernard, the work is
presented as projects that are organized by categories
包括, 政治, 文化, 科学, and public space.
Blau, Eva and Ivan Rupnik. Project Zagreb: 过渡
as Condition, 战略, 实践. 巴塞罗那: Actar, 2009.
国际标准书号 978-84-96540-57-6; 335 页面. Black and white
插图; 地图, and diagrams.
The documentation of an imaginative project
to study Zagreb as a city in transition. With the support
of maps, 图表, and photographs to supplement the
书面文字, the authors describe the city as a dynamic
work in progress in which architecture plays a central
角色.
Calvera, 安娜, 编辑. De lo Bello de las Cosas: Materiales
para una Estetica del diseño (Of the Beauty of Things:
Materials for an Esthetic of Design). 巴塞罗那:
Editorial Gustavo Gili, 2007. 国际标准书号 978-84-252-2223-8
(平装); 黑白插图. 西班牙语.
A collection of scholarly essays by design
theoreticians and designers that explores the relation of
philosophy to design aesthetics.
Many of the authors draw on the writings
of established philosophers such as Merleau-Ponty,
海德格尔, 维特根斯坦, and Derrida to elucidate
the creation and reception of designed objects and
图形.
Candlin, Fiona and Raiford Guins, 编辑. The Object
Reader. Milton Park and New York: 劳特利奇, 2009.
国际标准书号 978-0-415-45230 (平装); 554 页面. 黑色的
and white illustrations and diagrams.
An extensive collection of texts about objects
by authors from diverse disciplines. The theoretical
texts are supplemented by a collection of short essays
about specific objects.
Casey, 迈克尔. Che’s Afterlife: The Legacy of an Image.
纽约: 优质的, 2009. 国际标准书号 978-0-307-27930-9
(平装); 388 页面. Black and white illustrations.
Written by a journalist, this book describes
the many visual forms in which the memory of Che
Guevara is enshrined. Beginning with an account of
how the famous Korda photograph was taken, 这
author continues with discussions of how the image
has circulated in Cuba, 玻利维亚, 委内瑞拉, 北
美国, and elsewhere in the world.
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设计问题: 体积 26, 数字 2 春天 2010
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Crous Vidal u la Grafia Latina (Crous Vidal and the Grafica
Latina). Museu d’Art Jaume Morera, 2008. 国际标准书号 978-84-
96855-23-6 (平装); 357 页面. 彩色插图.
Texts in Catalan, 西班牙语, 法语, and English.
A collection of essays and original texts that
accompanied an exhibition of work by the Spanish
typographer, Enric Crous Vidal. Essays by scholars
including Raquel Pelta and Andreu Balius address
topics such as Crous Vidal and the Grafica Latina, 这
Grafica Latina in France, and technical descriptions of
Crous Vidal’s type designs. The selection of texts by the
typographer addresses different aspects of his design
哲学.
Fernández, Sylvia and Gui Bonsiepe, 编辑. Historia del
diseño en América Latina y el Caribe; Industrialización y
comunicación visual para la autonomía (History of Design
in Latin America and the Carribean: Industrialization and
Visual Communication for Autonomy). São Paulo; Editora
Blücher, 2008. 国际标准书号 978-85-212-0447-3; 371 页面.
彩色和黑白插图. 西班牙语. A
Portuguese edition is forthcoming.
A long awaited volume that considers design
in all its forms in Latin America, primarily in the
years after World War II. Essays on specific countries
are combined with more general thematic essays on
such topics as design education, design and artisan
生产, and sustainable design. A timeline from
1950 到 2000 is also included.
Finessi, Beppe. Fabio Novembre. 米兰: Skira, 2008.
国际标准书号 978-88-7624-645-6 (精装); 229 页面. 颜色
插图.
A monograph that presents the work of Italian
Iliprandi, Giancarlo. Letterando/Lettering. Mantova:
Maurizio Corraini, 2005. 128 页面. 彩色插图.
In Italian and English.
Two collections of experimental magazine
covers, posters, and graphic compositions by the Italian
graphic designer, Giancarlo Iliprandi. Drawn from his
career of more than fifty years, the visual examples are
accompanied by the designer’s short commentaries.
Karimspace: The Architecture of Karim Rashid. Forward by
Daniel Libeskind. Introduction by Alessandro Mendini.
国际标准书号 978-0-8478-3231-6 (hardcover); 256 页面. 颜色
照片.
A heavily illustrated volume that documents
projects for interiors by the well-known industrial
designer Karim Rashid. Included are essays by Rashid
and the Italian designer-theorist Alessandro Mendini.
Kenaan-Kedar, Nurith. The Art of Goldsmithing: Jacobi
Jewelry in the Early Years of Israel’s Statehood. Tel Aviv:
Eretz Israel Museum, 2008. 彩色插图. 在
Hebrew and English.
The catalogue of an exhibition curated by
a leading Israeli art historian. The extensive visual
documentation is accompanied by an essay that
provides an historic context for the jewelry and also
explains its meaning within the first two decades of
Israeli statehood.
Kyes, Zak and Mark Owens, 编辑. Forms of
Inquiry: The Architecture of Critical Graphic Design.
伦敦: Architectural Association, 2007. 国际标准书号
978-1-902902-62-3; 168 页面. Color and black and
white illustrations.
designer and architect Fabio Novembre. Included is
visual documentation of many designs by Novembre
for furniture, interiors, and installations; a poetic text
consisting of drawings and writing, a chronology of his
项目, and a biography.
The catalogue of an exhibition that addresses
the question of how critical graphic designers respond
to architecture. Several experimental essays are
included as well as documentation of projects by Paul
Elliman, Michael Worthington, Metahaven, 和别的.
Futur Antérieur; L’avant-garde et le livre yiddish
(1914-1939) [Futur/Past: The Avant-garde and the yiddish
书 (1914-1939). 巴黎: Skira Flammarion, 2009. 国际标准书号
978-2-0812-2539-8 (精装); 272 页面. Color and
黑白插图. 法语
The catalogue of an exhibition held at the
Musée d’art et d’histoire du Judaisme in Paris. 一些
informative essays introduce sections on the various
designers. Some like El Lissitzky and Nathan Altman
are well known, but others are little known as is their
工作. Ample color reproductions of many rarely seen
pieces are included.
Nadin, Mihai. Anticipation. Baden: Lars Müller,
2002. 126 页面. Black and white illustrations. DVD
包括. In German and English.
A collaboration between Nadin, a design
theorist, and the German graphic designer Uwe
Loesch, who designed the book. The book’s theme is
Anticipation, which is explored by the author through
a series of definitions and visualized by Loesch
through typographic layout, color-coding, 图表,
and photographs.
设计问题: 体积 26, 数字 2 春天 2010
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Narotzky, Viviana. La Barcelona del Diseño (The Barcelona
of Design). 巴塞罗那: Santa & Cole, 2007. 国际标准书号 978-84-
934626-4-2 (平装); 329 页面. Black and white
插图. 西班牙语.
Tooming, Kaja. Toward a Poetics of Fibre Art and Design:
Aesthetic and Acoustic Qualities of Hand-tufted Materials
in Interior Spatial Design. Göteborg: Art Monitor, 2007.
国际标准书号 978-91-975911-5-7; 176 页面. 彩色插图.
Based on the author’s doctoral dissertation
at Göteborg University, this volume explores specific
qualities of fiber art and design as they relate to the
design of interiors. Theoretical analysis is combined
with the description of a project by the author to create
three fiber works for an historic Swedish manor house.
Vossoughian, Nader. Otto Neurath: The Language of the
Global Polis. 鹿特丹: NAi Publishers, 2008. 国际标准书号
978-90-5662-350-0; 174 页面, color and black and
white illustrations.
A scholarly assessment of Otto Neurath’s life
和工作. Neurath, who invented the Isotype symbol
系统, spent many years seeking applications for it
in public displays in museums, at conferences, 和
in other venues. The book is amply illustrated with
documentary photographs and little-known graphic
examples of Neurath’s work.
Votolato, Gregory. Transport Design: A Travel History.
伦敦: Reaktion Books, 2007. 国际标准书号 978 1 86189-329-1
(平装); 239 页面. Black and white illustrations.
Another book in the Reaktion series. 这
author considers transport of different kinds ranging
from trains and automobiles to ships and airplanes.
Vukic, Fedja, 编辑. Zagreb: Modernity and the City. 国际标准书号
953-174-185-9; 361 页面. Black and white illustrations.
A collection of articles and essays with
different theoretical approaches that trace the
emergence of Zagreb as a modern city. Topics include
建筑学, 设计, visual arts, 文学, 音乐, 和
town planning.
A critical history of how Barcelona developed
as a design center. The author addresses such topics as
the formation of a canon, design and the nation, 和
how design contributed to the renewal of Barcelona as
a city.
Obey: Supply and Demand: The Art of Shepard Fairey.
伯克利: Gingko Press, 2009. 国际标准书号 978-1-58423-349-7;
448 页面. 彩色插图.
The catalogue of an exhibition of work by
Shepard Fairey. The heavily illustrated book is divided
in to thematic categories that include Fairey’s Obey the
Giant campaign as well as numerous other projects that
combine political graphics (the Obama poster) 和
skateboard designs, posters for rock bands, and book
covers.
Rutter, Lance and Yann Legendre, 编辑. 芝加哥
International Poster Biennial, 2008 First Edition. 芝加哥,
勒让德 + Rutter, 2009. 304 页面. 彩色插图.
The catalogue of the first Chicago International
Poster Biennial. Entries selected for the exhibition are
presented as full-page color images. Introducing the
catalogue are essays by Victor Margolin and Steven
Heller.
Sachs, 汤姆. Space Program. Beverly Hills, CA: Gagosian
Gallery, 2007. Distributed by Rizzoli International
Publications. 国际标准书号 978-0-8478-3226-2 (平装); 280
页面. 彩色插图.
This exhibition catalogue presents a project of
artist Tom Sachs to build versions of NASA’s LEM or
Lunar Exploration Module and Mission Control Center
and to simulate their use.
托马斯, Mienke Simon. Dutch Design: A History.
伦敦: Reaktion Books, 2008. 国际标准书号 978-1-86189-380-2
(平装); 272 页面. Black and white and color
插图.
Published in the series of Reaktion books that
deals with design in different countries and sectors.
The author begins with Art Nouveau and continues to
现在, covering product and graphic design as
well as some projects designed for public space.
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设计问题: 体积 26, 数字 2 春天 2010
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