Barry Dawson. Street Graphics New York. 纽约:
泰晤士河 & 哈德逊, 2003. 国际标准书号 0-500-28405-9 (纸-
后退); 112 页面, 208 彩色插图.
One of a series of collections of urban ephem-
era including books on Cuba, India and Tokyo. 这
one includes a lot of Post-9/11 imagery.
Michael Dawson. The Consumer Trap: Big Business
Marketing in American Life. Champaign IL: 大学
of Illinois Press, 2003. 国际标准书号 0252028090; 203 页面.
作者, adjunct lecturer in Sociology at
Portland State University, provides a history of twen-
tieth century marketing ideas and examines the social
and economic costs to the consumer—from a strong
anti-corporate point of view.
Directory of Illustration No.20. Santa Barbara CA:
Serbin Communications for Graphic Artists Guild,
2003. 国际标准书号 1-8831823-6.
Laurent De Brunhoff. Babar’s Museum of Art. 新的
约克: Harry N. Abrams, 公司, 2003. 国际标准书号 0-8109-4597-5
(hardcover); 44 页面.
A children’s book for all designers with a sense
of humor (and a quiz of your art knowledge). Includes
Babar as Rodin’s Balzac! Babar notes on p. 35: “There
are no rules to tell us what art is.”
Designed by Peter Saville. Edited by Emily King.
纽约: Princeton Architectural Press, 2003. 国际标准书号
1-56898-422-7 (hardcover); 192 页面, 250 color illustra-
系统蒸发散, 指数.
First book on this major graphic designer
covering his work from 1978 to the present; includes
an interview with him and essays by design and music
批评家.
Eating Architecture. Edited by Jamie Horowitz and
Paulette Singley. 剑桥, 嘛: 与新闻界, 2004.
国际标准书号 0-262-08322-1 (hardcover); 385 页面; 伊路斯特拉-
系统蒸发散, 指数.
Anthology of nineteen essays that investigates
the relationships between architectural aspects of food
preparation and gastronomic aspects of architecture.
Far ranging essays engage issues of conviviality,
记忆, loss, 全球化, gingerbread houses and
更多的.
收到的书
玛丽·凯瑟琳·约翰森
Arend Bandsma and Robin Brandt. Flatweaves of
Turkey. 纽约: Phillip Wilson Publishers, distrib-
uted by Palgrave Global Publishing at St. Martin’s
按, 2004. 国际标准书号 0-85667-528-8 (hardcover); 164 页面;
彩色插图, 指数.
Information for collectors on kilim patterns,
dyes, and weaving techniques of the Turkic and
Kurdish nomadic groups.
罗伯特·P. Bareikis and Daniel Piersol. Visions from the
Soul: the Woodcuts of Hans Friedrich Grohs. Seattle:
University of Washington Press for New Orleans
Museum of Art, 2003. 国际标准书号 0-89494-088-0 (平装);
112 页面, 81 插图.
Catalog for traveling exhibition of woodcuts
by German Expressionist who used the Dance of Death
theme to show the wars and strife that he experienced
in Germany.
“The Beauty of Life” William Morris & The Art of
Design” Edited by Diane Waggoner. 纽约: 泰晤士河
& 哈德逊, Inc. 2003. 国际标准书号 0-500-28434-2 (平装);
176 页面, 128 插图, 指数.
Catalog for exhibit at The Huntington Library,
Art Collections and Botanical Gardens and then at the
Yale Center for British Art. Essays by noted scholars on
Morris as designer, the legacy of Morris & 公司,
and his influence on American Arts & Crafts. 80 颜色
插图.
Beverly Bundy. The Century in Food: America’s Fads
and Favorites. Portland, 或者: Collectors Press, 2002.
国际标准书号 1-888054-67-0 (hardcover); 192 pages color +
黑色的 & white illustrations; 指数.
“A look at the inventions, 创新, 和
ingenuity that fueled American appetites”—Intro. p. 4.
In addition to the above, this book is good for a study
of the logos and advertising for some of the 25,000 新的
food products introduced each year.
Geoffrey Caban. World Graphic Design: 当代的
Graphics from Africa, the Far East, 拉美
and the Middle East. 伦敦, 纽约: Merrell
Publishers Ltd, 2004. 国际标准书号 1-85894-219-5 (hardcover);
160 页面, 250 彩色插图, 指数.
Four essays introduce the cultural and political
context of each region. Surveys recent work in posters,
book and record covers, packaging and promotion.
Spreads feature works by individual designers or
studios.
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Caroline Evans. Fashion at the Edge: Spectacle,
现代性, and Deathliness. 新天堂: 耶鲁大学
大学出版社, 2003. 国际标准书号 0-300-10192-9 (hardcover);
320 页面, 200 插图, 100 of them in color, 指数.
Tony Kushner. The Art of Maurice Sendak 1980 到
展示. 纽约: Harry N. Abrams, 公司, 2003. 国际标准书号
0-8109-4448-0 (精装); 223 页面, 彩色插图,
指数.
Cataloged as “Fashion-social aspects,“ 这
Lavishly reproduces set and costume designs
chapters include: spectacle, phantasmagoria, cruelty,
deathliness, trauma, and modernity. Evans argues that
fashion plays a leading role in constructing images and
meanings during times of rapid change, here the 1990.
for The Nutcracker, The Magic Flute and The Love for
Three Oranges; also artwork for posters, CD covers,
book jackets and adult books. (Let’s extend the concept
of “national treasure” to include Sendak! —Ed.)
Françoise Fromonot. Glenn Murcutt: 建筑物
+Projects 1962–2003. 纽约: 泰晤士河 & 哈德逊
公司, 2003. 国际标准书号 0-500-34193-1 (hardcover); 326 页面;
406 插图, 197 of them in color, plans and eleva-
系统蒸发散.
Lippincott Mercer (consultancy). Sense: the Art and
Science of Creating Lasting Brands. Gloucester MA:
Rockport for Lippincott Mercer, 2004. 国际标准书号 1-59253-
014-1 (2 volume set paperback); 528 页面, 1,250 颜色
插图.
Work of Australian architect who won the 2002
Compilation of the best of 50 years of the
Pritzker Prize.
Clive Grinyer. Smart Design: Products that Change
Our Lives. Crans-Près-Célingy: RotoVision, 2001. 国际标准书号
2-88046-524-9 (平装); 160 页面, color illustra-
tions and photographs.
Profiles of twenty-four great products includ-
ing some concept sketches and schematic drawings.
(Great for students!)
Impossible Histories: Historic Avant-Gardes, Neo-
Avant-Gardes, and Post-Avant-Gardes in Yugoslavia,
1918–1991. Edited by Dubravka Djuric and Misko
Suvakovic. Cambridge MA:与新闻界, 2003. 国际标准书号
0-262-04216-9 (hardcover); 605 页面, 214 插图,
53 彩色的, 指数.
Critical survey in four sections: Art, Culture,
政治, and Philosophy; Literature; Visual Art and
Architecture; and Scenic and Media Arts. Censorship
and language barriers have made these works inacces-
sible until this book that gives accounts of movements
such as Signalism, Yugo-Dada, Zenitism, and maga-
zines like Danas, Red Pilot, Tank and Zvrk.
Harold Koda. Extreme Beauty: The Body Transformed.
新天堂: Yale University Press for the Metropolitan
Museum of Art, 2004. 国际标准书号 0-300-10312-3 (平装);
168 页面, 50 B/W and 50 彩色插图.
Costume Institute curator Koda presents
extremes of the human physical ideal. To achieve this
ideal, men and women have constricted, padded,
corseted, heightened and extended clothing and body
for millenia. (I experienced a combination of giggling
and cringing while looking at this book—Ed.)
consultancy’s periodical Sense where they examined
the areas of naming, 研究, design and brand strat-
egy. The founder, J. Gordon Lippincott, coined the term
“corporate identity.”
Whitney Matheson. Atomic Home: A Guided Tour of
the American Dream. Portland, 或者: Collectors Press,
2004. 国际标准书号 1-888054-89-1 (平装); 176 页面;
以彩色插图为主.
A picture-peaen to suburbia and the plastics,
产品, and advertising that made the post-WWII
American Dream possible with notes by a journalist
who specializes in popular culture. She even notes the
bad things like a 1952 book touting asbestos siding.
Nostaliga for baby-boomers and ancient history for
current students.
Simon Morley. Writing on the Wall: Word and Image
in Modern Art. 伯克利: University of California Press,
2003. 国际标准书号 0-520-24108-8 (hardcover); 224 页面, 颜色
插图, 指数.
The author-artist surveys the bond between
word and image in art from the 19th century to the
present—Dada and surrealism, constructivist typogra-
物理层, postwar gesture painting, advertising and hyper-
文本.
Horst and Ilse Moser. Surprise Me! Editorial Design.
Translated by David H. Wilson. 西纽约, 新泽西州:
Mark Batty Publisher LLC, 2003. 国际标准书号 0-9725636-0-1
(hardcover); 286 页面; 彩色插图, indexes.
使用 1500 illustrations from his personal
collection of one million magazines, Moser explains
how real magazines are put together, from grids to
covers, 标志, and samples of great layouts by theme.
This book covers every aspect of magazine and edito-
rial design.
96
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Harold G. Nelson and Erik Stolterman. 该设计
方式: International Change in an Unpredicatable
世界. Engelwood Cliffs, 新泽西州: Educational Technology
Publications, 2003. 国际标准书号 0-87778-305-5; 327 页面,
指数.
The second subtitle, “foundations and funda-
mentals of design competence,” accurately portrays the
soul of this book. The authors evaluate the importance
of change, 系统, freedom, 询问, 学习, 判断-
蒙特, values and meaning in design and the inter-
relationships of all of the above between a designer,
项目, client, users and society.
Bradley Quinn. The Fashion of Architecture. 纽约:
Berg Pullishers, distributed by NYU Press, 2003. 国际标准书号
1-85973-752-8 (hardcover); 1-85973-757-9 (平装);
255 页面, 指数.
Examines common themes shared by design-
ers of both fashion and architecture such as structure
and spatial boundaries, volumes and tensions, camou-
flage and shelter, functionalism and expression. 出色地-
chosen images.
David Raizman. History of Modern Design. Upper
Saddle River, 新泽西州: Prentice Hall Inc. 2004. 国际标准书号 0-13-
184266-8 (hardcover); 0-13-183040-6 (平装); 400
页面; 500 插图; bibliographic essay, 指数.
By a Drexel University professor, this “illus-
trated history of modern design provides a balanced
chronological survey of decorative arts, 工业的
design and graphic design from the 18th through the
20th centuries.” (Publisher’s note). Raizman studies the
impact of new industrial materials on design—from
steel to plywood, plastic and nylon to transistors and
nanotubes. (Possibly a nice textbook—Ed.)
Margaret Re. Typographically Speaking: The Art of
Matthew Carter. 纽约: Princeton Architectural
按, 2003. 2d ed. 国际标准书号 1-56898-427-8 (平装);
104 页面. With essays by Johanna Drucker and James
Moseley.
Catalog to accompany exhibit at The Albin
氧. Kuhn Library & Gallery, University of Maryland
Baltimore County, that then traveled to other venues.
Carter worked closely with the curators providing
access to his archives and historical context. 这本书
reproduces the exhibit panels, with additional check-
列表, bibliography and chronology. Very useful, 好的
spreads of ITC Galliard and Bell Centennial.
Joseph Scheer. Night Visions: the Secret Designs of
Moths. 慕尼黑, 纽约, ETC。: Prestel, 2003. 国际标准书号 3-
7913-2968-5 (hardcover); 120 页面; 彩色插图.
Coffee-table-book-sized tour-de-force of digi-
tal printing and high-resolution scanning technology
showing the beautiful variety of design and pattern
seen in 1000 moth species found in one backyard. Fine
essay by Johanna Drucker on the inter-relations of art,
自然, reproducing printing and photographic tech-
nologies and our different experiences of the original
and the reproductions.
Frank Stella. Working Space. Cambridge MA: 哈佛
大学出版社, 2003. 国际标准书号 0-674-95961-2 (纸-
后退); 177 页面, 36 颜色, 56 duotones index.
Paperback edition of the 1983–84 Charles Eliot
Norton Lectures where Stella clarifies the pictoriality
and intentions of abstract painting by examining other
change-points of pictorial space such as Caravaggio,
Kandinsky, and Picasso. The “working space” of
the title is pictorial space: “We want paint to build
a pictorial space that accommodates the reach of all
our gestures, imaginative as well as physical.” P. 60.
(Highly recommended — Ed.)
Jan V. 白色的. Editing by Design: for Designers, Art
Directors, and Editors—the Classic Guide to Winning
Readers, Third Edition. 纽约: 奥尔沃斯出版社,
2003. 国际标准书号 1-58115-302-3 (平装); 256 页面, 739
B/W, 47 彩色插图, 指数.
Packed with practical solutions that will help
editors and designers achieve maximum impact. (我
couldn’t resist. Isn’t English wonderful?—Ed.)
Julie Wosk. Women and the Machine: Representations
from the Spinning Wheel to the Electronic Age.
巴尔的摩: Johns Hopkins University Press, 2002. 国际标准书号
0-9018-6607-3 (hardcover); 294 页面, B/W & 颜色
插图, 指数.
“Art historian Wosk examines the role of
machines in helping women reconfigure and trans-
form their lives.” (Dustjacket). Studying the images
and stories of how women have worked with spin-
ning wheels, typewriters, 汽车, airplanes and
电脑, she illuminates both the advances women
have made and the gender stereotypes and ambiva-
lence they’ve endured.
设计问题: 体积 20, 数字 4 秋天 2004
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