A R T I S T P R O J E C T
THE MATERIAL CONDITIONS
OF REPRESENTATION
DANIELE GENADRY
Seethrough Mountain interrupts this journal through a physical shift in
纸, texture, and scale, and thereby proposes a pause or possible site
of hesitation where the reader can consider the qualitative and material
aspect of what they hold in their hands. The two works, a drawing and a
constructed photograph, each creating the illusion of transparency, ori-
ent the reader’s attention to the material support of the images, 和
institute a shock, so that the reader might see through the representa-
tions to their material conditions. Seethrough Mountain draws attention
to the nature of varying forms of information, and proposes that both
sensual and intellectual awareness are necessary to perceive the real.
(See page 80.)
Images on foldout and pages 81–82 are © Daniele Genadry.
© 2020 ARTMargins and the Massachusetts Institute of Technology
https://doi.org/10.1162/artm_a_00255
我
D
哦
w
n
哦
A
d
e
d
F
r
哦
米
H
t
t
p
:
/
/
d
我
r
e
C
t
.
米
我
t
.
e
d
你
A
r
t
/
/
米
A
r
t
我
C
e
–
p
d
我
F
/
/
/
/
9
1
8
0
1
9
8
9
1
8
9
A
r
t
/
米
_
A
_
0
0
2
5
5
p
d
.
F
乙
y
G
你
e
s
t
t
哦
n
0
8
S
e
p
e
米
乙
e
r
2
0
2
3
我
D
哦
w
n
哦
A
d
e
d
F
r
哦
米
H
t
t
p
:
/
/
d
我
r
e
C
t
.
米
我
t
.
e
d
你
A
r
t
/
/
米
A
r
t
我
C
e
–
p
d
我
F
/
/
/
/
9
1
8
0
1
9
8
9
1
8
9
A
r
t
/
米
_
A
_
0
0
2
5
5
p
d
.
F
乙
y
G
你
e
s
t
t
哦
n
0
8
S
e
p
e
米
乙
e
r
2
0
2
3
我
D
哦
w
n
哦
A
d
e
d
F
r
哦
米
H
t
t
p
:
/
/
d
我
r
e
C
t
.
米
我
t
.
e
d
你
A
r
t
/
/
米
A
r
t
我
C
e
–
p
d
我
F
/
/
/
/
9
1
8
0
1
9
8
9
1
8
9
A
r
t
/
米
_
A
_
0
0
2
5
5
p
d
.
F
乙
y
G
你
e
s
t
t
哦
n
0
8
S
e
p
e
米
乙
e
r
2
0
2
3
我
D
哦
w
n
哦
A
d
e
d
F
r
哦
米
H
t
t
p
:
/
/
d
我
r
e
C
t
.
米
我
t
.
e
d
你
A
r
t
/
/
米
A
r
t
我
C
e
–
p
d
我
F
/
/
/
/
9
1
8
0
1
9
8
9
1
8
9
A
r
t
/
米
_
A
_
0
0
2
5
5
p
d
.
F
乙
y
G
你
e
s
t
t
哦
n
0
8
S
e
p
e
米
乙
e
r
2
0
2
3
THE MATERIAL CONDITIONS OF REPRESENTATION
我
D
哦
w
n
哦
A
d
e
d
F
r
哦
米
H
t
t
p
:
/
/
d
我
r
e
C
t
.
米
我
t
.
e
d
你
A
r
t
/
/
米
A
r
t
我
C
e
–
p
d
我
F
/
/
/
/
9
1
8
0
1
9
8
9
1
8
9
A
r
t
/
米
_
A
_
0
0
2
5
5
p
d
.
F
乙
y
G
你
e
s
t
t
哦
n
0
8
S
e
p
e
米
乙
e
r
2
0
2
3
THE MATERIAL CONDITIONS OF REPRESENTATION
