11 收到的书 3/13/03 1:46 PM Page 81

收到的书

贡献者: Marti Rae Louw (M.R.L.) 和
维克多·马戈林 (V.M.)

詹姆斯·S. Ackerman. Origins, Imitation, Conventions:
Representation in the Visual Arts. 剑桥, 嘛: 这
与新闻界, 2002. 国际标准书号 0-262-01186-7 (hardcover); 326
页面; 黑色的 & white illustrations.

A collection of studies illuminating artistic
p rogress and its relationship to the past. Ackerman
suggests that the authority of the past may be as much
a stimulus as a restraint on artistic innovation. 到
ground his argument he focuses on the origins of inno-
休假, imitation and their roles in invention and finally
convention as a means of communication between an
artist and the viewer in the development of visual
forms of representation. These categories are explore d
with an emphasis on the progress in techniques of
architectural representation.

M.R.L.

The Alliance of Art and Industry: Toledo Designs for a
Modern America. Toledo: Toledo Museum of Art, 2002.
Distributed by the Hudson Hills Press. 国际标准书号 0-935172-
15-7; 234 页面. (PBK); 黑色的 & 白色的 + color illustra-
系统蒸发散.

The catalog of an exhibition featuring products

designed and produced in Toledo. Essays by Dennis
Doordan, Jeff Meikle, John Heskett, 和别的.

V.M.

Nina de Angeli Walls. Art, Industry and Women’s
Education in Philadelphia. 韦斯特波特, CT: Bergin &
Garvey , 2001. 国际标准书号 0-89789-745-5 (hardcover); 182
页面, 黑色的 & white illustrations.

A narrowly focused study about the rise of

artistic training and careers for women in the visual arts
by examining the 150-year history of the Moore College
of Art and Design in Philadelphia. Arranged chro n o-
logically, the chapters address evolving challenges
women faced in gaining professional standing as teach-
呃, artists and designers. This book gives definition to
the often unrecognized role women played in shaping
the aesthetic values of American consumer culture in
二十世纪.

M.R.L.

Art as Image: Prints and Promotion in Cincinnati,
俄亥俄州. Edited by Alice Cornell. 雅典, 哦: 俄亥俄州
大学出版社, 2001. ISBN 0-8214-1335-X (hardcover);
235 页面; 黑色的 & white illustrations.

A series of essays documenting Cincinnati’s

place in print and publishing history. Back when Ohio
was still considered part of the Northwest Territory, 这
city became a major publishing center. Filled with nine-
teenth century images, this book captures the period’s
intriguing visual culture as expressed in prints, 消息-
文件, posters, portfolios, playing cards and such, 亲 –
duced mostly in service to promotion and advertising.

M.R.L.

Ashish Arora, Andrea Fosfuri, and Alfonso
Gambardella. Markets for Technology: The Economics
of Innovation and Corporate Strategy. 剑桥,
嘛: 麻省理工学院出版社, 2001. 国际标准书号 0-262-01190-5 (难的 –
覆盖); 338 页面; 黑色的 & white illustrations.

An incisive examination of how technology
and knowledge are becoming definable and tradable
商品. The authors analyze technology strategy
and the economics underlying innovation. This work
succeeds by offering a powerful set of concepts by
which to understand markets for technology. M.R.L.

Michael Barson and Steven Heller. Red Scared! 这
Commie Menace in Propaganda and Popular Culture.
旧金山: Chronicle Books, 2001. 国际标准书号 0-8118-
2887-5; 160 页面; 黑色的 & 白色的 + 彩色插图.

A richly illustrated survey of imagery covering
America’s complex relationship with Communism and
Soviet Russia in a variety of media. Includes timelines
charting significant political and cultural events
之间 1848 到 2000, as well as commentary on the
ways in which books, films, 杂志, 报纸,
comics and posters dealt with the propagandistic
messages of the day.

V.M.

黑色的 & White Photography: Architecture: Developing
Style in Creative Photography. Edited by Terry Hope.
Crans-Près-Céligny, CH: RotoVision, 2001. 国际标准书号 2-
88046-534-6 (PBK); 142 页面; 黑色的 & 白色的
照片.

Techniques for photographing architecture

with black and white film. Filled with beautiful exam-
ples of architectural images, this book moves through
location choices, 作品, interiors, and details
while looking at tone, texture and contrasts choices.
Different printing and processing techniques are given
with concise textual explanations of possible effects.
Contributing photographers’ talk about the methods
used for included example works.

M.R.L.

设计问题: 体积 19, 数字 2 春天 2003

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Jonathan Bloom. Paper Before Print: The History and
Impact of Paper in the Islamic World. 新天堂: 耶鲁大学
大学出版社, 2001. 国际标准书号 0-300-08955-4 (hardcover);
320 页面; 黑色的 & white illustrations + 颜色.

A unique journey into Islamic culture and

history while examining the transformative impact of
paper on a society during the Middle Ages. Centuries
before the Gutenberg press, Muslims carried papermak-
ing technology from China across Central Asia to
Europe and with them changed the shape of mathemat-
集成电路, 音乐, 艺术, 建筑学. This book is a fascinating
view into an early communication technology that
made writing portable and revolutionized information
transfers between cultures.

M.R.L.

Trevor Bounford (Alastair Cambell, series consultant).
Digital Diagrams: How to Design and Present
Statistical Information Effectively. 纽约: 沃森-
Guptill Publications, 2000. 国际标准书号 0-8230-1572-6; 192
页面; 彩色插图.

A practical guide to the craft of information
设计, with particular attention paid to illustrating
统计数据. Includes an overview of modern diagram
design and instruction on how to take advantage of
available software to create a clear and engaging
diagram.

V.M.

David E. 棕色的. Inventing Modern America: 从
Microwave to the Mouse. 剑桥, 嘛: The MIT
按, 2002. 国际标准书号: 0-262-02508-6 (hardcover); 210 页面;
彩色插图.

Concise profiles of 35 inventors whose works

have been chosen to exemplify the technological
creativity of the United States over the last century.
Subjects range from well known inventors like Thomas
Edison and Steve Wozniak to lesser known pioneers
such as Stephanie Kwolek, inventor of Kevlar and
Wilson Greatbatch, inventor of the first cardiac pace-
maker implant. For an overview of some of the greatest
innovations in science and technology and the men and
women behind them, this book provides a well-illus-
trated and accessible entrée to the subject.

M.R.L.

Mel Byars. The Best Tables, Chairs, Lights: 创新
an Invention in Design Products for the Home. Crans-
Près-Céligny, CH: RotoVision, 2001. 国际标准书号 2-88046-651-2
(hardcover); 448 页面; color photos and illustrations.

A visually delightful presentation of experi-

mental and technically groundbreaking designs in
椅子, tables and lighting. The author organizes the
chapters by material—tables are grouped into wood,
metals, glass, plastic and other categories. These materi-
al considerations are reflected in the commentary on
the design, craftsmanship and manufacturing technolo-
g y. For each object, blueprint-like illustrations provide
schematic information on dimensions, fasteners, casting
and joints that will please those interested in the details
M.R.L.
of a design.

Thomas P. Cambell. Tapestry in the Renaissance: Art
and Magnificence. 新天堂, CT: Yale University
按, 2002. 国际标准书号 0-300-09370-5 (hardcover); 604 页面;
黑色的 & white illustrations + 颜色.

A sumptuously illustrated survey of tapestry

p roduction and its technical and design artistry in
Renaissance Europe. This study focuses on the stylistic
evolution of tapestry in the Netherlands and its influ-
ence on Italian and French weaving centers. The impor-
tant place tapestry held in the ceremonial and daily life
of wealthy patrons is woven into a compelling histori-
cal narrative. This book will make even the uninitiated
appreciate these tremendous artistic creations. M.R.L.

Casting Shadows: Images from a New South Africa.
Photographs by Edward West. Edited by Leslie King-
Hammond. 安娜堡, MI: The University of Michigan
Museum of Art, 2002. 国际标准书号 0-295-98118-2 ) (PBK); 96
页面, color photographs.

A lyrical collection of images of South Africans
by noted photographer Edward West. Throughout West
uses shadowy figures as a metaphor to depict the slow
emergence of blacks in a post-apartheid era. An inter-
view with the photographer and essays by Athol
Fugard and Wally Serote round out this visual ode to
the humanity of South Africa’s shadowed classes.

M.R.L.

Capsule 1: Independence. 明尼阿波利斯, 明尼苏达州: Capsule,
2001. 国际标准书号 0-9715208-0-1 (PBK); 90 页面, color images.
A self-published collection of declarations and

manifestos concerned with independence from the
design firm Capsule. This artfully produced small hand
book includes The Declaration of Independence, 这
Universal Declaration of Human Rights, Timothy Leary’s
Declaration of Evolution and Walter Gropius’s Bauhaus
Manifesto with a fore w o rd by Minnesota Governor Jesse
Ventura. The purpose of this panoply of loosely linked
ideas is somewhat unclear—self promotion, 民众
education or something else?

M.R.L.

设计问题: 体积 19, 数字 12 春天 2003

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Central European Avant-Gardes: Exchange and
Transformation, 1910-1930. Edited by Timothy O.
本森. 剑桥, 嘛: 麻省理工学院出版社, 2002. 国际标准书号 0-
262-02522-1 (hardcover); 447 页面; 颜色 + 黑色的 &
white photographs and illustrations.

A city-by-city curatorial investigation of the
avant-garde art movement in Central Europe. Filled
with color reproductions, this book tracks the complex
web of interactions among artists and intellectuals and
the resulting influences that lead to Expressionism and
建构主义. The book was published to accompany
an exhibit by the same name at the Los Angles County
Museum of Art.

M.R.L.

Medardo Chiapponi. Cultural Sociale del Prodotto:
Nuove Frontiere per il Disegno Industriale (The Social
Culture of the Product: New Frontiers for Industrial
设计). 米兰: Feltrinelli, 1999. 国际标准书号 88-07010273-0
(PBK); 205 页面.

An exploration of industrial design’s relation

to other disciplines, its role in the process of innovation,
and in the larger field of product planning. 作者
calls for a broadened role of the industrial designer and
V.M.
for a new orientation in design education.

Liza Dalby. Kimono: Fashioning Culture. Seattle:
华盛顿大学出版社, 2001. 国际标准书号 0-295-
98155-5 (PBK); 396 页面; 颜色 + 黑色的 & white illustra-
系统蒸发散.

A detailed look at the reciprocal influences of
fashion and culture through the history of the kimono.
Part social history and part anthropological exploration
of clothing as material culture, this book follows the
kimono robe from its introduction from China to its rise
as a national costume, a form of “geishawear” and
finally its gradual disappearance from the streets of
modern Japan. For those interested in the aesthetic
subtleties of how fashion and culture play out in color,
pattern, fabrics, layers, lengths and drape, this book
o ffers over 350 illustrations and engaging text that
should appeal to both the lay person and academic
alike.

M.R.L.

David Daye. Professional Photography: Family
Portraits. Crans-Près-Céligny, CH: RotoVision, 2001.
SBN 2-88046387-4 (PBK); 139 页面; color photographs
and illustrations.

An attractive instructional manual on how to
take professional looking family portraits. 大部分的
advice is common sense or cliché, but if one is looking
for lighting, color and composition techniques fro m
taking family photos, from babies through grand-
parents, this book offers some helpful hints.

M.R.L.

Raymond Donovan and Leong K. Chan, 编辑. HIV/AIDS
Imaginaries: 香港, Malaysia, 新加坡,
Thailand Sydney: University of Technology, UTS
Gallery, 2001. 国际标准书号 1-86365-835-1; 36 页面; 彩色插图-
翻译.

Exhibition catalog for the show entitled

“Rubber Love: 语言 & Representations.”
HIV/AIDS in South-East Asia “which surveys the
graphic component of the public health, 材料
culture surrounding HIV and AIDS,” particularly the
“use of language and representations in the promotion
of prevention campaigns.” (p. 4)

V.M.

Raymond Donovan and Leong K. Chan, Visualizing
AIDS: Images in Art and Design Sydney: 这
University of New South Wales, College of Fine Arts,
Ivan Dougherty Gallery, 2000. 国际标准书号 0-7334-0697-1; 60
页面; 黑色的 & white illustrations.

Exhibition catalog for the show curated by the
编辑 (with Beverly Fielder) and including paintings
by Jeri Drucker, photographs by William Yang, 和
graphics by the Australian Socio-Graphic AIDS Project
and the South East Asian Socio-Graphic AIDS Project.
With a bibliography of texts that deal with images of
AIDS in art and design.

V.M.

Paul Dourish. Where the Action Is: The Foundations of
Embodied Interaction. 剑桥, 嘛: 麻省理工学院出版社,
2001. 国际标准书号 0-262-04196-0 (hardcover); 245 页面; 黑色的
& white illustrations.

A treatise positing a philosophical basis for

human-computer interaction. Drawing on the phenom-
enological traditions of Wittgenstein and Heidegger
that emphasize the primacy of natural practice over
abstract cognition in everyday activity, Dourish
describes how tangible, social interactions lie at the core
of embodied interaction. He suggests that the design of
interactive computer systems in the future will need to
adopt this reality.

M.R.L.

Digital Lab: Print and Electronic Design / Advertising.
Edited by Gavin Ambrose and Chris Kelly. Crans-Près-
Céligny, CH: RotoVision, 2001. 国际标准书号 2-88046-557-5
(hardcover); 156 页面; color photographs.

Examples of digital design in print, poster and

media advertising from around the world. This slick
p resentation of fourteen distinctive ad campaigns
includes comments on the project concept and process
by the creative directors. The book provides a quick
reflection on trendy advertising and the talk behind it.

M.R.L.

设计问题: 体积 19, 数字 1 冬天 2003

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Cecilia Flores. Ergonomía para el Diseño (Ergonomics
for Design) Chimalistac, México: D. 右. Libraria, 2001.
国际标准书号 968-5374-02-3; 241 页面; 黑色的 & white illustra-
系统蒸发散. 西班牙语.

A technical text addressing the cultural aspects

of design as it relates to the problems posed by
ergonomics. Addressing practitioners in the fields of
industrial design, 建筑学, 工程, construc-
tion and even graphics, Flores incorporates social,
psychological, atmospheric and physical concerns in
her text.

V.M.

Michael Fleishman. Starting Your Career as a Freelance
Illustrator or Graphic Designer. 纽约, 纽约:
奥尔沃斯出版社, 2001. 国际标准书号 1-58115-199-3 (PBK); 261
页面; 黑色的 & white illustrations.

A vocational guide aimed at illustrators and
graphic designers intending to go freelance. 清楚地
written and full of basic information about starting and
running an independent business, this book offers
would-be freelancers a good reality check prior to
venturing out on their own. The included sample
形式, contracts and letters of assignment are useful,
but a detailed discussion of the legal aspects and the
p rotection these critical documents provide is some-
what lacking.

M.R.L.

David W. Galenson. Painting Outside the Lines:
Patterns of Creativity in Modern Art. 剑桥, 嘛:
哈佛大学出版社, 2001. 国际标准书号 0-674-00612-7
(hardcover); 251 页面; 黑色的 & white illustrations.
A market economy approach to measuring
artists’ creative output. Galenson, through statistical
analysis of 100 modern painters, has found a link
between age and artistic creativity. He characterizes
two styles of innovation. Experimental innovators, 喜欢
Cézanne, who work by trial and erro r, arrive at their
contributions gradually, often late in life. Conceptual
innovators, like Picasso, make sudden breakthroughs,
often at a young age, by formulating new ideas. 这
book takes a unique approach to understanding artistic
M.R.L.
creativity.

Douglas Dreishpoon, Allan Trachtenberg.The
Tumultuous Fifties: A View from the New York Times
Photo Archives. 新天堂: 耶鲁大学出版社,
2001. 国际标准书号 0-300-08821-3 (hardcover); 272 页面; 黑色的
& white illustrations.

A rich, photojournalistic view of a pivotal
decade and essays on the role and development of
news photography. Culled from the New York Times
Photo archives, affectionately known as the morgue,
this book accompanies a recently opened travelling
exhibition. The photographs are arranged thematically
under headings “America in the World,” “Mechaniza-
tion in Command,” “Fame and Infamy” and “American
Ways of Life,” with captions for background. This book
p rovides great examples of photojournalism, photogra-
M.R.L.
p h y, and American culture in the 1950s.

Michael Dunn. Traditional Japanese Design: Five
Tastes. 纽约, 纽约: The Japan Society, 2001. 国际标准书号 0-
913304-49-2 (PBK); 181 页面; color photographs.

A lavishly illustrated exploration of an

aesthetic and cultural approach to appreciating tradi-
tional Japanese design. Each chapter presents craft
objects that embody one of the five tastes—Artless
简单 (Saboku), Zen Austerity (Wabi), Gorgeous
Splendor (Karei) and Edo Chic (Iki) and Ancient Times
(Kodai no Bi). The arrangement of these exquisite utili-
tarian objects by taste criteria reveals the subtle forces
driving Japan’s unique design culture.

M.R.L.

Ecology and Design: Frameworks for Learning. Edited
by Bart R. Johnson and Kristina Hill. Washington D.C.:
岛屿出版社, 2002. 国际标准书号 1-55963-813-3 (PBK); 530 页面;
黑色的 & white illustrations.

An impassioned entreaty calling for the inclu-
sion of ecology as a standard requirement in landscape
architecture and design education programs. 在阿迪-
tion to arguing for the necessity of teaching ecological
principles to future environmental designers, 这
authors provide clear examples of how to institute
这些变化.

M.R.L.

Feminist Interpretations of John Dewey. Edited by
Charlene Haddock Seigfried. 大学园, PA: 这
Pennsylvania University Press, 2002 (PBK); 317 页面.

A collection of essays reevaluating John
Dewey’s pragmatist philosophy from a feminist
看法. Contributors find resonance with Dewey’s
opposition to logical positivism which in turn supports
attempts to find alternatives to male biases in Western
哲学. This book offers a fixed lens through which
M.R.L.
to look at the meaning of Dewey’s work.

设计问题: 体积 19, 数字 12 春天 2003

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Jean-Marc Gauthier. Creating Interactive 3D Actors and
Their Worlds (Without Writing Code). 旧金山,
CA: 摩根考夫曼出版社, 2002. 国际标准书号 0-12-
277721-0 (PBK); 325 页面; 颜色 + 黑色的 & white illus-
trations and screenshots; CD-ROM included.

A set of 3D interactive character animation

techniques for non-programmers. Given as 22 项目
based tutorials, this book allows animators to learn
tools and develop the computer graphic skills necessary
to build virtual environments and populate them with
actors able to interact in the world. The included CD-
ROM offers demos of popular modeling/animation
p rograms; related tutorial files and on-line resources.

M.R.L.

Clive Grinyer. Smart Design: Products that Change Our
Lives. Crans-Près-Céligny, CH: RotoVision, 2001. 国际标准书号
2-88046-524-9 (PBK); 150 页面; color photographs and
插图.

A stylish presentation of so-called smart pro d-

ucts that embrace technology and new materials.
Grinyer selects twenty-four products to illustrate his
notion of smart design. Some of the selections are famil-
iar—Sony’s Aibo cyberpet and Apple’s iBook laptop—
others are less celebrated but notable such as
Boehringer Ingelheim’s HandiHaler drug dispenser for
asthmatics. Short commentaries about the design
p rocess with production drawings make for pleasurable
reading about new trends in product design. M.R.L.

Roz Goldfarb. Careers by Design: A Business Guide for
Graphic Designers. 纽约, 纽约: 奥尔沃斯出版社,
2001. 国际标准书号 1-58115-205-1 (PBK); 219 页面.

Vocational guidance for design professionals

and students. Written by a recruiter for marketing
communications firms, Goldfarb provides practical tips
on resumes, design portfolios and interviewing for job
seekers in an age of media convergence. Industry
experts contribute sections on hiring criteria, 商业
structure and career strategies across different fields
including print, advertising, industrial and interactive
设计. If you are thinking about changing jobs or start-
ing a search, this guide could provide a needed boost.

M.R.L.

Diego Hurtado Gomezjurado. Technología de la
Madera: Procesos de Manufactura para Diseñadores y
Arquitectos (Wood Technologies: Manufacturing
Processes for Designers and Architects) San Miguel
Chapultepec, México: D. 右. Libraria, 2000. 国际标准书号 968-
5374-01-5; 142 页面, 黑色的 & white illustrations. 在
西班牙语.

A technical manual for designers, architects

and builders, as well as students of industrial design or
anyone training for a career that incorporates some
aspect of wood construction. Gomezjurado provides
detailed instructions for tasks that range from cutting to
p reserving, and also addresses issues related to manu-
facturing with wood.

V.M.

Steven Gulie. QuickTime for the Web/ For Windows
and Macintosh. 旧金山, CA: Morgan Kaufmann
出版商, 2002. 国际标准书号 1-55860-780-3 (PBK); 725 页面;
黑色的 & white illustrations and screenshots. CD-ROM
包括.

An authoritative second edition guide for

creating and distributing QuickTime multimedia
内容. QuickTime has become a prevalent standard
for digital media on the web. This guide covers “how-
to” sections for integrating videos, recorded sounds,
Flash animation, virtual reality, MIDI, still images, 居住
溪流, and games into a website.

M.R.L.

Adrian Heath, Ditte Heath and Aage Lund Jensen.
300 Years of Industrial Design: Function Form
Technique 1700–2000. 纽约: Watson-Guptill
Publications, 2000. 国际标准书号 0-8230-5368-7; 272 页面; 黑色的
& white illustrations.

A record of technological innovations and

p rogress in the field, with objects arranged chronologi-
cally according to material (metal, 木头, ceramic,
glass). Supporting text accompanies photos and illus-
trations of the objects, and includes discussions of
historical context, details about the manufacturing
p rocess and an evaluation of the design. With a glos-
sary, lists of manufacturers, 博物馆, 参考书目
and index.

V.M.

Jessica Helfand. Screen: Essays on Graphic Design, 新的
媒体, and Visual Culture. 纽约; 普林斯顿大学
Architectural Press, 2001. 国际标准书号 1-56898-310-7 (PBK): 175
页面.

Short essays by a well-known graphic designer
on a variety of topics that range from electronic typog-
raphy and design education to the complexities of
designing for new media.

V.M.

设计问题: 体积 19, 数字 1 冬天 2003

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Steven Heller The Graphic Design Reader. 纽约,
纽约: 奥尔沃斯出版社, 2002. 国际标准书号 1-58115-214-0 (PBK); 288
页面; 黑色的 & white illustrations.

A personal collection of design related essays

by a noted art director and pop cultural aficionado. 这
anthology explores the intersection between graphic
design and popular culture and presents examples of
their reciprocal influences on visual media over the last
forty years. M.R.L.

Steven Heller and Marshall Arisman, 编辑. 这
Education of an Illustrator. 纽约: 奥尔沃斯出版社,
2000. ISBN 1-58115-075-X; 265 页面; 黑色的 & 白色的
插图.

A collection of essays from 30 educators and

practitioners that includes discussions about the field of
illustration and the role of the illustrator, 也
论文, interviews and course syllabi from professionals
who describe the transition from gathering knowledge
to forming a career.

V.M.

Steven Heller and Seymour Chwast. Graphic Style:
From Victorian to Digital. 新版本. 纽约:
Harry N. Abrams, 公司, 2000. 国际标准书号 0-8109-2984-8. 263
页面; 黑色的 & white and color illustrations.

N e w, expanded edition of the 1988 survey of

graphic design styles and trends ranging from the
industrial era to the present. Lavishly illustrated, 和
new material on the digital era, including sections on
deconstruction, Émigré, fontism, controlled chaos, rave,
V.M.
kinetics and new simplicity.

Steven Heller and Louise Fili Design Connoisseur: 一个
Eclectic Collection of Imagery and Type. 纽约:
奥尔沃斯出版社, 2000. 国际标准书号 1-58115-069-5; 208 页面;
黑色的 & white illustrations.

A sourcebook of rare typefaces, ornaments,

Steven Heller and Christine Thompson Letterforms
Bawdy, 坏的, 美丽的: The Evolution of Hand-Drawn,
Humorous, Vernacular, and Experimental Type. N e w
约克: Watson-Guptill Publications, 2000. 国际标准书号 0-8230-
0464-3; 192 页面; 黑色的 & white and color illustrations.

A survey of experimental (和, 经常, reac-

解说性的) type design that challenges traditional forms
and standards, with special attention to the following
类别: vernacular, hand-drawn, digitally driven
and humorous. Attention is given to the varied sources
for these styles and problems such as the tension
between readability and artistic expression are
explored.

V.M.

Isabelle Hyman. Marcel Breuer, Architect: The Career
and the Buildings. 国际标准书号 0-8109-4265-8 (hardcover); 384
页面; 颜色 + 黑色的 & white photographs and illustra-
系统蒸发散.

A comprehensive study of Breuer’s architec-

tural œuvre. This weighty tome utilizes extensive archi-
val materials, 计划, sketches and photographs to docu-
ment his work and tell the story of an architectural
career that was memorable for much more than tubular
M.R.L.
steel chairs.

Don Ihde. Bodies in Technology. 明尼阿波利斯, 明尼苏达州:
明尼苏达大学出版社, 2002. 国际标准书号 0-8166-3846-
2 (PBK); 232 页面.

A contemporary American philosopher inves-
tigates how our sense of our bodies and orientation in
the world is affected by new technologies.
Disembodied experiences of time and place create new
conceptions of reality that will only continue to expand
as virtual reality engines improve. Ihde provides a
philosophical basis on which to consider the nature of
the body and its perceived reality in cyberspace. M.R.L.

letterheads, and trademarks from Europe and the
美国, dating form 1900 到 1940, and reprinted
for the first time since the 1940s. The authors arrange
the specimens according to “inherent visual relation-
ships” that they see between them.

V.M.

Juha Järvinen and Ilpo Koskinen. Industrial Design as
a Culturally Reflexive Activity in Manufacturing. Sitra
Report Series 15. Saarijärvi, 芬兰: Gummerus
Printing, 2001. 国际标准书号 951-563-405-9; 190 页面; 黑色的 &
white illustrations.

Steven Heller and Phillip B. Meggs, 编辑. Texts on Type:
Critical Writings on Typography New York: Allworth
按, 2001. 国际标准书号 1-58115-028-2; 275 页面.

An anthology of more than fifty texts on the

历史, aesthetics and practice of typography and type
设计, including essays by practitioners and arg u-
ments from both traditional and innovative viewpoints.
Texts organized into the following categories: aesthet-
集成电路, criticism, anatomy, movement, practice and reflec-
系统蒸发散.

V.M.

A research publication intended for a profes-
sional audience, this book looks at the ways in which
companies use industrial design as part of a large effort
to understand its position in the current manufacturing
经济. An effort is also made to show how compa-
nies might make better use of design.

V.M.

John Chris Jones.The Internet and Everyone. 伦敦:
Ellipsis, 2000. 国际标准书号 1-899858-20-2; 592 页面; 黑色的 &
white illustrations.

An exploration of the internet’s implications
for society on economic, 政治的, technological and
artistic levels in the form of collected letters, 论文,
dramas and meditations on the phenomenon.

V.M.

设计问题: 体积 19, 数字 12 春天 2003

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Jackie Kwok Yan-chi, 编辑. The Production of Space in
香港. 香港: Crabs Company Limited,
1998. 国际标准书号 962-85444-1-1; 233 页面; 彩色插图.
In Chinese and English.

A collection of essays on theories of space,

urban planning and research, and observations of
community life in Hong Kong, with particular attention
to the methodological approaches of Henri Lefebvre
and Le Corbusier, and substantial use of the Hong
Kong built environment as a case study.

V.M.

Pierre Lévy. Cyberculture. Translated by Robert
Bononno. 明尼阿波利斯: The University of Minnesota
按, 2001. 国际标准书号 0-8166-3610-9 (PBK); 243 页面.
A lively but serious attempt to define the

nature of Cyberculture. The Council of Europe origi-
nally commissioned this book as a report on the state of
cyberspace. Divided into three sections Definitions,
Theoretical Issues, and Problems, the author seeks to
define his terms and the technological infrastructure of
cyberspace in the first part, and then addresses the
emerging directions of digital culture in music, 艺术,
knowledge and society. The last section of the book
counters the common dystopian critiques of cybercul-
真实. For those wanting an optimistic overview of the
distinguishing features of digital culture, this book
o ffers a great many insights in an easy-to-read manner.
`M.R.L.

Magdy Ma. Disoriented Visual Objects: Their Creator
and Users. 香港: CyDot Communications
Management and Technology Ltd., 1999. 国际标准书号 962-
85586-2-5; 175 页面; 黑色的 & white illustrations.

Part of the “Sights of Design” series, 哪个
takes a critical look at design culture. A collection of
essays that deal with the shaping of visual culture, 这
way in which design contributes to cultural identity
and the notion that we must rethink “our relationship
with design technology to create a habitable visual
world.” (p. 15).

V.M.

Joel T. 约旦, Summer Forest Hoeckel and Jason A.
约旦. Searching for the Perfect Beat: Flier Designs of
the American Rave Scene New York: Watson-Guptill
Publications, 2000. 国际标准书号 0-8230-4751-2; 160 页面; 颜色
插图.

A record of the visual style of American rave
文化, 包括 350 art works, names of previously
unknown designers and dates of events. 纽约时报
music critic Neil Strauss’s introduction provides a brief
history of the culture that produces these images, 和
the authors arrange the works into a chronology of
styles and forms.

V.M.

盖·朱利尔. The Culture of Design. 伦敦: 智者
Publications, 有限公司, 2000. 国际标准书号 0-7619-6866-0; 0-7619-
6867 (PBK); 224 页面; 黑色的 & white illustrations.

A theoretical overview of contemporary design
practice in both business and professional contexts with
special attention paid to the relationship between
design and advertising.

V.M.

F. Kaid Benfield, Jutka Terris, and Nancy Vorsanger.
Solving Sprawl: Models of Smart Growth in
Communities Across America. 纽约: Natural
Resources Defense Council, 2001. 国际标准书号 1-89334033-3
(PBK); 200 页面; 颜色 + 黑色的 & white photographs
and illustrations.

Case studies of successful city planning
p rojects to combat sprawl. The authors espouse a
“smart growth” approach that emphasizes town-
centered, transit and pedestrian oriented development,
which mixes residential, 商业的, and retail projects.
This upbeat book showcases positive examples of
growth in urban, suburban, and exurban settings.
M.R.L.

Harold Koda. Extreme Beauty: The Body Transformed.
新天堂, CT: 耶鲁大学出版社, 2001. 国际标准书号 1-
58839-01404. (hardcover); 168 页面, color photographs.

Stunning visual depictions of the often exces-

sive extremes fashion has manipulated in pursuit of
beauty across time and cultures. Each chapter covers a
part of the female anatomy, the neck and shoulders,
胸部, waist, hips and feet. Full color photographs show
striking examples of clothes and accessories which have
been designed to emphasize particular, often unnatural,
conceptions of beauty. This catalogue was published to
go with an exhibition at the Metropolitan Museum of
Art’s Costume Institute. M.R.L.Jackie Kwok Yan-chi, 编辑.

设计问题: 体积 19, 数字 1 冬天 2003

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George H. 马库斯. Design in the Fifties: 什么时候
Everyone Went Modern. 纽约: Prestel, 1998. 国际标准书号
3-7913-1939-6; 157 页面; 黑色的 & white and color illus-
翻译.

A look at the visual face of “Fifties modern”

with an explanation of its stylistic development and the
optimistic consumer culture that lay behind its objects.
An analysis of the interaction between art, 设计, style
and the forward-looking public for which they existed.
With images of architecture, industrial design and
furniture.

V.M.

Ian Noble and Russell Bestley. Experimental Layout.
Crans-Près-Céligny, CH: RotoVision, 2001. 国际标准书号: 2-
88046-610-5 (PBK); 160 页面; color photographs.

Examples of experimental layouts in a range of
international graphic design projects. With ample illus-
翻译, the text attempts to provide a theoretical frame-
work for innovation in the art of layout. Interviews
with the designers offer insights into the process and
concepts behind the work. Students and practitioners of
graphic design will find this a useful resource for ideas
and inspiration.

M.R.L.

Vanni Pasca and Lucia Pietroni. Christopher Dresser,
1834–1904: Il Primo Industrial Designer. Per Una
Nuova Interpretazione della Storia Del Design
(Christopher Dresser 1834–1904: The First Industrial
设计师. For a New Interpretation of the History of
设计). 米兰: Lupetti, 2001. 国际标准书号 88-8391-032 (PBK);
269 页面; 黑色的 & white illustrations. 意大利语.

A reinterpretation of Dresser’s work which

asserts his centrality to the history of design. 这
volume also includes documents by Henry Cole, 欧文
琼斯, Gottfried Semper, Richard Redgrave, and Dresser
V.M.
他自己.

David Pearson. New Organic Architecture: 这
Breaking Wave. Berkley: University of California Press,
2001. 国际标准书号 0-520-23289-5 (PBK); 223 页面; 颜色
照片, 黑色的 & white illustrations.

超过 250 full color photographs and related
text capture the range and beauty of organic architec-
ture—a movement that is both an ethos and a style. 这
first part of the book is organized around eight slightly
vague themes which provide an overview of organic
建筑学, its roots, concepts and fascination with the
geometry of natural forms. The second part includes
contributions from 30 renowned architects and design-
ers in the ecological building movement who write
about their personal approaches to architecture. 这
book offers designers, architects and nature-lovers clear
examples of buildings that draw on nature for inspira-
tion and revel in the beauty of curved forms. M.R.L.

Marta Iris Montero. Roberto Burle Marx: The Lyrical
Landscape. Translated by Ann Wright. 伯克利, CA:
The University of California Press, 2001. 国际标准书号: 0-520-
23290-9 (hardcover); 208 页面; color photographs.

A retrospective on the life and masterworks of

the influential Brazilian landscape architect Roberto
Burle Marx. This book features 26 of Burle Marx’s land-
scape projects from the memorable Copacabana
Promenade to the public spaces and gardens of Brasilia
and his many private commissions. The photographs
reflect his genius—to create gardens that appear as
paintings made with plants and which harmonize
nature with architecture.

M.R.L.

Victoria Nelson. The Secret Life of Puppets: Tracing the
Curious Reversing Roles of Art and Religion by
Surveying the History of Simulacra as Players and
Holy Objects in Western Culture. 剑桥, 嘛:
哈佛大学出版社, 2001. 国际标准书号 0-674-00630-5
(hardcover); 350 页面; 黑色的 & white illustrations.

The daunting title belies a fascinating examina-

tion of the shifting cultural roles of art and religion
through time. Nelson traces these role reversals by
surveying the history of human simulacra (puppets,
dolls, mannequins, robots and cyborgs) as players and
transcendental objects. This quirky slice through
Western history provides a rationale for the rise of a
mainstream secular culture that displaces graven
images and religious impulses with puppetry, magic,
science fiction and horror films.

M.R.L.

Karla Nielson, David Taylor. Interiors: 一个介绍.
纽约, 纽约: 麦格劳-希尔, 2002. 国际标准书号 0-69738940-5
(PBK); 484 页面; 插图 + color photographs; CD-
ROM included.

A comprehensive, well illustrated textbook
approach to interior design. Students will appreciate
the broad survey of essential concepts and principles
underlying residential and non-residential interior
设计. The text is supported by abundant visual exam-
ples that help clarify the topics under discussion. 尽管
the book lacks in depth, it achieves in breadth as an
overview of interior design practices.

M.R.L.

设计问题: 体积 19, 数字 12 春天 2003

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Amelia Peck and Carol Irish. Candace Wheeler: The Art
and Enterprise of American Design, 1875–1900. N e w
避风港: 耶鲁大学出版社, 2001. 国际标准书号 1-58839-002-0
(hardcover); 276 页面; 颜色 + 黑色的 & white illustra-
系统蒸发散.

A scholarly assessment of Candace Wheeler’s

contributions to both textile and interior design and her
attempt to professionalize women’s work in the design
场地. Divided into sections, the first part chronicles the
impressive career of a young woman as she rises from a
student of textile arts into partnership with Tiffany as
an interior designer and textile specialist and finally
forms her own woman-owned and run textile firm. 这
second section provides a richly illustrated catalogue of
Wheeler and her associates’ designs for textiles, wallpa-
pers and interior furnishings with detailed descriptions.
For a revealing social history and a view of American
taste during the latter part of the nineteenth century,
this book will not disappoint.

M.R.L.

Anna K. C. 彼得森. New Zealanders at Home: A
Cultural History of Domestic Interiors 1814–1914.
Dunedin, 新西兰: University of Otago Press,
2001. 国际标准书号 1-877276-14-6 (PBK); 172 页面; 黑色的 &
white photographs, 彩色插图.

A visual history of nineteenth century domes-

tic interiors in New Zealand. 当代的
照片, drawings and paintings with accompany-
ing text offer readers insights into the housing and
material circumstances of New Zealanders from tradi-
tional Maori whare, missionary homes, to suburban
villas and bungalows. This study provides an interest-
ing historical snapshot into the domestic life of both
colonials and indigenous peoples.

M.R.L.

Laura R. Prieto. At Home in the Studio: 这
Professionalization of Women Artists in America.
剑桥, 嘛: 哈佛大学出版社, 2001. 国际标准书号
0-674-00486-8 (hardcover); 292 页面; 黑色的 & 白色的
插图.

An engaging cultural history tracing the emer-

gence of a professional identity for women artists.
Looking at the diverse careers of pre-1930 female artists
for evidence, Prieto follows the professional trajectories
of well-known artists such as Mary Cassatt and Georgia
O’Keefe as well as those of lesser known artists and
women of color. These stories reveal the prospects and
constraints women faced in gaining ungendered recog-
nition and professional acceptance for their work.

M.R.L.

Positions in Architecture: The Chicago Architectural
杂志 9. 芝加哥, 伊尔: The University of Chicago Press,
2000. 国际标准书号 0-9614053 (PBK); 152 页面; 黑色的 & 白色的
照片.

A compilation of personal manifestos about

architecture selected by members of the Chicago
Architectural Club. After an eleven-year hiatus, 这
edition marks the reinstatement of the journal with
contributions from practicing architects and club
members. The essays reflect on the forces that shaped
yesterday’s architecture and seek to define those issues
M.R.L.
central to architecture today.

Kriss Ravetto. The Unmaking of Fascist Aesthetics.
明尼阿波利斯, 明尼苏达州: 明尼苏达大学出版社, 2001
国际标准书号 0-8166-3743-1 (PBK); 296 页面; 黑色的 & 白色的
照片.

A densely written critique of the Fascist

aesthetic discourse that has emerged in postwar film,
文学, and art. Ravetto identifies contemporary
works that have co-opted Nazi and other Fascist
symbols and imagery and in the interpretation reinvig-
orate and generalize the aesthetics of fascism. 她
p rovides counterexamples of filmmakers whose repre-
sentations provide more subtle reflections on “The Final
Solution” and a Fascist past. This opinionated work
challenges readers to think about the role of aesthetics
in the politics of memory.

M.R.L.

Dina Riccò. Sinestesi per il design; Le interazioni senso-
riali nell’epoca dei multimedia (Synaesthesia for
设计: The Sensorial Interactions in the Epoch of
Multimedia). 米兰: Etas, 1999. ISBN 88-453-0941-X.
(PBK); 242 页面. 黑色的 & 白色的 + 彩色插图. 在
Italian.

Considers the question of how media involve

the senses. Includes a study of multisensoriality and
deals with the question of synaesthesia in language as
well as artifacts.

V.M.

Charles Roberts. Final Cut Pro 2 for Firewire DV
Editing. Woburn, 嘛: Focal Press, 2002. 国际标准书号 0-240-
80499-6 (PBK); 429 页面, 黑色的 & white screenshots.

A comprehensive introduction to the Final Cut

Pro editing system. From desktop studio set-up, 到
image editing, to composting special effects and
outputting the video, this book covers all the necessary
steps required to edit film and video projects. Ample
screen shots help users digest the written information.
A ffordable production technologies and editing
systems like this make professional filmmaking possi-
ble for all.

M.R.L.

设计问题: 体积 19, 数字 1 冬天 2003

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11 收到的书 3/13/03 1:46 PM Page 90

Joseph Rykwert. Louis Kahn. 纽约, 纽约: Harry N.
Abrams, 2001. 国际标准书号 0-8109-4226-7 (hardcover); 224
页面; color photographs.

A tribute to the lifework of a master American
建筑师, Louis Kahn. Architectural historian Rykwert
gives a fresh perspective on Kahn’s monumental
achievements with large full color photographs,
archival sketches and plans from 15 major projects.
Architectural lovers and fans of Kahn’s work will
appreciate this lavishly produced volume.

M.R.L.

Roger Sabin and Teal Triggs, 编辑. Below Critical Radar:
Fanzines and Alternative Comics from 1976 to Now
Hove, 英国: Slab-O-Concrete, 2000. 国际标准书号 1-899866-47-7;
112 页面; 黑色的 & 白色的, 彩色插图.

An introduction to the past 25 years of “fringe
publishing culture” from the hippie-era underground
p ress to Internet versions. With essays by practitioners
and critics, a timeline of English, American and
Canadian works and events, and extensive critical
commentary on the reprinted page and cover illustra-
系统蒸发散.

V.M.

Ann Satterthwaite. Going Shopping: Consumers
Choices and Community Consequences. 新天堂,
CT: 耶鲁大学出版社, 2001. 国际标准书号 0-300-08421-8
(hardcover); 384 页面; 黑色的 & white illustrations.

A sweeping look at the social, civic, 经济的

and moral impact of shopping. Part history and part
cultural study, this book traces the links shopping has
to community, civility, public space. In the wastelands
of the large, featureless superstores of today,
Satterthwaite suggests these links have been torn. 这
is a compelling read for anyone curious about the
American obsession with shopping.

M.R.L.

Thomas A. Sebeok. Signs: 简介
Semiotics. To ronto, 加拿大: University of To ronto
按, 2001. 国际标准书号 0-8020-3643-1 (hardcover); 193 页面.
The revised second edition to Sebeok’s seminal

text on the semiotics of signs. Written in an accessible
textbook fashion, this book lays out in clear terms the
notion of signs and symbols, their study, and an explo-
ration of six sign categories. The newly added glossary
is a helpful feature for students and individuals new to
the sometimes obtuse subject of semiotics and complex
M.R.L.
sign systems.

彼得·N. Stearns. Cultures in Motion: Mapping Key
Contacts and Their Imprints in World History. N e w
避风港, CT: 耶鲁大学出版社, 2001. 国际标准书号 0-300-
08229-0 (PBK); 120 页面; 彩色插图.

Synoptic views of world history highlighting
transformative episodes of cultural contact. Beginning
with the rise of civilization, this book traces the impact
of major cultural encounters through to the present day.
Fourteen case studies illuminate the historical conse-
quences of cultural contacts that range in outcome fro m
the spread of religion and science, to population dias-
poras and forced migrations, and in the modern age to
the rise of colonialism and nationalism. Stern concludes
with the current diffusion of consumer culture through
M.R.L.
sports, movies and fast food chains.

Valerie Steele. The Corset: A Cultural History. N e w
避风港: 耶鲁大学出版社. 2001. 国际标准书号 0-300-09071-4
((hardcover) 202 页面; 颜色 + 黑色的 & white illustra-
系统蒸发散.

A richly illustrated look at the history and

myths surrounding the corset. This book traces the rise
of the corset from its first appearance on women in
Spain and Italy during the 16th century to its popular-
ization and widespread acceptance during the Victorian
时期. Steele delves into fetishistic “tight-lacing” prac-
tices and the erotic interest in corsets that have capture d
the imagination of artists and photographers well into
our time. The history of the corset reveals a complicated
and shifting set of meanings with regards to feminine
beauty and sexuality. For those interested in a balanced
look at how fashion and images of the female body
have changed over time, this book contains a wealth of
p rovocative material.

M.R.L.

Gunnar Swanson, 编辑. 平面设计 & Reading:
Explorations of an Uneasy Relationship. 纽约:
奥尔沃斯出版社, 2001. 国际标准书号 1-58115-063-6; 221 页面;
黑色的 & white illustrations.

A collection of essays that explore the complex
relationships between graphic design, reading and the
w o rds themselves, and questions the limits of these
关系.

V.M.

Martha Thorne, 编辑. Modern Trains and Splendid
Stations: Architecture, 设计, and Rail Travel for the
Twenty-First Century. 伦敦: Merrell, 2001. 国际标准书号 1-
85894-149-0. (平装). 160 页面; 彩色插图
+ 黑色的 & white line drawings.

The catalogue of an exhibition at the Art
Institute of Chicago. Includes essays on new train
stations, current and future passenger trains, 和
future of train travel in the United States. Amply illus-
trated with color photographs of new trains and
stations as well as models of projects for the future.

V.M.

设计问题: 体积 19, 数字 12 春天 2003

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