WebAL Comes of Age: A Review
of the First 21 Years of Artificial
Life on the Web
Abstract We present a survey of the first 21 years of web-based
artificial life (WebAL) research and applications, broadly construed
to include the many different ways in which artificial life and web
technologies might intersect. Our survey covers the period from
1994—when the first WebAL work appeared—up to the present day,
together with a brief discussion of relevant precursors. We examine
recent projects, from 2010–2015, in greater detail in order to highlight
the current state of the art. We follow the survey with a discussion
of common themes and methodologies that can be observed in recent
work and identify a number of likely directions for future work in
this exciting area.
Tim Taylor*,**
University of York
Joshua E. Auerbach
Ecole Polytechnique Fédérale
†
de Lausanne
‡
Josh Bongard
University of Vermont
Jeff Clune§
University of Wyoming
Simon Hickinbotham**
University of York
††
Charles Ofria
Michigan State University
‡‡
Mizuki Oka
University of Tsukuba
Sebastian Risi§§
IT University of Copenhagen
Kenneth O. Stanley***
University of Central Florida
†††
Jason Yosinski
Universidad de Cornell
Palabras clave
WebAL, web technologies, HTML5, abierto
ciencia, crowdsourcing, crowdfunding,
public outreach
* Contact author.
** University of York, Reino Unido. Correo electrónico: tim@tim-taylor.com (T.T.); simon.hickinbotham@york.ac.uk (S.H.)
† Ecole Polytechnique Fédérale de Lausanne (EPFL), Laussane, Suiza. Correo electrónico: joshua.auerbach@epfl.ch
‡ University of Vermont, EE.UU. Correo electrónico: jbongard@uvm.edu
§ University of Wyoming, EE.UU. Correo electrónico: jeffclune@uwyo.edu
†† Michigan State University, EE.UU. Correo electrónico: ofria@msu.edu
‡‡ Department of Computer Science, Graduate School of SIE, University of Tsukuba, Japón. Correo electrónico: mizuki@cs.tsukuba.ac.jp
§§ IT University of Copenhagen, Dinamarca. Correo electrónico: sebr@itu.dk
*** University of Central Florida, EE.UU. Correo electrónico: kstanley@cs.ucf.edu
††† Cornell University, Ítaca, Nueva York, EE.UU. Correo electrónico: yosinski@cs.cornell.edu
© 2016 Instituto de Tecnología de Massachusetts. Artificial Life 22: 364–407 (2016) doi:10.1162/ARTL_a_00211
Publicado bajo una atribución Creative Commons
3.0 no portado (CC POR ) licencia.
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t. Taylor et al.
WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web
1 Introducción
In recent years there has been a growing body of work in artificial life (ALife) that makes use of web
technology in one way or another.
Over the last five years or so, web technologies have shifted away from proprietary browser
plug-ins and towards standardized, native application programming interfaces (APIs) for providing
graphics, animation, multimedia, and other advanced features. This progress is due to the develop-
ment and adoption of the HTML5 language and associated API specifications introduced by the
World Wide Web Consortium (W3C).1
This movement has made it much easier to develop and deploy rich web-based applications that
work reliably and consistently on any browser, across multiple platforms and devices. It is therefore
unsurprising that a number of high-profile ALife projects have emerged over this period that utilize
web technology in various different ways. We refer to such work as WebAL, and broadly construe
the field to include the multitude of ways in which ALife and the web might intersect. Examples
include the creation of massively distributed user-guided evolutionary systems, the creation of open
science platforms, the use of web-based applications for public outreach and engagement, y el
use of crowdfunding platforms for supporting the development of ALife systems. As we demon-
strate in this review and summarize in Section 7, there are many other points of intersection in
addition to these.
In light of this emerging trend, an inaugural Workshop on Artificial Life and the Web (WebAL-1)2
was held at the 14th International Conference on the Synthesis and Simulation of Living Systems
(ALIFE 14) in New York City on 31 Julio 2014 [128]. Inspired by the success of the workshop, a
number of its participants decided to collaborate on writing a comprehensive review of the field—
the result of which is the current article.3
Although recent years have witnessed a rapid growth in this area, the first web-based ALife sys-
tems date back 21 years to the mid-1990s, with various antecedents employing alternative forms of
network technology dating back to the 1970s. En figura 1 we present a timeline showing some of the
main WebAL projects discussed in this article, plotted against developments in the underlying web
tecnología. We will refer to this figure throughout the review.
The organization of the rest of the article is as follows. En la sección 2 we define the scope of this
review and describe the methodology adopted to collect the materials upon which the review is
based. En la sección 3 we review various non-web or non-ALife projects that have heavily influenced
the state of the art of modern-day WebAL. En la sección 4 we cover the first true WebAL systems that
appeared in the 1990s soon after the birth of the web itself, and in Section 5 we explore develop-
ments in the following decade, the 2000s. En la sección 6 we look in slightly more detail at WebAL
systems that have appeared since 2010, in order to present the current state of the art. On the basis
of the work reviewed, we identify some of the important emerging themes in Section 7, and com-
ment on likely directions for future research as well as projects in active development. Finalmente, nosotros
present our conclusions in Section 8.
2 Review Scope and Methodology
As described in Section 1, we have approached this review with an open-minded perspective on
what constitutes WebAL, in order to examine the many different meeting points of ALife and
the web. Although such an approach allows us to address a variety of topics that might not have
1 See http://www.w3.org/TR/htm15/ and https://en.wikipedia.org/wiki/HTML5.
2 http://alife.org/ws/webal1
3 This article is a vastly expanded and more detailed revision of a previous review [127], with additional contributions from many of the
participants and organizers of the WebAL-1 Workshop.
Artificial Life Volume 22, Número 3
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t. Taylor et al.
WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web
Cifra 1. A timeline of selected WebAL projects in relation to developments in web technology. The color of the dot
for each project indicates the main technology used (verde: basic HTML and CGI scripts; azul: JavaScript; naranja: Java;
rojo: Destello; negro: otro ).
been covered in a more narrowly focused review, there is a danger that it might lead us into vast
areas of research where there is no hope of providing a comprehensive, coherent review that would
be of interest to readers of this journal. This danger is compounded by the fact that the boundaries
of ALife research are indeterminate, and the distinction between web applications and other forms
of Internet application is also becoming increasingly blurred (particularly in the case of mobile apps
and social media). To guard against these dangers, we have taken a number of measures to enhance
the focus of the review and to provide a clear methodology.
To determine what counts as ALife in this context, we considered work that describes itself as
ALife, or is published in the ALife literature, as a de facto definition of the field. Específicamente, nosotros
searched for relevant work among all articles ever published in publications affiliated with the
International Society for Artificial Life—that is, every issue of the Artificial Life journal, y cada
proceedings volume of the International Conference on Artificial Life and the European Conference
on Artificial Life.4 We acknowledge that other ALife-related journals and conferences exist, but we
needed to draw a line somewhere in order to keep the task manageable. The initial search yielded
aproximadamente 450 potentially relevant articles, but many of these were spurious results. Estos
articles were then investigated in more detail in order to determine which were of genuine relevance.
In addition to this systematic search, we also tapped into the collective knowledge of the coauthors
of this article (all of whom are actively working in WebAL), as well as asking a number of other
colleagues associated with the field for feedback on an early draft.
Además, we have attempted to draw a distinction between work relating to the web and
work related more generally to the Internet. We use the terms WebAL and NetAL, respectivamente, para
4 Where electronic copies of articles were available, searches were performed using the following keywords: (web, internet, Java, applet,
HTML, Destello, browser, Android, iOS, screensaver, JavaScript). Where no electronic copies were available, abstracts were read to determine
potential relevance.
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t. Taylor et al.
WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web
the narrower and broader fields. The major focus of this review is on WebAL, although it has not always
been sensible to draw a clear distinction here. In cases where we feel that specific NetAL work is es-
pecially relevant, we have included it in our review. En particular, we highlight some of the most relevant
NetAL work in Box 1 and Box 2. For completeness, any other NetAL work that was uncovered in our
systematic search of the Artificial Life journal and conference proceedings is listed in a bibliographical
appendix.
Having established our criteria for what work to review, we chose particular aspects of this body
of work to focus on. In terms of current work, we are primarily concerned with modern HTML5
and associated APIs as a platform, an environment, and an enabler for ALife. We are especially interested in
how the modern web enables new ways of working that were previously not possible or feasible—at
the end of the review we highlight the most important of these in Section 7. In our review of earlier
trabajar, we are primarily interested in pioneering work that used ALife and the web in novel ways, y
in tracing the important antecedents to todayʼs WebAL projects. There are other areas of work that
we have chosen not to focus on because they are large fields that would have taken us too far from
our core topics, and because comprehensive reviews of those areas are available elsewhere. Estos
include the general areas of web crawling and information retrieval, distributed multi-agent systems,
and frameworks for distributed evolutionary algorithms. Hacemos, sin embargo, discuss specific work in
these fields that have a particular ALife-oriented focus, and we provide pointers to broader reviews of
these areas where appropriate.
3 The Precursors to WebAL
Many of the WebAL projects discussed in later sections involve the use of network technology and
distributed human interaction to produce some kind of emergent artefact. Seen in this general light,
a wide variety of potentially relevant antecedents can be found. We cannot provide an exhaustive review
of such a broad body of prior work, but instead highlight a few significant landmarks and waypoints.
The arts world provides many interesting studies of the combination of network technology,
comunicación, emergent behavior, and inhabited virtual worlds. En 1977, the artists Kit Galloway
and Sherrie Rabinowitz exhibited the Satellite Arts project, with funding and technical support from
NASA [26, 84]. The project was a live performance piece involving two sets of dancers, located on
opposite coasts of the USA, connected by a satellite-linked video feed that blended the images of
both sets of dancers to produce a live, shared virtual space in which the performance happened. El
project was one of the first examples of the use of network (en este caso, satellite) technology to
explore distinctions such as real versus virtual, subject versus object, and here versus there. En
the years since the Satellite Arts project, the arts world has continued to push the boundaries of
technology to explore issues of networks, comunicación, virtuality, and emergent behavior.5
Besides the arts world, computer games have an equally long history of development of shared
virtual worlds. Real-time, shared virtual worlds date back to the development of the original Multi
User Dungeon (MUD ) by Roy Trubshaw in 1978 [83]. MUD initially allowed multi-user play via AR-
PANet before being licensed to CompuServe,6 where it ran until 1999. The MUD source code has
recently been acquired by Stanford University Library as part of an ongoing effort to preserve virtual
worlds [58]. MUD spawned a diverse and distinguished lineage of massively multiplayer online
juegos (MMOs) that still thrives today [83].
The 1970s witnessed the emergence of computer viruses on mainframes, and by the early 1980s
viruses and worms were also appearing on microcomputers [125]. One of the first examples of a worm
that spread via the Internet, causing widespread damage and attracting the attention of the mainstream
5 To briefly mention just two more recent examples: Karlheinz Stockhausenʼs Helikopter-streichquartett (Helicopter String Quartet), primero
performed in 1995, involved a coordinated live performance of four musicians each flying in separate helicopters [122]. En otra parte, Matthew
Fullerʼs group performance project The Human Cellular Automaton, first performed in 2000, implemented cellular automata rules (como
Conwayʼs Game of Life) in a crowd of human participants [133, páginas. 173–174], thereby creating a distributed human-powered computer.
6 http://british-legends.com/CMS/index.php/about-mud1-bl/history
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t. Taylor et al.
WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web
media, was Robert Morrisʼ Internet worm of November 1988 [23]. Referring to the growth of computer
viruses, Christopher Langton warned in his introduction to the proceedings of the Second Interdisci-
plinary Workshop on the Synthesis and Simulation of Living Systems (Artificial Life II, 1990):7
There is a caution here that we all must attend to. Attempts to create Artificial Life may
be pursued for the highest scientific and intellectual goals, but they may have devastating
consequences in the real world, if researchers do not take care to insure that the products
of their research cannot ‘escape,’ either into computer networks or into the biosphere
sí mismo. [50, pag. 18]
Although the general history of computer viruses is beyond the scope of this review, we will refer back
to Langtonʼs warning when we discuss recent developments with client-centric WebAL in Section 7.7.
For further discussion of the broader topic of computer viruses and their relation to ALife, we refer
the interested reader to Eugene Spaffordʼs review article [114].
Relevant antecedents to WebAL can also be found in the development of distributed evolution-
ary systems, with theoretical work on parallel genetic algorithms starting in the 1960s and implemen-
tations in the 1980s—see [14] for a good review. One of the most ambitious examples of a
distributed evolutionary system is Karl Simsʼ Evolved Virtual Creatures [110], released in 1994, cual
ran on a Connection Machine CM-5 supercomputer across 1024 cores. In this simulation, Sims fully
evolved the morphology and behavior of a population of virtual organisms in a 3D world, inspiring
many subsequent systems. Además, Simsʼ gallery installations of interactive evolutionary art,
such as Genetic Images (1993)8 and Galápagos (1997),9 were important precursors for WebAL evolu-
tionary art systems such as Picbreeder (discutido en la Sección 5.1.1) and later projects (Sección 6.1).
Huge advances have been made in the more general field of distributed computing over the last
couple of decades. The WebAL projects discussed in later sections have developed in the context of
noteworthy successes in several major scientific projects using distributed computing and Internet
crowdsourcing, including SETI@Home [5], Foldit [46], and Galaxy Zoo [56]. The continued advances
in large-scale distributed systems over this period have also stimulated the growth of the new field
of autonomic computing, which aims to use bio-inspired techniques to produce large-scale, self-
managing distributed IT systems that are substantially more robust than traditional complex com-
puting systems [45].
In this section we have only briefly touched upon some of the most relevant precursors to WebAL.
By the early 1990s, the technological milieu was pregnant with many of the ideas outlined above. As the
Internet matured and the World Wide Web was born, such ideas were invigorated by the development
of easy-to-use, standardized network technology and the mushrooming uptake of Internet and Web
technology not just by special interest groups but by the general public the world over. In the next
sección, we look at the earliest examples of work that truly deserves the label WebAL.
4 The 1990s: Early WebAL
One of the first examples of WebAL was Michael Witbrock and Scott Neil-Reillyʼs evolutionary art
project International Interactive Genetic Art 1 (IIGA1), developed in 1994, along with the subsequent
IIGA2 system developed by John Mount [134].10 En este trabajo, the fitness of images generated by
genetic programming representations was determined by taking the average ratings for each image
as scored by users accessing the system via the web. Both IIGA1 and IIGA2 attracted tens of
7 Similar concerns were also raised by Harold Thimbleby, who presented at the Artificial Life II workshop but did not appear in the
proceedings; his ideas were later published elsewhere [129].
8 http://www/karlsims.com/genetic-images.html. Like Evolved Virtual Creatures, this work also ran on a massively parallel Connection
Machine supercomputer.
9 http://www/karlsims.com/galapagos/
10 See also http://www.win-vector.com/blog/2009/06/what-is-genetic-art/.
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WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web
Box 1. Highlights of other NetAL work from the 1990s.
The Network Tierra project, initiated around 1995, was a networked version of Tom Rayʼs well-known system Tierra,
in which the digital organisms were native, self-reproducing code structures running in a virtual computer. The goal
was to use the Internet to create a world-wide, distributed, complex environment in which the digital organisms could roam
and freely evolve. Project participants ran specially designed servers that ran Tierra locally and managed network
communications with other Tierra servers in a secure and contained manner.a Over a period of 5 años, Ray and
coworkers used Network Tierra to investigate the evolution of complexity in parallel programs (their analogy to multi-
organismos celulares). Results were mixed, but the project ultimately failed to achieve an evolutionary increase in the
number of differentiated parallel processes (cell types) [96].b
A more applied variation of the ideas behind Network Tierra can be seen in Filippo Menczer and colleaguesʼ 1995
article on evolving agents for information retrieval on the web [64]. This work proposed an algorithm where agents
searched for documents driven by a userʼs query, gaining energy and reproducing according to their success. El
algorithm was tested on a small set of 116 connected web pages, although this early work did not employ actual on-line
agents. A full review of the field of online information retrieval agents is beyond the scope of this article, but a summary
of work in this field in the 1990s can be found in [47].
En otra parte, en 1996 David Ackley presented a description of his ccr system [1], which has been under development
intermittently since 1989.c ccr is an Internet-based software system that aimed to provide a large-scale, distributed
common environment in which humans and artificial agents could communicate and interact. Some further analysis
of the system was published in 2000 [2], and the systemʼs key server, launched in 1996, is still running today.d Although
according to Ackley many of the lessons learned from the system have not yet been presented in the literature, el
project has influenced his more recent research on indefinitely scalable computing [3, 4].
Another early example of the use of the Internet for distributed communication is provided by Luc Steels and
colleaguesʼ long-running Talking Heads project—initiated in 1999—which studied the development of language in
communicating robots. In these experiments, physical robots were situated in various locations around the world, y
virtual agents (es decir., the controllers for the robots) could “teleport” over the Internet to inhabit different physical bodies.
The public could also interact with the agents via the projectʼs website [120, 121].
A final example from this period is the work of Johnson and colleagues in 1998 [42], which presented an early
discussion of the potential of the Internet to facilitate large-scale collaborative problem solving and self-organization
of knowledge. As discussed in Section 7, these concepts form a core thread of a significant portion of more recent
WebAL work.
a http://life.ou.edu/tierra/netfaq.html
b Subsequent work with the Avida system was able to generate the spontaneous evolution of differentiated cell types,
but these experiments were run on local clusters, not on the web [33].
c http://keys.ccrcentral.net/ccr/history/
d http://keys.ccrcentral.net/ccr/data/central-stats-v0.3+.html
thousands of users, and the work was mentioned in Wired magazine [115]. The IIGA2 site, construido
upon CGI scripts and HTML forms,11 racked up nearly 4000 generaciones (each of 10 images) on its
original server, with over 115,000 page views of the images. The use of the web as a means of
collecting distributed aesthetic evaluation of 2D and 3D images in evolutionary art systems remains
a strong component of WebAL work to this day, as will be highlighted in later sections.12
Moving from 2D to 3D, the year 1995 saw the launch of the web-based artificial life virtual
world TechnoSphere, created by Jane Prophet and Gordon Shelley [87]. The front end of the system
11 http://www.mzlabs.com/MZLabsJM/page4/page4.html
12 The work on web-based evolutionary art systems reported here is part of a larger field of work on evolutionary art, much of which is
not web-based. A good review of the wider field can be found in [52].
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WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web
Cifra 2. The TechnoSphere web interface.
was a website where users could design their own creatures by selecting from a limited range of
predesigned body parts (ver figura 2). Once created, the user submitted their creature to the
web server, and it was tagged with the userʼs email address and a unique ID. Submitted creatures
were released into a 3D virtual world (which was not rendered live on the website), featuring a
fractally generated landscape and other creatures (many of which were designed by other users),
subject to ecological rules that governed their interactions. At key events, the users would receive
email updates. Por ejemplo, when creatures interacted with each other, the email addresses of the
two authors were shared, to facilitate discussion. Users could even request “postcards” of their crea-
turas, which were generated by rendering a scene showing the creature in its current location. En
1996 the TechnoSphere world reached a peak population of 90,000 creatures. En 1998, work started
on a version with real-time 3D rendering [88], which was exhibited at a number of art galleries and
museums over the period 1999–2001; this version, sin embargo, ran on a local network of PCs rather
than on the web.13
An early example of using the web to mix real and virtual worlds—and thereby addressing some
of the same topics investigated by the pre-web Satellite Arts project described in Section 3—was
Telegarden.14 Building upon their work on web-based tele-operated robotics [32], Ken Goldberg
and colleagues created a system in which web users could tend to a remote real-world garden, usando
a tele-operated robotic arm to plant and water seedlings. Telegarden ran successfully for 10 años
(1995–2004), amassing 9000 active users by August 199615 and attracting coverage from many main-
stream media channels. A sociological study of the community of users was reported in [62].
Bruce Damer and colleaguesʼ Nerve Garden, launched in 1997, shared some of the ideas of
Telegarden, but swapped the mixed-reality aspect for a shared 3D virtual environment [19]. El sistema
allowed users to grow 3D plant models, generated by L-systems, on a client-side Java application.
Users could then select their favorite plants, name them, and submit them to a central server, dónde
13 En el momento de escribir, a new version of TechnoSphere, in the form of an augmented-reality mobile app, is currently under development
(mira la sección 6.2.2).
14 http://goldberg.berkley.edu/garden/
15 http://web.archive.org/web/19980203215817/http://telegarden.aec.at/html/nyt.html
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Cifra 3. Nerve Garden. Composite image of the Nerve Garden Island with interface, butterfly in the sunshine, y
lightning storm and bee in flight over the island.
they would be planted in a shared VRML-based16 3D environment that could be viewed by anyone
with a browser suitably equipped with a VRML viewer plug-in (ver figura 3).
By the mid-1990s, projects such as Telegarden were attracting growing attention in the popular
media. En algunos casos, the rapidly expanding media interest in cyberculture even led to funding
for new WebAL projects. Following the publication of Kevin Kellyʼs book Out of Control [44], Ab-
solut Vodka (sponsors of Kellyʼs website) funded the development of a web-based genetic art sys-
tem called Absolut Kelly, built upon the ideas of distributed intelligence and the “hive mind”
discussed in the book. El sistema, developed by Jeffrey Ventrella, used an interactive genetic algo-
rithm to allow users to evolve images featuring the distinctive outline of Absolutʼs vodka bottles.17
Extending the hive mind approach to evolving art even further, and taking its name from the sci-fi
novel Do Androids Dream of Electric Sheep? [24], Scott Dravesʼ Electric Sheep is a distributed, interactivo
artwork system launched in 1999 [25].18 The software exists in the form of a screensaver that can be
downloaded by users and used to render frames of abstract artworks. Once complete, these frames
are sent back to a central server, where they are used to generate animations (known as “sheep”). El
animations are compressed by the server and sent back to the client-side screensavers for display (el
system is therefore not web-based as such, but relies on Internet communications between the server
and client-side screensavers). Users can vote for their favorite animations, their votes being used by a
genetic algorithm to guide the future evolution of new sheep. The sheep are therefore the result of
massively distributed computation and human participation from tens of thousands of users.
While genetic art projects such as Electric Sheep and the Absolut Kelly employed web users purely
for the aesthetic selection step of the evolutionary process,19 the shared virtual environment projects
such as TechnoSphere and Nerve Garden provided users with tools to directly manipulate the design of
16 http://www.w3.org/MarkUp/VRML/
17 Example images can be seen at http://www.ventrella.com/Tweaks/Absolut/absolut.html. The work is also described in [133, 45] and on
Kevin Kellyʼs website: http://kk.org/ct2/2007/10/17/mutating-art-from-chaos/.
18 http://electricsheep.org. See also [133, páginas. 154–157].
19 Another early example of this kind was the Artificial Painter project, a genetic art system that included a limited web-based interface allowing user-
guided aesthetic selection (archived at http://web.archive.org/web/19980503002715/http://gracco.irmkant.rm.cnr.it/luigi/lupa_ap.html) [81].
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their contributed virtual inhabitants. In TechnoSphere this manipulation was accomplished by the com-
position of standard elementary parts, and in Nerve Garden by providing an interface to adjust various
parameters of the L-system.
A somewhat more abstract approach, in which users used a web interface to enter written text
that was then treated as a genetic code and mapped to a 3D creature, was developed by Laurent
Mignonneau and Christa Sommerer in a series of projects they developed in the late 1990s [112].
The first of these projects was Life Spacies, introduced in 1997 and followed by Life Spacies II in
1999 [69]. This project was an interaction environment installed in a museum in Tokyo and con-
nected to a website through which users from all over the world could design virtual creatures by
entering text messages that would then be mapped into 3D creatures and introduced into the en-
vironment displayed at the museum. Once uploaded to the shared environment, the creatures could
interact with each other there. Además, visitors to the museum could interact with the creatures
by touching them,20 thereby blurring the boundary between real and virtual worlds (a recurring
theme that has come up in various of the projects already discussed). A related web-based system,
Verbarium, was also introduced in 1999, and allowed users to create shapes and forms in real time
using the same idea of a text-to-form encoding and an online interactive text editor [112, 113].
In addition to arts projects, the mid-1990s saw the birth of many WebAL-related projects in the
fields of computer games and animation.
1996 saw the release of the ALife focused game Creatures, designed by Steve Grand.21 The char-
acters in the game were digital life forms, called Norns, that were capable of lifetime learning, y
possessed a physiology, drives, and communication abilities, all of which could evolve over gener-
ations. Although the first version of the game ran on standalone PCs, a growing online community
of players soon started exchanging their Norns via enthusiast websites [16, 41]. Por 2001, Creatures
Docking Station was released, an Internet-based add-on to Creatures 3 that allowed Norns to travel
between different online worlds.22
The growing popularity of the Java programming language in the mid-1990s (Cifra 1), y el
ease with which it allowed programs to be distributed via applets embedded in web pages, led to a
flourishing of websites hosting ALife-related applets. En 1996, Craig Reynolds ported his well-known
Boids work, which had originally been published in 1987 [97], to a Java applet on his website.23
Various other Boids applets also appeared around the same time.24 One particularly noteworthy
example was Floys by Ariel Dolan,25 which extended the basic Boids design by adding territorial
behaviors to the creatures [80]. Floys (along with Boids) was described in a popular science article in
Scientific American in 2000, which highlighted the potential for amateur scientists to modify the code
and use it for their own investigations [15].
An example of a more extensive ALife-related Java application was developed by the British de-
sign group Soda Creative in 1998. Their system, Soda Constructor,26 employed a 2D physics engine
and presented users with an online editor with which they could construct creatures based upon
mass-spring systems with oscillating muscles. By mid-2000, the popularity of the game had soared
through “word of email,” and an online forum enabled users to share their creations.27 Soda Creative
won an Interactive Arts BAFTA Award in 2001 for their work.28 In 2002, they teamed up with
20 This interaction was achieved using a camera tracking system that captured a visitorʼs image and projected it into the display, thereby
integrating them into the virtual environment [69].
21 http://en.wikipedia.org/wiki/Creatures_(artificial_life_series )
22 See http://creatures.wikia.com/wiki/Docking_Station. The information in this paragraph has been verified by personal communication
with Steve Grand.
23 See http://www.red3d.com/cwr/boids/applet/. Date of original publication confirmed by personal communication with Craig Reynolds.
24 Por ejemplo, Conrad Parkerʼs implementation http://www.vergenet.net/∼conrad/boids/. Various other examples are listed at http://
www.aridolan.com/ad/Alife.html.
25 http://www.aridolan.com/ofiles/JavaFloys.html
26 http://soda.co.uk/work/sodaconstructor
27 http://www.acmi.net.au/soda.htm
28 http://awards.bafta.org/award/2001/interactive/interactive-arts
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Queen Mary University London to develop Sodarace, a shared online environment where users from
around the world could pit their creations against each other in competitions [63].29 The develop-
ment of Sodarace was supported by the UKʼs Engineering and Physical Sciences Research Council,
and had a strong public outreach and educational flavor.30
En otra parte, an early example of work employing a distributed web-based genetic algorithm was
reported in 1998 by Jens Astor and Christoph Adami [6] (with further experiments reported a couple
of years later [7]). The work investigated the evolution of developmental artificial neural networks
(ANNs), and utilized a server program written in Java that farmed out evaluations of individual
ANNs to heterogeneous clients running a browser-based Java applet (or a local desktop Java
programa).31 The authors saw the potential of web-based distributed architectures for running
computational tasks at a massive scale. Sin embargo, their publications only reported results from experiments
run over a local network; they cited Javaʼs lack of speed as a problem, but they foresaw that improve-
ments in Java compiler technology would make this kind of architecture more feasible in the future.32
As demonstrated in the preceding discussion, by the late 1990s WebAL was already a fertile and
vibrant field of research. A short review article entitled “ALife Meets Web: Lessons Learned,” published
en 1998, summarized some of the work discussed in this section and drew some conclusions about what
might be the most productive areas for WebAL research going forward [80]. Areas highlighted included
using the web as a shared testing ground—a global laboratory—for ALife experiments, and using the
close parallels between the web and natural biological environments (p.ej., both are large, dynamic, het-
erogeneous, noisy, and distributed) to inspire the design of complex WebAL worlds. As we will see later
en (Sección 7), both of these areas have become important components of current WebAL research.
5 The 2000s: WebAL Develops
We begin this section by describing a rather different kind of intersection between ALife and the
web that took place at the Artificial Life VII conference in 2000, held in Portland, Oregón. Uno
aspect of the conference theme of “Looking backwards, looking forwards” was a drive to better
understand the interests and opinions of the community regarding the status and direction of ALife
as a field of study. Además, the organizers wished to canvass the community on the establishment
of a professional society. In order to achieve these tasks, Steen Rasmussen and colleagues set up a
web-based survey that allowed open-ended responses to a number of questions formulated by a
group of community members [93]. The survey was implemented using Active Server Pages33 tech-
nología, and stored responses in a database for further analysis. The survey authors produced his-
tograms and mind maps from the results in order to better understand the interests and concerns of
the community, and also to investigate differences in opinion between respondents from computer
science and biology. Además, the positive responses to the questions regarding the establishment
of a professional society led to the formation of the International Society for Artificial Life. En
reporting the survey design and analysis, Rasmussen et al. explained that they wished to use the
web to harness the collective intelligence of the ALife community. In addition to reporting the spe-
cific results of their survey, they also described a more general methodology for performing this kind
of web-based collective intelligence gathering and self-organization of knowledge from a community
[93]. This is an early example of WebAL crowd creativity—we will come across other examples later in
the article, and briefly summarize these projects in Section 7.1.
29 See also http://sodarace.net/, http://soda.co.uk/work/sodarace-online-olympics.
30 En 2013, Szerlip and Stanley developed an open-source browser-based version of Sodarace, called IESoR [123]. It features a devel-
opmental encoding of creatures suitable for evolutionary experiments, and is designed to be an accessible platform that other researchers
can easily use.
31 An archived copy of the projectʼs website is available at http://web.archive.org/web/20050126162950/http://norgev.alife.org/.
32 They were right in that this kind of architecture is now more feasible, although in modern systems this can be accomplished using
native HTML5 technology rather than Java—see Section 7.2.
33 https://msdn.microsoft.com/en-us/library/aa286483.aspx
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Box 2. Highlights of other NetAL work from the 2000s.
The 2000s also saw the continued development of various ALife-related desktop (non-browser-based) systems that
made use of Internet connections for collaborative functionality.
A prominent example of this type of project was Golem@Home, developed by Hod Lipson and Jordan B. Pollack
at Brandeis University and launched in the summer of 2000.a Golem@Home was an extension to the Golem project that
sought to combine the evolution of simulated robotic systems with 3D printing technology to create a highly automated
system for the design and manufacture of real-world robots [57]. Golem@Home allowed the general public to download a
screensaver that harnessed idle CPU cycles to evolve simulated robots and animate some of them on the userʼs screen. If a
network connection was available, evolved robots would occasionally migrate between different usersʼ machines. Cada
screensaver kept a list of the IP addresses of other usersʼ machines, allowing a highly distributed system without the need
of a central server to manage the process. Over the course of approximately 12 meses, Golem@Home attracted over
30,000 Participantes, who jointly contributed several million CPU hours. From a technical perspective, the project was
highly successful, although from a scientific perspective the authors did not observe the increase in evolved robot
complexity they had hoped for.b
Other examples of desktop-based systems with collaborative features implemented with Internet connections also
continued to come from the area of ALife-related computer games research. En 2003, Stanley and colleagues at the
University of Texas at Austin started developing the computer game NERO, which allowed users to train a team
of in-game agents using a real-time version of the NEAT architecture [117]. Once trained, the team could compete against
an opposing team designed by another (often remote) user. The battle mode ran on a server such that both users could
watch the battle while running the program on separate Internet-connected machines.c
Unos años despues, Stanley and colleagues at the University of Central Florida produced Galactic Arms Race (GAR),
another desktop-based video game using Internet connectivity for collaborative game play [34, 35].d GAR includes a
genetic algorithm to evolve new weapons (based upon particle systems) according to the weapons preferred by current
users. In single-player mode, the weapons evolve according to the single user, but in full multi-player Internet mode the
weapons evolve in separate lineages based upon the aggregate usage of all players. The end result is the continual
introduction of new in-game content based upon the playersʼ tastes.
a http://www.demo.cs.brandeis.edu/golem/download.html
b Results as reported on the cited web page.
c NERO was originally distributed as a binary file running on Mac or Windows. En 2009 work commenced an an open-
source version called OpenNERO (http://nn.cs.utexas.edu/?opennero).
d http://gar.eecs.ucf.edu
Returning to more familiar flavors of WebAL, the general increase in the computing power of
desktop PCs in the 2000s over the 1990s allowed the introduction of more sophisticated web
browsers, and meant that it was feasible to run more powerful programs on the client side (dentro
the browser ). Por eso, the 2000s witnessed an increase in complexity of WebAL projects, made pos-
sible by the parallel improvements in hardware and web technology in addition to the scientific
progress of the field itself. In the remainder of this section we look at how the changing landscape
of web technology affected the development of WebAL during the 2000s.
5.1 The Changing Technology Landscape of WebAL
5.1.1 Java Applications and Applets of Growing Sophistication
Countless Java applets appeared in the late 1990s and early 2000s that simulated ALife-related con-
cepts, some of which were already described in Section 4. Además, various cellular automata (California)
were popular.34 While many of the earlier examples were fairly simple, some serious academic
34 For lists of many of these, see http://cell-auto.com/links/ and http://www.aridolan.com/ad/CA.html.
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Cifra 4. The Organic Builder user interface.
projects made their code available as applets as a means of distribution to encourage experimentation
by other researchers (p.ej., [68]).35
Además, some more elaborate projects were developed as interactive educational tools, incluir-
ing Soda Constructor (descrito en la Sección 4 but further developed in the 2000s). Another example
is Organic Builder,36 an accessible tool for experimenting with artificial chemistries, developed by
Tim Hutton and first launched in 2005. The system allowed users to edit the reaction rules of an
artificial chemistry and immediately observe the results in a browser-based graphical simulation of
interacting particles (ver figura 4). A series of progressively harder challenges was presented, to test
a userʼs skill in devising reaction rules to achieve particular behaviors. Todo 19 challenges set by
Hutton were solved by users, sometimes in very unexpected and ingenious ways. As well as solving
the challenges individually, some users also discussed and shared their results on an online discussion
forum.37 Reflecting on the experience of running the system for a number of years, Hutton
commented: “Though it was initially intended as a set of challenges to be tackled as a game, the users
experimented with the system far beyond this and discovered several novel forms of self-
replicators. When searching for a system with certain properties such as self-replication, making the
system accessible to the public through a Web site is an unusual but effective way of making scientific
descubrimientos, credit for which must go to the users themselves for their tireless experimentation and
innovation” [39, pag. 21]. De este modo, in addition to the education and outreach goals, Organic Builder also pro-
vides an early example of web-mediated crowdsourced human computation for solving complex tasks.
Another important WebAL project in the late 2000s was the evolutionary art system Picbreeder [109,
108]. El sistema, launched in 2007 and still running today, allows users to evolve two-dimensional
images using a Java applet that sends results back to a central server. The evolved images and
their lineages can then be viewed via the projectʼs website.38 The images are encoded by a neural
network variant called compositional pattern-producing networks (CPPNs) [116] and evolved through an
35 As the decade developed, the growing popularity of agent-based modeling toolkits such as NetLogo [111] made it easier than ever to
package simulation models as Java applets.
36 http://organicbuilder.sourceforge.net/
37 http://groups.google.com/group/OrganicBuilder/
38 http://picbreeder.org
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Cifra 5. Examples of evolved images from Picbreeder.
implementation of the neuroevolution of augmenting topologies (LIMPIO) algoritmo [118, 119].39 A major
innovation of Picbreeder was its support for a process called branching, which enables genuine
collaborative interactive evolution; users are allowed not only to evolve their own images, pero también
to select and continue evolving images produced by other users. As branch accumulates upon
branch, the system facilitates the interactive evolution of deep lineages of evolved pictures encom-
passing the contributions of many users, and accordingly also enables the collective exploration of
a vast search space of images. Results from Picbreeder demonstrate that it is possible to effectively
harness the input of many unrelated users through branching. Some examples of images evolved
with Picbreeder are shown in Figure 5.
Java-based projects such as Organic Builder and Picbreeder capitalized on the opportunities for
distributed interaction and crowdsourced computation afforded by the web. En otra parte, other pro-
jects continued to utilize Java and applets purely as a means for easy distribution, dissemination, y
engagement. A prominent example is Hiroki Sayamaʼs Swarm Chemistry project40 [104], introducido
en 2006 and still being actively developed.41
5.1.2 Adobe Flash
In addition to Java, Adobe Flash42 was another widely used technology in the 2000s for delivering
animated multimedia web content (ver figura 1). There are various examples of Flash-based WebAL
39 An earlier, but much more limited project in web-based evolutionary art based upon the NEAT algorithm was the Living Image Project
(http://w-shadow.com/li/), written by Jānis Elsts and operational over 2006–2007. The server-side application was partially based upon
Mattias Fagerlundʼs Delphi NEAT package (http://nn.cs.utexas.edu/?neatdelphi), and generated PNG image files of evolved images to be
displayed on the client-side web page.
40 http://bingweb.binghamton.edu/∼sayama/SwarmChemistry/
41 Swarm Chemistry has inspired various more recent independent projects, including an iOS app (https://itunes.apple.com/us/app/emergent/
id965513030) and an Adobe Flash-based web version (http://flexmonkey.blogspot.co.uk/2013/08/advection-swarm-chemistry-with.html).
42 https://en.wikipedia.org/wiki/Adobe_Flash
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projects, one of the most notable being a web-based genetic algorithm for evolving cars to run over
uneven terrain in a 2D simulated physics environment, which first appeared in 2008.43 This simula-
tion served as the inspiration for the more recent and very popular reimplementation of the idea called
BoxCar2D.44 Developed in 2011 by the UC Santa Cruz graduate Ryan Weber, BoxCar2D was also
written in Flash and used a Flash port45 of the popular Box2D physics engine.46 Also in 2011, shortly
after the arrival of BoxCar2D, Rafael Matsunaga released a reimplementation of the system using native
HTML5 technologies rather than Flash.47
5.1.3 WebAL in Online Virtual Worlds
Beyond the realms of academic research, Linden Labʼs online virtual world Second Life was launched in
2003 and gained massive worldwide popularity over the following years.48 A number of ALife-related
projects were developed within this platform, two of the most notable being Svarga and Terminus, cual
both came to prominence in 2006. Svarga, created by Second Life user Laukosargas Svarog, was an island
with a fully functioning ecosystem comprising a weather system and various types of plants and ani-
mals.49 The island can still be visited in Second Life today,50 but it was purchased from Svarog by Linden
Lab in 201051 and some of its original ecosystem features may no longer be present. Shortly after the
release of Svarga, a separate effort was launched by the Ecosystem Working Group and associated
with the in-game location Terminus.52 The groupʼs aim was to develop an open-source programming
language that would not only allow developers to freely create their own creatures, but also allow the
creatures in Terminus to interact and evolve using a shared language. Sin embargo, the project apparently
ran into funding and resource problems, and is no longer available.53
5.1.4 Native HTML and HTTP Technologies
The 2000s also saw the beginnings of a drive for native technologies and APIs in preference to Java
applets and other techniques that required browser plug-ins. This drive accelerated towards the end of
the decade, boosted by developments such as the beginnings of work on the HTML5 specification in
the mid-2000s,54 and the emergence of fast JavaScript engines offering substantial speed-up for client-
side code, led by the introduction in 2008 of the V8 JavaScript engine by Google55 (ver figura 1).
Even before these developments, there are examples of WebAL work that chose to focus on
native technologies. An interesting early WebAL project that explored the potential of distributed
computation and native client-side storage was William Langdonʼs Pfeiffer website, released in late
2001 and still running today56 [49]. This browser-based system allowed users to evolve 2D patterns
described by L-systems (ver figura 6). A user was presented with a variety of patterns on screen, y
could select those they thought were good and bad, which directly influenced their evolutionary
aptitud física. The patterns were presented as GIF files that had been generated by the server, based upon
43 The original site is now defunct, but it can still be seen on the Internet Archive at https://web.archive.org/web/20100729074214/http://
www.wreck.devisland.net/ga/. We have been unable to trace the author of this work, beyond his anonymous announcement on Reddit
(https://www.reddit.com/r/programming/comments/7i22c/genetic_programming_evolution_of_mona_lisa/c06pt65).
44 http://boxcar2d.com/
45 http://sourceforge.net/projects/box2dflash/
46 http://box2d.org/
47 See http://rednuht.org/test/simulator/. Matsunaga has more recently also written other web-based evolutionary systems using 2D physics,
including one for biped walkers (http://rednuht.org/genetic_walkers/) and another for a quadruped (http://rednuht.org/geneticat/).
48 http://secondlife.com/
49 http://nwn.blogs.com/nwn/2006/05/god_game.html, http://nwn.blogs.com/nwn/2010/03/svarga-returns.html
50 http://secondlife.com/destination/svarga
51 http://nwn.blogs.com/nwn/2010/03/svarga-returns.html
52 http://news.nationalgeographic.com/news/2007/03/070308-second-life.html
53 http://forums-archive.secondlife.com/191/83/133314/1.html
54 http://www.w3.org/TR/html5/introduction.html
55 https://en.wikipedia.org/wiki/JavaScript_engine
56 http://www0.cs.ucl.ac.uk/staff/W.Langdon/pfeiffer.html
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Cifra 6. The Pfeiffer user interface.
the genetic description of an L-system, and then sent to the userʼs browser. The user could also
select patterns to be parents for a new offspring. Surviving patterns were made persistent on the
client side using HTTP cookies.57 Users could name their favorite patterns and save them, en el cual
case they were not only stored locally but also uploaded to the systemʼs global server, where they
would become available to be sent to other users. Pfeiffer therefore implemented distributed web-
based evolution with aesthetic selection.
Also noteworthy is Alexander Waitʼs project Quantum Coreworld, first reported in 2004 [132]. El
basic system was inspired by Rasmussen et al.ʼs early ALife system Coreworld [92], with the addition
of “physics” inspired by quantum mechanics. The program was written in the C language and ran
continually on a web server. The novel WebAL aspect of Quantum Coreworld was that it allowed users
to inject “biotic” or “abiotic” changes into the system by uploading an instruction file via the sys-
temʼs web interface.58
An early example of a WebAL project using native HTML5 technologies is AlteredQualiaʼs Image
Evolution website,59 developed in 2008. This was inspired by Roger Johanssonʼs earlier (non-web-
based) work on evolving a polygon-based representation of the Mona Lisa.60 At the time, the re-
quired HTML5 canvas element for drawing graphics was not widely supported by browsers, pero
the situation has now greatly improved, as weʼll see in the next section.
6 The 2010s: Current WebAL
The movement away from Java applets and proprietary plug-ins towards native code and standard-
ized, open APIs have continued to gain momentum during the 2010s. Along with the development
of HTML5 (ver figura 1), the possibilities for creating native browser-based applications have been
greatly expanded by the appearance of many open JavaScript APIs. These include, among others,
57 https://en.wikipedia.org/wiki/HTTP_cookie
58 It appears that this system was not developed much further after its initial publication.
59 http://alteredqualia.com/visualization/evolve/
60 http://rogeralsing.com/2008/12/07/genetic-programming-evolution-of-mona-lisa/
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Web Storage61 for persistent data storage on client machines, WebSocket62 for two-way communi-
cation between server and client machines, Web Workers63 for running background scripts on the
client machine, Web Audio64 for processing and synthesizing audio, and WebGL65 for hardware-
accelerated graphics. This movement to open standards and technologies can be expected to continue
now that the World Wide Web Consortium (W3C) has published the final, complete specification for
HTML5.66
En 2010, the Swedish creative studio B-Reel Creative, in collaboration with Google Creative
Labs and the American music video director Chris Milk, designed a groundbreaking web-based
video called The Wilderness Downtown.67 The project, a Grand Prix winner at the 2011 Cannes
Advertising Awards and recipient of a host of other awards,68 was a trailblazer for many of the
possibilities opened up by open web technologies, including HTML5 video, audio, and canvas. Él
included several ALife-related techniques, such as an interactive bird flocking simulation that re-
acted both to the audio and to mouse interaction, as well as procedural drawing and generative
typefaces.69
The Wilderness Downtown graphically illustrated the potential of the modern web as a platform
for ALife applications. In the years since it was released, the reach, ambition, and volume of WebAL
research has greatly expanded, as other projects begin to realize the potential offered by modern,
native web technology. En esta sección, we discuss a number of recent and current projects in a little
more detail than in previous sections, in order to reflect the current state of the art. We will look at
developments in the fields of evolutionary art and design (Sección 6.1), juegos (Sección 6.2), ciencia
and education (Sección 6.3), frameworks for WebAL (Sección 6.4), y, finalmente, some new directions
for WebAL (Sección 6.5).
6.1 Evolutionary Art and Design
6.1.1 EndlessForms
The Picbreeder systemʼs approach to collaborative interactive evolution through branching, descrito
en la sección 5.1.1, has inspired various subsequent projects. The foremost example is EndlessForms,70
creado en 2011 by Jeff Clune, Jason Yosinski, Eugene Doan, Hod Lipson, and colleagues at Cornell
Universidad [17]. The design and goals of the project were influenced by Picbreeder, but EndlessForms
focuses on the design of 3D shapes rather than 2D images. The practical purpose of the project is to
allow people to create unique physical objects and see the power of evolution in action, y el
scientific purpose is to explore what complex morphologies can be created with a computational
implementation of developmental biology. A screenshot of the EndlessForms home page is shown
En figura 7.
Besides demonstrating the scientifically interesting coupled power of evolution and human in-
teraction, EndlessForms also addresses an important real-world problem. While 3D printing technol-
ogy is rapidly advancing, most people do not know how to design their own 3D objects, incluso
though they may have strong opinions and preferences. Eso es, many people are naturally skilled
critics who will know what they like when they see it, but they are not skilled designers who can
61 http://www.w3.org/TR/webstorage/
62 http://www.w3.org/TR/websockets/
63 http://www.w3.org/TR/workers/
64 http://www.w3.org/TR/webaudio/
65 https://www.khronos.org/webgl/
66 The final specification was published in October 2014. See http://www.w3.org/blog/news/archives/4167
67 http://thewildernessdowntown.com/. The project was an interactive interpretation of the band Arcade Fireʼs song “We Used to
Wait.” For further information, see http://b-reel.com/projects/digital/case/57/the-wilderness-downtown/.
68 http://docubase.mit.edu/project/the-wilderness-downtown/
69 https://www.chromeexperiments.com/arcadefire/
70 http://endlessforms.com
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Cifra 7. The EndlessForms home page.
create what they desire from scratch. EndlessForms enables people to create and design interesting
physical objects—such as jewelry, doorknobs, candlesticks, and sculptures—without any technical
conocimiento. This ability will be a key component to the shift from mass manufacturing to small-
scale custom manufacturing fueled by the 3D printer revolution, as well as the sharing and easy
modification of such information in the rapidly forming “Internet of things.”
6.1.1.1 Mechanism and User Interface In a similar vein to Picbreeder, users are presented
with a population of 15 shapes on a screen and are asked to select the one or several that they prefer
(see Figure 8a). The shapes rotate slowly in the userʼs browser window, allowing them to see all sides
of the 3D object.
Once users have created a shape to their liking, they are able to save it to their personal account,
tag it with a string for later reference, and download the shape in the stereolithography (STL) archivo
format to enable printing on 3D printers. For users who wish to have a printed copy of their shape
but do not possess a 3D printer, they click through to have the shape printed and mailed to them by
a 3D printing company, Shapeways.71
críticamente, users are also afforded the option to publish the shapes they evolve. Upon publication,
the object appears on the home page and becomes available for other users to download or further
evolve. The authors have found that many of the most interesting shapes have been collaboratively
evolved starting from previously published objects.
6.1.1.2 Technology EndlessForms was created by combining several different web technolo-
gies (Figure 8b). On the server side, the main EndlessForms application is written in Python and uses
71 http://www.shapeways.com
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Cifra 8. Example screenshot of the EndlessForms user selection interface (a), and architecture diagram showing the
systemʼs main components and their interaction.
the Django web framework.72 It handles all user interaction, stores important states—such as login
información, user e-mails, publication records, organism fitness, and so on—in a database, y
spawns and manages NEAT processes (as used in Picbreeder ) to generate shapes. The client-side
código, written in JavaScript using the JQuery framework,73 handles fetching each shape and drawing
it using WebGL.74 The site was initially constructed using shapes drawn in pure JavaScript, pero esto
implementation was found to be slow and could not handle high-resolution shapes. De este modo, the site
has become technologically useful only with the recent widespread adoption of WebGL in browsers
to take advantage of the client machineʼs graphics card for rendering.
6.1.1.3 Results As of 2015, users on EndlessForms have clicked through over 350,000 genera-
ciones (screens of 15 individuals) to evolve over 5.3 million organisms. Many users have been driven
to the site by coverage in the popular press, including New Scientist, MSNBC.com, Slashdot, CON
Technology Review, KurzweiAI.net, Y-combinator Hacker News, and the Communications of the ACM. Él
is only due to the large volume of users, ojos, and clicks that many interesting shapes have been
able to be created. Some of these objects are shown in Figure 9, together with examples of physical
objects created by 3D printing of some of the evolved forms.
6.1.2 Other Recent Work
A recent project called DrawCompileEvolve,75 creado en 2013 by Rasmus Taarnby and Jinhong Zhang in
Sebastian Risiʼs lab at the IT University of Copenhagen, builds on some of Picbreederʼs web technology
while adding the novel idea of a genotype-to-phenotype compiler [98]. This system allows users to draw
a sketch of a particular image annotated with regularities (p.ej., a butterfly with two symmetric wings) y
then further evolve a CPPN representation of the image interactively [138].
Another new project with a strong Picbreeder flavor, but implemented using HTML5 scalable vec-
tor graphics (SVG) apoyo, is Craig Mandsagerʼs Genolve system (2014).76
En otra parte, a novel variety of WebAL was reported by Joshua Auerbach in 2012 while working
at the University of Vermont [9]. This work evolved 2D images with a similar representation
to that used in Picbreeder. The key difference was that the fitness of each image avoided the
time-consuming process of user selection. To accomplish this automation, the fitness function
72 https://www.djangoproject.com/
73 https://jquery.com/
74 https://www.khronos.org/webgl/
75 http://rasmustaarnby.dk/drawcompileevolve/
76 http://www.genolve.com/. For further details, see http://wildwebwidget.com/.
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Cifra 9. Highly rated 3D shapes evolved in EndlessForms (a), and 3D-printed physical objects generated from evolved
formas, in silver, bronze, and plastic (b).
included a call to Google Search by Image77—a Google service that performs an image search based
upon a query image instead of (or in addition to) query text. Auerbach reasoned that, since images on
the web should be of interest to humans (otherwise they would not have been uploaded), interesante
images should return many hits. Por eso, the number of returned hits of a query image was used as a
component of its fitness. Some example results are shown in Figure 10.
This work was novel in that it leveraged a third-party web service for fitness function evaluations,
and presented one possibility for leveraging existing “big data” stores concerning human preferences.
Además, the work presented several lessons for future research in this vein. Primary among these
lessons were the constraints imposed by utilizing a service not meant for automated interaction. Calls
to the service needed to be rate-limited in order to avoid being blocked by Google, which turned out
to be a major setback to performing larger-scale experimentation. This obstacle highlights the need to
involve the owners of web services in future research, so that such problems can be avoided.
An alternative approach to automating the fitness evaluation of evolutionary design systems was
described in 2015 by Anh Nguyen, Jason Yosinski, and Jeff Clune at the University of Wyoming, en
their work on Innovation Engines [73]. Although they employed a deep neural network (DNN) bastante
than a web service to implement the evaluation function, their system relied upon web services in
an indirect but interesting way. The DNN was trained on labeled images from the ImageNet data
set.78 The evolutionary component of the system (based upon the CPPN-NEAT approach) era
then challenged to generate images that the DNN would classify as representing a previously trained
label with high confidence. Although the system itself was not web-based, the ImageNet data set
upon which the DNN was trained, which contained 1.3 million labeled images, was created with the
help of Amazonʼs Mechanical Turk service79 [22]. Mechanical Turk is a web-based crowdsourcing
marketplace that allows “requesters” (individuals or businesses) to farm out tasks that require hu-
man intelligence (en este caso, labeling images according to various categories) to a crowdsourced
group of workers who accept the work and get paid for completing it. Por eso, crowdsourcing has
played an important part in the Innovation Engines project.
Beyond two- and three-dimensional forms, WebAL art applications have also been extended to
sound generation. One such application is the Breedesizer system,80 developed in 2015 by Björn Þór
77 http://www.google.com/imghp?sbi=1
78 http://www.image-net.org
79 https://www.mturk.com/mturk/welcome
80 http://bthj.is/breedesizer/
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Cifra 10. Images from Auerbachʼs work on automated image evolution using a fitness measure related to the number of
hits returned by Google Search by Image [9].
Jónsson, Amy Hoover, and Sebastian Risi, which allows users to interactively evolve novel timbres in
a manner similar to Picbreeder [43]. Breedesizer builds on the recently introduced Web Audio API,81
along with the Worldwide Infrastructure for Neuroevolution (WIN) estructura (which we discuss
in more detail in Section 6.4.3).
6.2 Games
A variety of WebAL-related games have appeared in recent years, making use of several different
technologies and platforms.
6.2.1 Desktop and Multiplatform WebAL Games
An example of using Facebook as a platform for WebAL is provided by Petalz,82 developed by Risi
and colleagues first at the University of Central Florida and more recently at the IT University of
Copenhague. Petalz is a social game that allows users to breed and share evolved virtual flowers [99].
Released in 2012, the game is written using the Adobe Flash platform and delivered as a Facebook
app. Facebookʼs Graph API83 allows players to share their flower creations on other peopleʼs walls
or sell them through an in-game marketplace. Petalz enables players to breed new flowers from
purchased market seeds, thereby facilitating meaningful collaborations between users. Like Endless-
Forms, Petalz also allows players to transfer their evolved flowers to the real world via 3D printing
through the Shapeways API [101, 100].
81 http://webaudioapi.com/, http://www.w3.org/TR/webaudio/
82 https://apps.facebook.com/petalzgame
83 https://developers.facebook.com/docs/graph-api
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Another platform that has been used for developing WebAL games is the Unity Game Engine,84
which facilitates (among other things) the use of Internet connections for collaborative gaming.85 An
example of such a game is EvoCommander86 [40], which was inspired by ideas introduced in GAR
and NERO (discussed in Box 2), and released in 2014. EvoCommander allows players to incrementally
evolve arsenals of ANN-controlled behaviors such as ranged attack or flee. Players can then battle
other playersʼ robots online and, through the novel game mechanic of “brain switching,” select which
evolved neural network is active at any point during a battle.
Unity has proven a powerful tool for a broad range of web game development. Another recent
game that builds on its network capabilities is FPSEvolver [79], in which a group of players itera-
tively generate, play, and improve multiplayer FPS levels to fit their particular preferences by voting
on a selection of evolving levels. Other new games are in active development, such as Evolve and
Conquer,87 a StarCraft-style game focused on teaching evolutionary principles.
An interesting prospect for WebAL is to allow collaborative problem solving through a crowd-
sourced web-based approach. Online video games such as Foldit,88 in which users have to discover
protein structures, hint at the power of crowdsourcing the brainʼs natural ability for certain tasks that
involve pattern matching or spatial reasoning. A recently introduced WebAL system that similarly
tries to harness human intuition is BrainCrafter,89 which allows users to collaboratively build artificial
neural networks to control a simulated robot in an ALife setting [86]. The aim of this project is to
ultimately facilitate a mixed initiative process, in which a human and a computational creator take
turns and propose changes to an evolving neural network [102].
6.2.2 Mobile and Augmented-Reality WebAL
At the time of writing there has been little in the way of WebAL projects designed specifically for
mobile platforms. Sin embargo, we are aware of two significant projects of this type that are currently
under development. Wiggle Planet,90 a company founded by the ALife veteran Jeffrey Ventrella
(whose earlier work on the Absolut Kelly website was described in Section 4), is currently developing
an augmented-reality, mixed media game called Polly Peckʼs Journey. This is an interactive puzzle
juego, comprising a physical book and a tablet application, that aims to encourage children to inter-
act, aprender, and play in their natural environments. Children will be able to adopt the animated
augmented-reality characters in the game, called wiglets, and there are plans for the wiglets to be
stored and shared in the Cloud. Another web-oriented aspect of Polly Peckʼs Journey is that its
development was partially funded through a Kickstarter crowdfunding campaign that raised over US
$15,000 of development funding.91 Elsewhere, Jane Prophet and Mark Hurry are working on a new version of TechnoSphere (the original version of which, discutido en la Sección 4, was one of the earliest WebAL systems). TechnoSphere 2.0 92 will be an augmented-reality mobile application [89]. An Android app version of the program is currently undergoing beta testing. A somewhat different example of the combination of ALife research and mobile apps is provided by AppEco,93 an agent-based simulation model of mobile app ecosystems developed by Soo Ling Lim and Peter Bentley. The authors calibrated the model with real data about numbers of devel- opers, apps, and users collected from Appleʼs iOS ecosystem over three years. In a series of studies, 84 https://unity3d.com/ 85 Unity Personal Edition is free but proprietary software. It runs on many different platforms—with the notable exception of Linux, although an experimental Linux build is currently under development (see http://blogs.unity3d.com/2015/08/26/unity-comes-to-linux- experimental-build-now-available/). 86 http://jallov.com/thesis/ 87 http://adamilab.msu.edu/evolve-and-conquer/ 88 http://fold.it/portal/ 89 http://braincrafter.dk/ 90 http://www.wiggleplanet.com/ 91 https://www.kickstarter.com/projects/1582488758/peck-pecks-journey-a-picture-book-that-spawns-virt 92 http://technosphe.re/ 93 http://www.appeco.co.uk/ 384 Artificial Life Volume 22, Número 3 l D o w n o a d e desde h t t p : / / directo . mi t . e d u a r t l / / lartice – pdf / / / / 2 2 3 3 6 4 1 6 6 6 4 0 5 a r t l / _ a _ 0 0 2 1 1 pd . f por invitado 0 8 septiembre 2 0 2 3 t. Taylor et al. WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web they used it to investigate the effectiveness of various design strategies for developers [54], publicity strategies for new apps [53], and app store organization strategies [55]. 6.3 Science and Education Many of the projects discussed in Sections 6.1 y 6.2 implicitly introduce users to ALife concepts such as evolutionary algorithms. En esta sección, we review a number of recent projects that have more explicit pedagogical aims, and others developed as platforms for open science. 6.3.1 Evolutionary Robotics The first three projects discussed below all focus on using the web for teaching and outreach in the field of evolutionary robotics. 6.3.1.1 Ludobots Ludobots 94 is an educational WebAL system developed by Josh Bongard and colleagues at the University of Vermont, and launched in 2012. The system serves as an infrastruc- ture for those who wish to explore the design and evolution of robots. It is designed for students with a wide range of experience, from no programming expertise up to students who create and program new projects for other students to learn from. Students are gradually guided through a series of increasingly challenging projects, during which they learn about various concepts such as evolutionary algorithms, artificial neural networks, robotics, and embodied cognition. The first project requires no programming: The student uses a web interface to create a robot by simply “connecting the dots” and observing the resulting robot behave in a web-embedded physics engine95 (see Figure 11b) [131]. Later projects switch from the Web-based simulation to a more powerful C++-based simulation running on a studentʼs computer (see Figure 11c). En tono rimbombante, Ludobots does not restrict students to using prespecified robots or environments: Students are free to modify their growing code base as they progress, and even modify the instructions of the assign- ments themselves. Figure 11a outlines the systemʼs curriculum flow. Ludobots was inspired by open-ended web projects such as Reddit and Wikipedia: As the site grows, the growing user base continuously expands and improves the siteʼs content. Students may improve existing assignments, annotate those assignments with educational material, and create new projects of their own. The creators of Ludobots intend for this positive feedback of material to help overcome one of the major limitations of ALife projects: Once an investigator publishes an article describing their project, the project falls into disuse and is rarely replicated or extended by others. 6.3.1.2 Evolve-A-Robot and WebGL Visualizer In 2014, Jared Moore and colleagues at Michigan State University reported work on Evolve-A-Robot, a web-based evolutionary robotics sim- ulation96 [71]. Their work pushes the boundary of what can currently be achieved in web-based 3D rigid body simulation and evolutionary robotics: It embeds a whole evolutionary robotics system and 3D physics simulation in a JavaScript client-side web application.97 In the same article, the authors also report work on a WebGL-based visualizer98 that provides a tool for the interactive 3D visualization of previously recorded evolutionary robotics experiments. En 94 http://www.reddit.com/r/ludobots/ 95 Implemented using ammo.js (https://github.com/kripken/ammo.js/), a JavaScript port of the popular Bullet Physics engine (http:// bulletphysics.org), and the Three.js WebGL programming library (http://threejs.org/). 96 http://evolve-a-robot.github.io/ 97 Like Ludobots, Evolve-A-Robot also uses a JavaScript port of the Bullet Physics engine: específicamente, PhysiJS (http://chandlerprall.github.io/ Physijs/), which is actually built on top of ammo.js but runs the physics simulation in a separate thread using Web Workers (http://www. w3.org/TR/workers/) to improve performance. The web-based simulation component of Ludobots does not (todavía ) incorporate an evolu- tionary algorithm; hence Evolve-A-Robot is novel is this respect. 98 https://github.com/jaredmoore/WebGLVisualizer Artificial Life Volume 22, Número 3 385 l D o w n o a d e desde h t t p : / / directo . mi t . e d u a r t l / / lartice – pdf / / / / 2 2 3 3 6 4 1 6 6 6 4 0 5 a r t l / _ a _ 0 0 2 1 1 pd . f por invitado 0 8 septiembre 2 0 2 3 t. Taylor et al. WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web Figure 11. The Ludobots educational platform. The course tree (a) depicts all activity on the platform visually: Light blue nodes represent programming assignments; green nodes represent student submissions; purple and red nodes represent resources and questions, respectivamente; dark blue nodes represent student-generated projects. The first project (b) requires no programming: The student simply creates a robot by “connecting the dots” and observing the resulting robot behave in a web-embedded physics engine. They can also see robots created by other students at the top of the page. Students progress through a series of programming assignments to the final assignment (C), which results in a basic evolutionary robotics test bed. Students can then extend their system by following projects made by other students (the three dark blue dots at the bottom of (a)), or create new projects of their own and advertise them to their fellow students. contrast to pre-recorded results videos, the system allows the user to watch the system from dif- ferent angles and focal points. The authors state that their motivation for both of these projects is to “facilitate the exchange of ideas with other researchers as well as outreach to K–12 students and the general public.” [71, pag. 1] 6.3.1.3 RoboGen Another ongoing project that uses WebAL in an educational context is RoboGen™, introduced in 2014 by Joshua Auerbach, Dario Floreano, and colleagues at EPFL [8]. RoboGen is a platform for the coevolution of robot morphologies and controllers, which focuses on the evolution of real (rather than virtual) robots. The goal of the project is to provide a simple and cost-effective means of evolving robots in simulation and rapidly fabricating them in reality. This goal is accomplished through the use of inexpensive 3D printers99 and the use of simple, abierto- source, low-cost, off-the-shelf electronic components. RoboGen has already been used by more than 100 students for course projects in EPFLʼs Bio- Inspired Artificial Intelligence class, and there are plans for it to be part of a future Massive Open Online Course (MOOC) on this topic. Like Ludobots, RoboGen has been designed to be flexible in order to accommodate users with a diverse set of skill levels and backgrounds. Those with little familiarity with evolutionary computation or programming can familiarize themselves with new concepts in a 99 Such as the MakerBot Replicator 2x: http://store.makerbot.com/replicator2x. 386 Artificial Life Volume 22, Número 3 l D o w n o a d e desde h t t p : / / directo . mi t . e d u a r t l / / lartice – pdf / / / / 2 2 3 3 6 4 1 6 6 6 4 0 5 a r t l / _ a _ 0 0 2 1 1 pd . f por invitado 0 8 septiembre 2 0 2 3 t. Taylor et al. WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web Figure 12. Screenshot of RoboGenʼs WebGL-based visualization interface. controlled way without needing to write any code, whereas advanced users can dive more deeply by customizing the evolutionary algorithm or simulator or even by introducing new morphological building blocks. This open-endedness is a major advantage of the platform and addresses current concerns re- garding science laboratory education [61]. The project has developed rapidly since its introduction. Initially, its only web-oriented aspects were the RoboGen website and wiki100 that provided access to the necessary utilities for evolving and manufacturing robots.101 However, the projectʼs website now features a WebGL visualization en- gine—inspired by Mooreʼs work described in Section 6.3.1.2—allowing for rich client-side 3D ren- dering of evolved robots within the browser (ver figura 12). Recientemente, a port has been released of the complete RoboGen software stack that runs natively in the browser. This was accomplished by compiling the original RoboGen C++ code102 with Emscripten,103 a source-to-source compiler that generates highly efficient JavaScript from C/C++ source code. The ability to run the complete sys- tem directly in the browser without the need to download and install additional software drastically lowers the barrier to entry of using RoboGen for students, investigadores, and hobbyists. While similar to, and inspired by, the projects mentioned above, RoboGen on the web is distinct in its concern for evolving and simulating robots that can be easily manufactured. There are plans to more fully capitalize on the potential offered by these web-based aspects of the system in future work. These include adding the facility for collaborative robot evolution, where users may upload new morphological building blocks and/or complete evolved robots for others to fab- ricate themselves, modify, or use as seeds for their own further evolutionary runs, and even to allow for distributing computational resources among users of the system. The creators of RoboGen believe that it will be through this collaborative exchange of ideas that the platform can truly 100 http://www.robogen.org 101 Including an evolution engine complete with a physics simulator, as well as utilities both for generating design files of body compo- nents for 3D printing, and for compiling neural network controllers to run on an Arduino microcontroller board (http://www.arduino.cc). 102 Including the Open Dynamics Engine physics simulator (http://www.ode.org). 103 http://kripken.github.io/emscripten-site/ Artificial Life Volume 22, Número 3 387 l D o w n o a d e desde h t t p : / / directo . mi t . e d u a r t l / / lartice – pdf / / / / 2 2 3 3 6 4 1 6 6 6 4 0 5 a r t l / _ a _ 0 0 2 1 1 pd . f por invitado 0 8 septiembre 2 0 2 3 t. Taylor et al. WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web blossom, a diversity of morphologies can be fabricated and tested, and users can benefit from each otherʼs experience. 6.3.2 Other Science and Education Projects The evolutionary robotics projects described in the previous section constitute a major strand of current WebAL research. But science- and education-based WebAL is not limited to robotics; here we look at projects in other subject areas. 6.3.2.1 Avida and Avida-ED The Avida software104 is a well-known research test bed that allows users to perform experiments on populations of digital organisms to investigate questions about evolutionary or ecological dynamics [74]. Avida-ED105 is the educational version of this software, intended to allow students to get first-hand experience manipulating evolving populations, both to develop intuition about evolution and to generate a deeper understanding of the nature of science [85]. The Avida development team, based in the Digital Evolution Lab at Michigan State University, have recently created a fast JavaScript version of the code by compiling the original C++ version with Emscripten.106 A new Avida-ED web interface107 has been built for this web version of Avida and is in final testing before initial release. A full web reimplementation of the Avida research plat- form is also under development, and progressing rapidly. 6.3.2.2 The Ladybug Game In 2012, Terence Soule and colleagues at the University of Idaho developed a web-based system called The Ladybug Game108 as an interactive tool for teaching children about evolution.109 The system was originally written in Processing110 (from which a Java applet was generated), and later rewritten in JavaScript. The Ladybug Game presents the student with a simulation of a ladybug and a population of aphids on a colored background, where each aphidʼs color is genetically determined and the closeness of match between an aphidʼs color and the background affects its chance of being eaten by the ladybug. Over time the aphidsʼ colors evolve in response to predation by the ladybug. The simulation was used as a tool in a series of five inter- active lessons to demonstrate the roles of selection, inheritance, and variation in evolution. The user could interactively change the color of the leaf as the simulation proceeded, as well as select which of the three evolutionary features were active. The Ladybug Game was exhibited at the USA Science and Engineering Festival in 2012.111 6.3.2.3 Swarm Grammars GD Another recent example of an educational WebAL system is Swarm Grammars GD,112 a WebGL-driven website by Sebastian von Mammen and Sarah Edenhofer at the University of Augsburg, Alemania. The authors developed the tool as a means of introducing STEM research, and specifically ALife ideas, to high-school students. The system allows students to interactively configure and manipulate a swarm grammar system, which combines concepts from L- systems and flocking algorithms (ver figura 13). Initial studies were conducted as part of a girls- in-STEM program at the University of Augsburg, Alemania. In their 2014 artículo, the authors discuss their experience of introducing the system to the students (aged between 12 y 15) and allowing them to explore its generative capabilities [130]. This preliminary study generated 104 http://avida.devosoft.org/ 105 http://avida-ed.msu.edu/ 106 http://kripken.github.io/emscripten-site/ 107 https://github.com/devosoft/avida/tree/AvidaEd-Web 108 http://www2.cs.uidaho.edu/∼tsoule/ladybug-lesson/ 109 For further details, see also http://beacon-center.org/blog/2012/12/03/beacon-researchers-at-work-teaching-evolution-the-ladybug-game/. 110 https://processing.org/ 111 http://www.usasciencefestival.org/component/content/article/66-2012-exhibits/213-2012-exhibits?&offset=12 112 http://www.vońmammen.org/SG-GD/. “GD” stands for generative design. 388 Artificial Life Volume 22, Número 3 l D o w n o a d e desde h t t p : / / directo . mi t . e d u a r t l / / lartice – pdf / / / / 2 2 3 3 6 4 1 6 6 6 4 0 5 a r t l / _ a _ 0 0 2 1 1 pd . f por invitado 0 8 septiembre 2 0 2 3 t. Taylor et al. WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web l D o w n o a d e d f r o m h t t p : / / directo . mi t . e d u a r t l / / lartice – pdf / / / / 2 2 3 3 6 4 1 6 6 6 4 0 5 a r t l / _ a _ 0 0 2 1 1 pd . f por invitado 0 8 septiembre 2 0 2 3 Cifra 13. The Swarm Grammars GD user interface (a), and examples of agent behavior with traces enabled (b–d). mixed results, but the authors use the experience to identify several ways in which the system should be developed in future work. 6.3.2.4 StringmolWeb Tim Huttonʼs work on Organic Builder, a web-based platform for allowing users to learn about and experiment with artificial chemistries, was discussed in Section 5.1.1. A more recent system with similar goals is StringmolWeb,113 developed in 2010 by Adam Nellis, Ed Clark, and Simon Hickinbotham at the University of York, Reino Unido. The system provides a web-based interface to the Stringmol artificial chemistry system [36]. The client-side application is written in native HTML and JavaScript, and communicates via CGI114 scripts with a server running an instance of the Stringmol system (which is written in C++). It was used as an interactive educational tool at a tutorial workshop on artificial chemistries at the ECAL 2011 conference.115 113 http://stringmol.york.ac.uk/webapp/. Source code available at https://github.com/adamnellis/StringmolWeb, and for the underlying Stringmol simulator at https://github.com/franticspider/stringmol. 114 https://en.wikipedia.org/wiki/Common_Gateway_Interface 115 https://www.cs.york.ac.uk/nature/plazzmid/external/RUTSAC11/ Artificial Life Volume 22, Número 3 389 t. Taylor et al. WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web 6.3.2.5 OpenWorm A prominent example of an ALife-related open science project is OpenWorm, which aims to create a whole system simulation of a living organism. Específicamente, the goal is to develop a detailed 3D dynamic simulation of the nematode C. elegans [82]. Although the simulation itself is not web-based, the core team are distributed across the world and have regular team meetings using web-based collaboration tools. The project website actively seeks to recruit new members to the team, including scientists, programmers, artists, and writers.116 All code, datos, and models produced by the project are open-source under the MIT license. The project also pursues a crowdfunding approach, seeking donations via the website and via a successful Kickstarter campaign that raised over US$120,000 in 2014.117 The OpenWorm project therefore
demonstrates multiple ways in which the Web can successfully facilitate large, abierto, collaborative
projects of this kind.
6.3.2.6 The Broader Landscape The WebAL-related science and education projects de-
scribed above are part of the broader landscape of developments in web-based education. Estos
projects were highlighted because of the connection of their subject matter or their investigators
(o ambos) to the artificial life community. A review of the broader field is beyond the scope of
the current article, but we here provide some pointers to other work to give a flavor of more general
developments.
In the area of web-based tools for primary and secondary education in biology, the e-Bug project118
is a more elaborate example than The Ladybug Game described in Section 6.3.2.2. e-Bug is a large
European Union-funded project to develop educational material to teach microbiology. A number
of different web-based games have been developed in the project, aimed at different age groups,
and the final versions have been translated into 11 different European languages [27].
A somewhat different example of the intersection of biological science education and web tech-
nology is provided by Kayhan Moharreri and colleaguesʼ work on the EvoGrader119 system [70].
While the projects described above have focused on web-based delivery of learning and educational
contenido, the EvoGrader system provides a free web-based tool for the automated assessment of under-
graduate biology studentsʼ understanding of concepts relating to evolution and natural selection.
Por supuesto, the web also serves as the underlying delivery platform for many Massive Open Online
Courses (MOOCs) beyond the more ALife-specific projects discussed in the preceding sections. El
major MOOC providers120 and other, more focused platforms121 provide courses covering many
topics in biology, evolution, complex systems, and many other topics relevant to ALife.122
6.4 Frameworks for WebAL
Recent years have seen the emergence of a number of more general frameworks and platforms for
WebAL research. These systems provide users with the tools and infrastructure to conduct particular
kinds of WebAL experiments without having to write everything from scratch; within a given domain,
they provide general-purpose facilities that can be reused by multiple research projects. Four such
frameworks are highlighted in this section, followed by a brief discussion of other relevant work.
116 http://www.openworm.org/
117 https://www.kickstarter.com/projects/openworm/openworm-a-digital-organism-in-your-browser
118 http://www.e-bug.eu/
119 http://www.evograder.org
120 Por ejemplo, https://www.coursera.org/, https://www.edx.org and http://online.stanford.edu/.
121 Por ejemplo, http://www.complexityexplorer.org/.
122 The implementation of scalable assessment mechanisms is a challenge for MOOCs. Current approaches typically involve either the
use of simple forms of assessment (p.ej., multiple choice questions or formulaic questions with well-defined answers), or peer grading [10].
Systems such as EvoGrader, which allow automated assessment of free-form written responses, could provide an important additional tool
for realizing the full potential of MOOCs and other web-based educational tools.
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Cifra 14. Overview of the YouShare architecture.
6.4.1 YouShare and the ALife Zoo
En 2013, Hickinbotham and colleagues reported WebAL-related work that made use of YouShare, a
system that has the capability to run software designed for any platform in a web-based environment
[37]. YouShare adopts a software-as-a-service model that exploits virtual machine (VM) tecnología
and links it to a web browser. This design removes the need to port software to each target operating
sistema (OS), since the software can be run inside a VM that runs the OS that the software was
originally developed on. The only requirement is that the OS must also be able to run Java. El
system architecture is illustrated in Figure 14. A web server, built using the Google Web Toolkit
(GWT), interacts with a suite of Java servlets. These servlets, Sucesivamente, process the request for a
servicio: A database maintains the service, its VM requirements, and the data to be analyzed by
the service. The requisite components of the service are then fetched from a (distributed) almacenamiento
system to a compute farm, which deploys the VM and the service inside it. The service is run, y
the user is notified when the job has finished, again via the web portal. By this process, it is possible
to hook up to a browser any ALife system that can run in a Java-enabled VM. It is also possible to
chain services together with analysis tools to build workflows of analysis.
To explore the way that ALife systems can exploit this technology, Hickinbotham et al. wrapped
three well-known ALife software technologies for deployment on YouShare, to create the ALife
Zoo [37]. The systems were Stringmol [38], Avida [74], and Tierra [94]. The authors wrapped each
software package as a service, and the test implementations that were provided with the source code
were used as examples of how to use the system.
The YouShare framework has the potential to run or access a cloud- or grid-based high-
performance computing (HPC) sistema, allowing large-scale ALife experiments to be run relatively
easily. Por ejemplo, it might form a suitable platform on which to implement a modern version of
the Network Tierra project discussed in Box 1, with considerably less coding effort than was required
for the original system.
Priorities identified by the authors for future development of YouShare and the ALife Zoo in-
clude facilities for visualization of a simulationʼs progress, and the provision of software hooks to
more easily allow new systems to utilize the services provided in a modular fashion.
6.4.2 COEL
Another recent project aimed at providing a framework for ALife-related work is COEL, an open-
source web-based chemistry simulation framework introduced in 2014 by Peter Banda and col-
leagues at Portland State University [11].123 In contrast to the approach taken with YouShare of
123 http://coel-sim.org
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providing infrastructure and virtual machine technology to run existing heterogeneous simulation
software, COEL provides a single, purpose-built web-based simulation framework.
The COEL designers aimed not only to introduce a well-designed system that relieves re-
searchers of having to reinvent the wheel by coding their own simulations, but also to create a sim-
ulation that: (1) runs on COELʼs own grid rather than on the clientʼs machine (as with YouShare);
(2) allows geographically distributed teams to work together on a single platform; (3) provides re-
mote database storage and backup facilities for experimental data; y (4) provides integrated visu-
alization tools (a feature identified by the YouShare developers as an important next step).
COEL offers a unified, web-based environment for the definition, simulation, and analysis of
chemical reaction networks. It can be run from any browser without installation—embedded visu-
alization is implemented using Googleʼs Chart API,124 and the server side is implemented using a
variety of modern technologies based on Java virtual machines ( JVMs). Without the need for instal-
lación, the authors argue that COEL has a larger potential audience than existing desktop-based
sistemas. They also suggest that the cloud-based data storage facilities promote collaboration, sharing
of results, and building upon past work by others.
The authorsʼ vision for COEL extends beyond chemical reaction network simulation: Their hope
is for it to “become a common platform for diverse unconventional computing models” [11, pag. 20].
6.4.3 Worldwide Infrastructure for Neuroevolution
Systems such as Picbreeder (Sección 5.1.1) and related projects use the web as a platform for long-
running, abierto, collaborative experiments in artificial evolution, but each required considerable effort
to develop. Paul Szerlip and Ken Stanley are currently developing the Worldwide Infrastructure for
Neuroevolution (WIN) proyecto, which aims to provide a general-purpose solution that will greatly
reduce the effort required to build such systems [124]. Also under development is an associated
public web-based front end for ongoing experiments built with the WIN platform, called WIN
Online.125 WIN has been designed as a lightweight and expandable collection of event-driven
Node.js126 modules, allowing developers to use just those packages that they require.
The designers of WIN aim “to make it trivial to connect any individual or lab platform to the
world, providing both a stream of online users, and archives of data and discoveries for later con-
tinuation” [124, pag. 901]. Although currently still at prototype stage, the authors have demonstrated
its use in rapidly reimplementing both Picbreeder and IESoR (the recent browser-based version of
Sodarace, descrito en la Sección 4). The WIN-based reimplementation of the latter, win-IESoR, addi-
tionally featured interactive evolution, which was not present in the original IESoR implementation.
These reimplementations show that WIN can be successfully employed to dramatically reduce cod-
ing effort by reusing standard libraries. Además, the data-archiving facilities of the system pro-
vide the possibility of reuse of results for further evolution in future experiments.
6.4.4 Empirical
Several of the projects mentioned in previous sections have used the Emscripten127 source-to-
source compiler that converts C or C++ code into high-performance JavaScript.128 The Empirical
library,129 currently being developed by Charles Ofria and others at Michigan State University, obras
with Emscripten to simplify the construction of ALife experimental test beds. Empirical provides
tools to: (1) build data-driven web pages as part of Emscripten-compiled C/C++ software, (2) build
dynamic configuration systems, (3) serialize results for easy analyses or continuation of runs, y
124 https://developers.google.com/chart
125 http://winark.org
126 http://nodejs.org
127 http://kripken.github.io/emscripten-site/
128 See http://devosoft.org/an-introduction-to-web-development-with-emscripten/ for a quickstart guide to working with Emscripten.
129 https://github.com/mercere99/Empirical
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(4) hook into a variety of JavaScript packages, including D3.js,130 for visualization. Many of the tools
are built to work appropriately for either web distribution or native compilation, using any standard
C++ compiler, and various high-performance core C++ tools are provided that are generally useful
in scientific software. Empirical is currently being used to develop the full reimplementation of the
Avida platform, descrito en la Sección 6.3.2.1.
6.4.5 Other Work
We conclude this subsection with a brief look at some other projects of relevance to WebAL
frameworks.
The SimWorld Agent-based Grid Experimentation System (SWAGES), initially conceived over
15 years ago and more recently developed as a component of the Agent Development Environment
(ADE) proyecto,131 is an extendable distributed experimentation platform for large-scale agent-based
simulations [107, 106]. At a high level, the architecture is somewhat similar to that of COEL. Im-
plemented in Java, the system allows for the automatic parallelization and distribution of simulations,
as well as for providing analysis and visualization facilities, all controlled via a web-based interface. A
full review of the field of distributed multi-agent systems is beyond the scope of this article, but such
a review can be found in [103].132
En otra parte, and also bearing some similarities to COEL (Sección 6.4.2), Brucer Damer and col-
leaguesʼ EvoGrid project sought to employ large-scale, distributed artificial chemistry simulations to
study the origin of life.133 The project was based upon a distributed architecture linking compute
clusters via a web-based simulation management system. Some initial proof-of-concept results were
reported in 2010–2012 [20, 21], but Damer and colleagues are currently concentrating on more tra-
ditional origins-of-life research (p.ej., [18]).
In contrast to the kinds of projects mentioned above, which involve the development of large,
comprehensive frameworks for distributed WebAL, an alternative approach is to use more general-
purpose existing tools—separately or in combination—to create cheap (in terms of development
esfuerzo), lightweight WebAL frameworks.
One example of such an approach is provided by Atanas Radenski, who showed how the
MapReduce model134 could be used to distribute large-scale lattice-based ALife simulations in the
cloud [91]. Específicamente, he demonstrated how discrete and continuous versions of Conwayʼs Game of
Life could be implemented on Amazon Elastic MapReduce.135 Radenski investigated various opti-
mization techniques for his approach, and discussed how his design could be used as a prototype for
other such work.
Some interesting examples of lightweight approaches to web-based evolutionary algorithms have
been published by Juan-Julián Merelo and colleagues in recent years. These include studies employ-
ing popular cloud-based storage services (específicamente, Dropbox136 and SugarSync137) [67], y otros
implementing JavaScript-based evolutionary algorithms [66, 65]. Other work has studied how the
performance of different architectures of web-based evolutionary algorithms is affected when client
nodes join and leave the cluster during an evolutionary run [51]. These studies present some inter-
esting ideas that could be applied to WebAL projects. A full review of the general field of web-based
distributed evolutionary algorithms is beyond the scope of this article, but recent reviews can be
found in [30] y [31].
130 http://d3js.org/
131 http://ade.sourceforge.net/
132 We also give an honorable mention to breve.js (http://artificial.com/breve.js/), a slimmed-down, browser-based version of Jon Kleinʼs
popular Breve 3D simulation platform for multi-agent systems http://www.spiderland.org/. En el momento de escribir, breve.js is described as
“work in progress.”
133 http://www.evogrid.org/
134 https://en.wikipedia.org/wiki/MapReduce
135 https://aws.amazon.com/elasticmapreduce/
136 https://www.dropbox.com/
137 https://www.sugarsync.com/
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6.5 New Directions for WebAL
The work discussed up to this point in Section 6 has fairly naturally fallen into a handful of distinct
categories. In this final subsection, we discuss preliminary work in a couple of projects that look at
somewhat different aspects of WebAL.
6.5.1 EvoPopcorn: Distributed Client-centric WebAL
Luis Zaman has recently described exploratory work with a distributed evolutionary system called
EvoPopcorn, implemented with native web technology [137]. The main component of the system is a
client-side application, written in JavaScript and HTML5, that presents the viewer with a simulation
of a 2D arena in which simple organisms compete for food. Organisms die at random, y son
replaced by mutated offspring of parents chosen according to their fitness (amount of food con-
sumed). The resulting evolution of morphology and behavior of the organisms depends upon the
distribution of food sources in the environment, which the user can manipulate.
Perhaps the most interesting aspect of this work in the current context is that Zaman extended
the system so that evolved organisms could hop from one browser to another, using the WebSocket
API.138 Although the migration of organisms from one browser to another was physically routed
through the systemʼs server, this work stands in contrast to most of the projects discussed above in
that computation is happening on the client side (in the browser ) rather than on a central server. El
server is only acting as a relay station to route organisms from one browser to another. The con-
ceptual architecture of EvoPopcorn is therefore similar to that of the Golem@Home project described
in Box 2.139 The main novelty is that EvoPopcorn is implemented using native web technology that
works by a user simply visiting the website, with no plug-ins or software installation required. Este
work hints at the growing possibility of a much more distributed kind of WebAL, in which ALife
organisms live “in the wild” (on browsers and local storage on client machines around the world)
rather than being penned in on a central server and only released to clients on demand.
6.5.2 The Internet as a Living System
All of the work discussed in preceding sections has used the web as a platform upon which to
implement WebAL of one sort or another. Recent work by Mizuki Oka and colleagues takes a
different perspective by asking the question: By measuring the characteristic dynamics and activity
of the web, might we consider the web itself to be a living system?140 In order to address this
pregunta, the dynamics of the web are examined in terms of four characteristics that are essentially
associated with living systems: excitability, autonomy, homeostasis, and capacity to evolve.
A series of studies argues that aspects of the Internet can be regarded as: an excitable medium—
specifically with reference to the dynamics of activity on social media sites [76]; an autonomous system—
by applying the concepts of reactive and default modes of activity from brain sciences to social media
and web search behavior [78]; a homeostatic system—by studying the adaptation and robustness of
packet switching networks under varying data input loads [75]; and an evolving system—in relation to
vocabularies used in tags on a social media system [77].
These studies regard the web as a complex chemical soup analogous to the primitive state of the
Earth. The work is guided by the possibility that the webʼs massive scale, complex dynamism, abierto
richness, and social character could potentially be developing living systems spontaneously. De este modo,
138 http://www.w3.org/TR/websockets/
139 In a similar vein to Golem@Home, the long-running DarwinBots desktop ALife simulation (http://www.darwinbots.com) added an
Internet mode in 2011 (http://wiki.darwinbots.com/w/Internet_Mode). If enabled, this mode allowed bots evolved on one userʼs machine
to be teleported to other usersʼ machines via an FTP server.
140 While the analogies between networked computer systems and living systems have been highlighted before (p.ej., [28]), Oka et al.ʼs
work takes the idea of the web as a living system more literally. Bedau et al. had previously suggested that social communities on the
web might display some aspects of genuinely living systems (in their terminology, they are borderline between “primary” and “secondary” living
tecnología) [12], but Oka et al. develop this idea much further.
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the authors argue that it may be more profitable to study it using tools and concepts appropriate for
understanding nervous systems, organisms, ecosystems, and society, rather than using more tradi-
tional analytical tools employed in engineering and technological systems.
En otra parte, Yuki Takeichi and colleagues have recently reported a study of activity on Twitter
during major sporting events [126]. On the basis of their analysis, the authors are led to regard
Twitter as an emergent “social sensor”—a distributed bionic extension to human sensory capability
that exists and evolves in cyberspace but senses events in the physical world.
7 Emerging Themes and Future Directions
In the previous sections we surveyed the current landscape of WebAL and have seen how it has devel-
oped and expanded over its first two decades. In this final section we highlight some emerging themes
that are apparent in current WebAL, and consider how these topics might influence future work.
7.1 Human or Hybrid Computation and Crowd Creativity
A great deal of the work surveyed here, especially the evolutionary art and design systems covered in
Sección 6.1 and some of the earlier systems discussed in Sections 4 y 5, involves the idea of human or
hybrid computation, where some part of the computation is performed by human users of the system. Many
of these systems use humans for the selection stage, but some allow users to exert more direct control
over the design of the evolving artefact—for example, TechnoSphere and Nerve Garden (Sección 4),
DrawCompileEvolve (Sección 6.1.2), and BrainCrafter (Sección 6.2.1). The Organic Builder project
(Sección 5.1.1) is another example of a human computation system, this time based upon artificial
chemistries rather than evolutionary systems. En otra parte, the web-based survey of the ALife community
reported by Rasmussen and colleagues (discussed at the start of Section 5) provides a somewhat dif-
ferent example of using the web to harness the collective intelligence of a distributed group of users.
There is an increasingly large and active research community investigating methods for combin-
ing human and computational intelligence in appropriate ways so as to leverage and complement the
strengths of both. Kosorukoff presented an interesting early exploration of different ways in which
humans and computers can be deployed to create hybrid evolutionary algorithms [48]. There is a
large literature on the more general areas of human computation and crowd creativity: For good reviews,
ver [60], [59], [90], y [136].141 An ALife-oriented review of crowdsourcing and discussion of impor-
tant factors determining the success of crowdsourcing platforms, together with a report of simula-
tion studies investigating such parameters, can be found in [13].
As web-based distributed computation systems become more powerful (mira la sección 7.2) y
infrastructure frameworks such a WIN (Sección 6.4.3) emerge to simplify the development of such
sistemas, human-computer hybrid architectures will undoubtedly remain a prominent feature of
much WebAL research in future years.
7.2 Distributed Computation
The kind of web-based human computation described above is a special case of the more general
concept of distributed computation. As mentioned in Section 3, theoretical and practical work on dis-
tributed artificial evolution goes back many decades. It is now becoming increasingly possible to use
the web as a distributed computation platform: HTML5 and related APIs such as WebSocket,142
Web Workers,143 and Web Storage144 allow these kinds of distributed computation systems to be
implemented using native technology.
141 An interesting recent study that conceptualizes human decision making and creativity as evolutionary computation is described by
Sayama and Dionne [105]. En otra parte, Woolley and Stanley have also recently explored novel architectures for human-computer collab-
oration within an ALife context [135].
142 http://www.w3.org/TR/websockets/
143 http://www.w3.org/TR/workers/
144 http://www.w3.org/TR/webstorage/
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Al mismo tiempo, a number of technologies are currently being developed to allow fast client-side
processing at speeds approaching those of local compiled code: Mozillaʼs asm.js145 and Googleʼs
Native Client146 are the most prominent of these. The Emscripten compiler,147 used in several
of the projects discussed in Section 6, converts C and C++ code to highly efficient JavaScript (usando
asm.js). Además, the W3C has recently launched a WebAssembly Community Group148 that
aims to develop an efficient low-level programming language for fast client-side applications.149 An
alternative form of web-based distributed computation is provided by cloud computing platforms
such as the established Amazon Web Services150 and the more recent Google Cloud Platform.151
En otra parte, David and Elena Ackley have advocated a more radical approach to designing distrib-
uted, scalable computational architectures that embrace stochastic events rather than attempt to prevent
them at all costs [4]. This hardware-based approach has a strong ALife flavor that could be relevant to
future WebAL work and ideally bring WebAL techniques into more mainstream applications.
All of these developments contribute to easier implementation and faster execution of client-side
processing and web-based distributed computation systems. We can therefore expect to see more
WebAL projects along these lines in the near future.
7.3 Persistent Systems
Traditional ALife experiments typically run for a few hours, días, or maybe weeks on a local machine
or compute cluster: Data are collected, results are written up, and no further experimentation is done.
A feature of many of the web-based ALife systems reviewed here is that they are designed to run
indefinitely, for as long as there are users who are interested in interacting with them. This require-
ment represents a profound change in the way that experiments are designed, showing some parallels
with long-running evolution studies of real biological systems such as Richard Lenskiʼs E. coli long-
term evolution experiment [29]. Such a shift in methodology also introduces challenges in develop-
ing appropriate methods for data capture and analysis—we expect improvements in these areas to
be a feature of future work in the area. Además, using the HTML5 APIs mentioned above for
client-side processing and data storage, or cloud-based processing and data-storage services, estos
systems can potentially be massively distributed and extended across space as well as time. Sistemas
such as Pfeiffer (Sección 5.1.4) and Picbreeder (Sección 5.1.1) give some indication of the potential
benefits of web-based experiments, and many other types of long-term experiment can be imagined
for future projects.
7.4 Cumulative Progress: Building upon Past Results
An important aspect of some of the projects reviewed, in addition to employing human computation
and distributed, persistent systems, is that they allow users to build upon the results of previous
usersʼ work. Early examples include the International Interactive Genetic Art series and the Electric
Sheep project in the 1990s (mira la sección 4). The enthusiast forums that developed around the Creatures
juego, allowing users to exchange their Norns with other users, can also be seen in this light (Sección 4).
This approach was introduced more explicitly in Picbreeder, with its branching method that allowed users
to select and continue evolving images previously evolved by other users (Sección 5.1.1). The branching
process is also central to the more recent EndlessForms project (Sección 6.1.1). From a more general
perspectiva, abierto, web-based science frameworks such as COEL (Sección 6.4.2) and WIN (Sección 6.4.3),
which provide data-archiving facilities for previous experiments, facilitate the process of using and
building upon past results by others. Además, platforms such as YouShare (Sección 6.4.1)
145 http://en.wikipedia.org/wiki/Asm.js
146 http://en.wikipedia.org/wiki/Google_Native_Client
147 https://github.com/kripken/emscripten
148 https://www.w3.org/community/webassembly/
149 https://en.wikipedia.org/wiki/WebAssembly
150 http://aws.amazon.com/ (as used, Por ejemplo, in Radenskiʼs work [91] discutido en la Sección 6.4.5).
151 https://cloud.google.com/
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facilitate archiving and reuse of whole software systems from previous research projects. De este modo, estos
kinds of web-based platforms can potentially provide tremendous advantages for pursuing collabora-
tive WebAL research (and similarly for many other branches of science as well).
7.5 Open Science, Open Education, and Public Outreach
Many of the systems reviewed here, particularly in Section 6.3 (Science and Education) y Sección
6.4 (Frameworks for WebAL), are designed to be platforms for open science or open education.
Others are focused on public outreach and communication of ALife concepts. These systems are
generally available for free, y, being web-based, require no installation—most of this work now
uses native technology rather than relying on browser plugins, which might have been the case in the
pasado. This work hints at the huge potential offered by web-based systems to open up science and
education in ALife (y, por supuesto, other topics too) to a much wider audience. Over the coming
years we will surely continue to witness great innovations in the way that research, education, y
outreach are conducted on the web, in ALife as in many other academic disciplines.152
7.6 The Web as an Arena for Multi-user Competitions
In addition to providing mechanisms for collaboration, web platforms can also provide arenas in
which competitions can be held between agents submitted by multiple users. Examples of work
employing this kind of approach include Sodarace (Sección 4), NERO (Box 2), and EvoCommander
(Sección 6.2.1). Taking a somewhat different approach, Galactic Arms Race (GAR) (Box 2) investigat-
ed how in-game content can be evolved based upon the behavior of multiple concurrent online
jugadores. The user challenges set in Organic Builder (Sección 5.1.1) can also be seen as a form of
multi-user competition, although the discussion of results on the online forum also gave the project
a more cooperative flavor. It is likely that many additional forms of multi-user games and compe-
titions will be explored in future WebAL projects.
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7.7 Client-centric ALife: WebAL “in the Wild”
Some of the early publications on WebAL, such as Rayʼs article on Network Tierra [95] (Box 1) y
Langdonʼs article on Pfeiffer [49] (Sección 5.1.4), discuss the possibility of ALife agents roaming the
Internet and evolving in the complex environment that it provides. In the architectures employed by
most of the work described here, the systemʼs server plays a central role in performing computa-
ciones, farming data to client browsers, and receiving the results. Sin embargo, one can imagine much
more client-centric architectures whereby artificial life forms exist primarily on usersʼ machines
(made persistent between browser sessions by client-side storage mechanisms such as cookies or
the new Web Storage API), and the server is used primarily as a routing system to allow organisms
to migrate from one client to another (which can now be implemented natively using the WebSocket
API).153 There are glimmers of this approach in the Pfeiffer system (Sección 5.1.4), and it is more
strongly emphasized in the recent exploratory work on EvoPopcorn (Sección 6.5.1) and in the forth-
coming augmented-reality mobile games Polly Peckʼs Journey and TechnoSphere 2.0 (Sección 6.2.2).
It seems likely that this kind of ability for free-roaming agency—for WebAL “in the wild”—could
be explored and exploited much more thoroughly, and we expect many more developments in this area
in future work. Sin embargo, for this kind of work to truly flourish, important concerns about safety,
seguridad, and preventing free-roaming ALife agents from evolving out of control—concerns raised
por, among others, Chris Langton in the early days of ALife (mira la sección 3)—must be fully addressed.
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152 Ver [72] for a good review and outlook on the topic of citizen science, which intersects open science, education, and outreach and is
therefore relevant to the future direction of the WebAL projects discussed here.
153 En otras palabras, effectively a persistent, native, worldwide, peer-to-peer (P2P) architecture.
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7.8 Cloud APIs
The work by Auerbach [9] (Sección 6.1.2) illustrates an approach to utilizing cloud interfaces and
APIs (in his case, Google Search by Image) as a component of a computational intelligence system.
Of the work reviewed here, this is the only example of a WebAL system that directly utilizes a cloud
API to provide an intelligent component to its architecture. Nguyen and colleaguesʼ work [73], también
descrito en la Sección 6.1.2, makes indirect use of Amazonʼs Mechanical Turk web-based crowdsour-
cing platform. It is not hard to imagine ways in which future WebAL systems could make more
direct use of Mechanical Turk. More broadly, we can imagine many other ways in which cloud APIs
could be employed to provide enhanced capabilities to WebAL systems. As the number of cloud
services and open data sources continue to expand and Web API ecosystem architectures mature,
we can expect to see many more WebAL systems using this kind of approach in future.
7.9 Crowdfunding
While not related to WebAL technology as such, another important way in which the web can en-
hance ALife is through crowdfunding of research and applications.
En 2011, Steve Grand (author of the Creatures game discussed in Section 4) successfully secured
Kickstarter funding of nearly US$57,000 to develop a new ALife-powered game called Grandroids, currently still under development.154 More recently, the OpenWorm project (mira la sección 6.3.2.5) has raised substantial funds through crowdfunding efforts, including over US$120,000 through a Kick-
starter campaign in 2014. Another example is the company Wiggle Planet, discutido en la Sección 6.2.2,
which raised over US$15,000 in 2014 through a Kickstarter campaign to develop its augmented- reality ALife game. entre ellos, these three projects have raised nearly US$200,000 of funding through Kickstarter.
These examples demonstrate that it is possible (although still far from easy) to obtain substantial
funding for ALife projects via crowdfunding.
8 Conclusión
We have explored many different ways in which web technologies and ALife techniques have inter-
sected in past and current work. The projects we have reviewed demonstrate the diverse domains in
which WebAL has been applied, incluido: collaborative design; human computation; education;
outreach; persistent and long-running experiments; the archiving, sharing, reproduction, and reuse
of scientific experiments and platforms; collaborative open science; arte; computer games; crowd-
fondos; and more besides.
As web technology continues to develop, and particularly with the move towards native APIs in
place of proprietary plugins, the potential for developing complex web-based ALife research and
applications grows greater each year.
Whether or not a WebAL project is primarily focused on education or public outreach, the very
nature of the web means that WebAL research is inherently open and can reach a wide audience
(unless steps are taken to actively prevent this accessibility). As funding councils around the world
place increasing emphasis on the public understanding of science, WebAL is well placed to play an
important role in the communication of ALife research to a wide and diverse audience. Más-
más, WebAL not only enables wide dissemination of results, but it also promotes public engage-
ment with and participation in ALife research.
Looking back over the research reviewed here, it is clear that great strides have been made over
el ultimo 21 años. Sin embargo, as web technology and APIs develop, it is likely that current work rep-
resents only the tip of the iceberg of what could be possible. The work surveyed here represents a
great showcase of some of the possibilities of WebAL, and yet we suspect there are many other
154 The initial target platforms for the game are PCs and Macs. For more details, see https://www.kickstarter.com/projects/1508284443/
grandroids-real-artificial-life-on-your-pc.
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WebAL Comes of Age: A Review of the First 21 Years of Artificial Life on the Web
possibilities, some as yet unimagined. Advances will doubtless be made in all of the areas outlined in
our discussion of emerging themes and future directions (Sección 7), and likely in completely dif-
ferent areas as well.
It is a truly exciting time to be involved in WebAL research. We expect the current rapid pace of
development to continue, and indeed to accelerate, over the next few years. We look forward to
witnessing the advances and achievements, both expected and unexpected, that will emerge from
these efforts.
Expresiones de gratitud
We would like to thank two anonymous reviewers for their insightful comments and constructive
criticism on an earlier draft of this article.
Thanks to Alan Dorin for providing references to relevant early work on ALife art. Thanks also to
Bruce Damer, Steve Grand, Tim Hutton, Jane Prophet, Craig Reynolds, Hiroki Sayama, Terence
Soule, and Sebastian von Mammen for verifying details relating to their work.
We gratefully acknowledge use of Overleaf, the free, online collaborative LaTEX authoring tool
(https://www.overleaf.com/), in preparing the draft of this article.
Tim Taylor and Simon Hickinbotham acknowledge funding from the EU FP7 project EvoEvo,
conceder número 610427. Joshua Auerbach acknowledges funding from the EU FP7 project Insight,
grant agreement number 308943. Josh Bongard acknowledges funding from the National Science
Foundation awards PECASE-0953837 and INSPIRE-1344227. Jeff Clune was supported by
an NSF CAREER award, conceder número 1453549. Charles Ofria acknowledges funding for the
BEACON Center for the Study of Evolution in Action from the US National Science Foundation,
under Cooperative Agreement DBI-0939454. Jason Yosinski was supported by a NASA Space
Technology Research Fellowship.
Image credits: Cifra 2 courtesy of Jane Prophet, used with permission; Cifra 3 courtesy of
http://www.biota.org/nervegarden/publish.html, used according to the licensing information on
that page; Cifra 6 is a screenshot taken by one of the authors (T.T.), used with permission of
Bill Langdon; Cifra 4 courtesy of Tim Hutton, used with permission; Cifra 13 courtesy of
Sebastian von Mammem, used with permission. All other figures were provided by the authors.
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Apéndice: Bibliography of Other NetAL Work
This appendix provides details of articles discovered in the systematic search of the Artificial Life
journal and conference proceedings that have not been covered elsewhere in this review article.
For the purposes of this review, they were deemed to be either insufficiently focused on the web
(es decir., NetAL rather than WebAL), or insufficiently focused on ALife. They are listed here for com-
pleteness. For details of the search methodology adopted, mira la sección 2.
A1. Aguilera, METRO., Morer, I., Barandiaran, X. MI., & Bedia, METRO. GRAMO. (2013). Quantifying political
self-organization in social media. Fractal patterns in the Spanish 15M movement on
Twitter. In P. Liò, oh. Miglino, GRAMO. Nicosia, S. Nolfi, & METRO. Pavone (Editores.), Avances en
artificial life, ECAL 2013 (páginas. 395–402). Cambridge, MAMÁ: CON prensa.
A2. Best, METRO. l. (1997). An ecology of text: Using text retrieval to study ALife on the net.
Artificial Life, 3(4), 261–287.
A3. Best, METRO. l. (1997). Models for interacting populations of memes: Competition and
niche behavior. In P. Husbands & I. harvey (Editores.), Fourth European Conference on
Artificial Life (páginas. 154–163). Cambridge, MAMÁ: CON prensa.
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A4. Bollen, J., Gonçalves, B., Ruan, GRAMO., & Mao, h. (2011). Happiness is assortative in
online social networks. Artificial Life, 17(3), 237–251.
A5. Humphrys, METRO. (2001). Distributing a mind on the Internet: The world-wide-mind. En
j. Kelemen & PAG. Sosík (Editores.), Advances in artificial life: 6th European Conference,
ECAL 2001, Prague, Czech Republic, September 10–14, 2001, Actas (páginas. 669–680).
Berlina: Saltador.
A6. Kephart, j. o., Hanson, j. MI., & Sairamesh, j. (1998). Price and niche wars in a
free-market economy of software agents. Artificial Life, 4(1), 1–23.
A7. kim, K.-J., & Dar, S.-B. (2006). A comprehensive overview of the applications of
artificial life. Artificial Life, 12(1), 153–182.
A8. Noser, h., Pandzic, I., Capin, T., Thalmann, NORTE., & Thalmann, D. (1996). Playing games
through the virtual life network. In C. GRAMO. Langton & k. Shimohara (Editores.), Artificial life
V: Proceedings of the Fifth International Workshop on the Synthesis and Simulation of Living
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A9. OʼLeary, C., & Humphrys, METRO. (2003). Building a hybrid society of mind using
components from ten different authors. In Advances in artificial life: 7th European
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A10. Saffre, F., & Shackleton, METRO. (2008). “Embryo”: An autonomic co-operative service
management framework. In S. Bullock, j. Noble, R. A. watson, & METRO. A. Bedau (Editores.),
Artificial life XI: Proceedings of the Eleventh International Conference on the Simulation and
Synthesis of Living Systems (páginas. 513–520). Cambridge, MAMÁ: CON prensa.
A11. Stow, D., & Roadknight, C. (2001). Antigens, antibodies, and the World Wide Web. In J.
Kelemen & PAG. Sosík (Editores.), Advances in artificial life: 6th European Conference, ECAL 2001,
Prague, Czech Republic, September 10–14, 2001. Actas (páginas. 161–165). Berlina: Saltador.
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