Contributors
Richard Becherer was educated at Rice University, IL
Courtauld Institute, and Cornell University, where he
received his Ph.D. in the history of architecture. He has
authored one book, Science Plus Sentiment: César Daly’s
Formula for Modern Architecture, as well many articles
which have appeared in such venues as The Journal for the
Society of Architectural Historians, Art History, Assemblage,
Architecture, Progressive Architecture, Center (CASVA), A
name but a few. He currently writes on the architectural
culture of French modernism and its aftermath, anche
as on the spatiality of the post-industrial city.
Amir Berbić holds an MFA degree in Visual Commun-
ications from the School of The Art Institute of Chicago.
His design and editorial work have been featured in
publications such as Print, The Chicago Tribune, E
The Business of Holidays book (edited by Maud Lavin).
He is an assistant professor of design at the American
University of Sharjah, in the United Arab Emirates.
Caroline M. Hannah has worked as a curator, editor,
researcher, and writer. Currently pursuing a Ph.D. at
the Bard Graduate Center for Studies in the Decorative
Arts, Design, e Cultura, her academic interests lie in
the intersections between art, craft, and design. She rides
a bicycle in New York City.
Kees Dorst was trained as a product designer. Currently,
he is a researcher in Design Studies at Eindhoven
University of Technology. He also works as a consultant,
and is editor of the leading Dutch design journal ITEMS.
He has published numerous articles and books, includ-
ing Understanding Design (2003).
Elisa Giaccardi is a Research Associate at L3D, Uni-
versity of Colorado, Boulder. Prior to her academic
position, she was Head of New Media at Fondazione
Fitzcarraldo, Italy, a non-profit organization for research,
training and documentation on art, culture, and media
management and policies. Her work focuses on meta-
progetto, community development, and new media art.
Seçil S¸ atir currently is part of the fine arts faculty at
Marmara University (previously known as Istanbul
State School of Applied Arts) in the furniture and interior
design department.
Erza Shales teaches design history in the New York
School of Ceramics at Alfred University and is a Ph.D.
candidate at the Bard Graduate Center. His dissertation
on the Newark Free Public Library and Museum exam-
ines how the Progressive era exhibitions (1902–29) were
moral, aesthetic, and economic lessons to “improve”
what was a city of immigrants.
Nader Vossoughian recently completed his Ph.D. In
the History and Theory of Architecture at Columbia
Università. He is presently a lecturer at the Museum of
Modern Art in New York.
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Design Issues: Volume 22, Numero 3 Estate 2006
Notes to Contributors
Authors should submit seven copies of each manuscript
for consideration to the Editorial Board, Design Issues,
School of Design, Carnegie Mellon Univer sity, 110
Margaret Morrison, Pittsburgh, PAPÀ 15213-3890. Authors
are advised to keep a copy of their manuscript as pro-
tection against loss in transit. A short biographical
statement, including pres ent affiliation and previous
publications by the authors, is required. After accetance
of the article author will be expected to send a computer
file of the article.
Text Format
Manuscripts, including text, endnotes, long quotations,
tables, illustrations and captions, should be typed
double-spaced on one side of an 81⁄2”x11” sheet of white
paper (or foreign equivalent), with approximately 250
words per page and one-inch margins on all sides. IL
pre ferred length is a maximum of 5,000 parole, O 20
pagine, of text. Pages should be numbered consecutively,
including separate pages following the text for endnotes
and illustration captions.
If possible, the style of the manuscripts should
conform to the Chicago Manual of Style, latest edition,
pub lished by the University of Chicago Press. Authors
outside of the United States should use an equally stan-
dard style manual.
Endnotes
End notes should be numbered consecutively, and refer-
ences to them indicated clearly by corresponding num-
bers in the text. Style should conform to footnote style
in the Chicago Manual of Style or foreign equivalent.
The first mention of a particular work should
appear fully cited; subsequent material should appear
in shortened form.
Quotations from foreign language sources should
be translated into English in the text; their original, if
necessary, may appear in endnotes.
Illustrations
Photocopies of the illustrations should accompany the
manuscripts. Illustra tions should be marked on the
back in soft pencil with the author’s last name, figure
number corresponding to position in the text and the list of
illus trations, and an indication of the top of the illustra-
tion if there might be any questions.
Contributors are responsible for obtaining permission,
whenever necessary and as required, for the reproduction of
all illustrations or other materials.
Book Reviews
Book reviews are solicited by the Book Review Editor.
The length of the review will be determined jointly
by the Book Review Editor and the Editorial Board.
Re views should conform, if possible, to Chicago Man-
ual of Style, and the editorial guidelines for articles men-
tioned above.
Persons interested in being considered as review-
ers should send a current resume to the Book Review
Editor.
Recent Books
Publishers should send recently published books and
other materials for possible review to the Book Review
Editor, Design Issues, Carnegie Mellon University, 110
Margaret Morrison, Pittsburgh, PAPÀ 15213-3890.
Visual Projects
Design Issues invites submission of visual projects of
a theoretical or experimental nature. The primary
criteria for selection are that the work be provocative
and of high visual quality. All work should be submit-
ted in black and white. Photostats or photo graphs are
pre ferred and should be 8”x10” black and white glossy.
Slides will NOT be accepted. Work will be resized as
necessary. Bleeds and crops will not be made unless
specifically noted by the designer.
Visual material will be returned only if accompa-
nied by a self-addressed envelope with the proper post-
age affixed.
Responses from Readers
Design Issues encourages written responses to articles
and reviews, as well as comments on general or related
issues. Letters should be limited to 1,500 parole.
Letters that comment on articles and reviews will be
sent to the author of the original article for response.
Editorial Correspondence
c/o Diane Stadelmeier
Design Issues
School of Design
Carnegie Mellon University
110 Margaret Morrison
Pittsburgh, PAPÀ 15213-3890 USA
telephone: (412) 268-6841
fax: (412) 268-3088
e-mail: dsc6@andrew.cmu.edu
Design Issues: Volume 22, Numero 3 Estate 2006
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