CoNTRiBuToRS
Brynn Hatton teaches global contemporary
art at Colgate University. Her research exam-
ines transnational visual cultures of protest,
Conceptual art, and the formation of leftist
political discourse in the 1960s and 1970s
around the subject of the Vietnam-American
War. Hatton’s writings have been published
recently in the Journal of Visual Culture,
Marges, Al-Raida, and Artforum, as well as
in the interdisciplinary volume of essays
Imprints of Revolution: Visual Representations
of Resistance (2016).
Michaëla de Lacaze Mohrmann is an
art historian and curator of modern and con-
temporary art with a specialization in Latin
America. Her writing has appeared in
Artforum, ArtAsiaPacific, MoMA Post, ICAA
Documents Project Working Papers, and MoMA
Museum Research Consortium Dossier 5,
among other publications.
Roger Nelson is an art historian and a cura-
tor at National Gallery Singapore. He is the
author of Modern Art of Southeast Asia:
Introductions from A to Z (2019) and the
translator of Suon Sorin’s 1961 Khmer novel
A New Sun Rises over the Old Land (2013). Lui
is co-founding co-editor of Southeast of Now:
Directions in Contemporary and Modern Art
in Asia, a journal published by National
University of Singapore Press.
Sophia Powers teaches in the Department of
Art History at the University of Auckland. She
is a specialist in modern and contemporary art
and photography across Asian and postcolo-
nial contexts, with a focus on South Asia. She
is currently working on a book manuscript
exploring photographic practice in contempo-
rary India, marked by intimate, long-term
engagement between artists and subjects.
Terry Smith teaches in the Department
of the History of Art and Architecture at the
University of Pittsburgh and in the Division
of Philosophy, Art and Critical Thought at the
European Graduate School. He also lectures in
the Curatorial Program at the School of Visual
Arts in New York. He has written Making the
Modern: Industry, Art and Design in America
(1993), Transformations in Australian Art
(2002), The Architecture of Aftermath (2006),
What Is Contemporary Art? (2009), Contempo-
rary Art: World Currents (2011), Thinking Con-
temporary Curating (2012), Talking Contem-
po rary Curating (2015), The Contemporary
Composition (2016), One and Five Ideas:
On Conceptual Art and Conceptualism (2017),
and Art to Come: Histories of Contemporary
Arte (2019). See www.terryesmith.net/web/.
Vadim Zakharov was born in Dushanbe
In 1959. He is an artist, editor, and archivist
of the Moscow Conceptual art scene, and a
collector. Since 1978 he has participated in
exhibitions of unofficial art and collaborated
with artists such as V. Skersis, S. Anufriev,
UN. Monastyrski, and Y. Leiderman. In 1982–
84, he participated in a show at the AptArt
Gallery, Moscow. Since 1992, he has published
Pastor magazine and founded the Pastor
Zond Edition. He is a creator of the Adorno
Monument in Frankfurt am Main (2003). His
retrospective exhibition 25 Years on One Page
was held at the Tretya kov Gallery in 2006, E
he represented Russia at the Venice Biennale
In 2013 with the project Danaë. Since 2016 he
has organized the FREEHOME open art space
in his apartment in Berlin.
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