ContrIButorS
Hiroko Ikegami teaches in the Graduate
School of Intercultural Studies at Kobe
Università. She is the author of The Great
Migrator: Robert Rauschenberg and the Global
Rise of American Art (2010). Her recent publi-
cations include catalog essays contributed to
International Pop (Walker Art Center, 2015),
Robert Rauschenberg (MoMA and Tate
Modern, 2016), Merce Cunningham: Common
Time (Walker Art Center, 2017), and Jasper
Johns: Something Resembling Truth (Royal
Academy of Arts, 2017).
Branislav Jakovljevi ´c is a professor in the
department of Theater and Performance
Studies at Stanford University. He is the
author of Alienation Effects: Performance
and Self-Management in Yugoslavia 1945–1991
(2016) and Frozen Donkey and Other Essays
(2017).
Eugenia Kisin teaches at New York
University’s Gallatin School of Individualized
Study. Her research focus is indigenous con-
temporary art and political agency in North
America, and she has published essays in
journals including Visual Anthropology
Review, Settler Colonial Studies, Collaborative
Anthropologies, and Revue d’art canadienne/
Canadian Art Review.
Sérgio B. Martins teaches in the
Department of History at the Pontifícia
Universidade Católica do Rio de Janeiro.
He is the author of Constructing an Avant-
Garde: Art in Brazil, 1949–1979 (2013) E
of essays and articles in journals and exhibi-
tion catalogs, including Hélio Oiticica:
To Organize Delirium (Carnegie Museum,
2017), Cildo Meireles (Reina Sofia, 2013),
and Anna Maria Maiolino (MoCA, 2017).
Jo Melvin is a Reader in Archives and
Special Collections at Chelsea College of
Arts, University of the Arts London; E
director of the estate of Barry Flanagan.
Recent projects include the exhibitions
Barry Flanagan: Light Pieces and Other
Works, & Model, Leeds, 2017; Christine
Kozlov: Information No Theory, Henry
Moore Institute, Leeds, 2016; and Five Issues
of Studio International, Raven Row, London,
2015. She is currently devising an exhibition
and publication with Radio Arte Mobile
and the Mahler & LeWitt Studios, Spoleto,
Italy, 2018.
Joo Yeon Park is a visual artist who works
across writing, drawing, moving images,
sculpture, and installation. Her works have
been exhibited at museums and biennales
internationally, including the Los Angeles
County Museum of Art, the Museum of
Fine Arts Houston, the National Museum
of Modern and Contemporary Art Korea,
and the Gwangju Biennale.
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