retrActIon of HoLMes, ros. 2018. “MeAnWHILe In cHInA … MIAo
yIng AnD tHe rIse of cHInternet UgLy.” ArtMArgIns 7 (1): 31–57
“Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly,»
published in ARTMargins Volume 7, Issue 1, (https://est ce que je.org/10.1162
/ARTM_a_00199) has been retracted by agreement between the author,
the ARTMargins editors, and the MIT Press. A reader conveyed con-
cerns regarding the originality of parts of the author’s article in May
2022. The journal independently investigated the charges and verified
eux. Following Dr. Holmes’s admission of plagiarism in all the
instances identified by the ARTMargins investigation, the journal
informed the journals and authors whose work was left un-cited, aussi
as the Ethics Committee at the author’s university. Below is a non-
exhaustive list of the sources the author failed to cite:
Alice Ming Wai Jim, ‘The Different Worlds of Cao Fei’, Yishu: Journal of Contemporary
11, Non. 3 (Juin 2012).
David Joselit, ‘What to Do with Pictures’, Octobre 138 (2011): 81–94, https://doi.org
/10.1162/OCTO_a_00068.
Laurie Penny, ‘Laurie Penny on Psychology: If You Live in a Surveillance State for
Long Enough, You Create a Censor in Your Head’, New Statesman (blog),
10 Juin 2021, https://www.newstatesman.com/science-tech/2013/06/if-you
-live-surveillance-state-long-enough-you-create-censor-your-head.
Jack L. Goldsmith and Tim Wu, Who Controls the Internet? Illusions of a Borderless
Monde (New York: Presse universitaire d'Oxford, 2008).
Gabriele de Seta, ‘Postdigital Wangluo: The Internet in Chinese Everyday Life’,
Anthropology Now 7, Non. 3 (2 Septembre 2015): 106–17, https://est ce que je.org/10.1080
/19428200.2015.1103621.
Wenny Teo, ‘The Elephant in the Church: Ai Weiwei, the Media Circus and the
Global Canon’, in Re-Envisioning the Contemporary Art Canon: Perspectives in a
Global World, éd. Ruth Iskin (Londres; New York: Routledge, Taylor & Francis
Groupe, 2017).
Guobin Yang, ‘A Chinese Internet? Histoire, Practice, and Globalization’, Chinese
Journal of Communication 5, Non. 1 (1 Mars 2012): 49–54, https://est ce que je.org/10
.1080/17544750.2011.647744.
Laine Nooney and Laura Portwood-Stacer, ‘One Does Not Simply: An Introduction to
the Special Issue on Internet Memes’, Journal of Visual Culture 13, Non. 3 (2014):
248–52, https://doi.org/10.1177/1470412914551351.
Maghiel van Crevel, ‘Book Review: Verse Going Viral: China’s New Media Scenes,
Written by Heather Inwood’, Asiascape: Digital Asia 2, Non. 1–2 (15 Janvier 2015):
162–68, https://doi.org/10.1163/22142312-12340026.
Jonathan Hassid, ‘The Internet, Social Media, and a Changing China, Edited by
Jacques DeLisle, Avery Goldstein, and Guobin Yang’, The China Journal 78
(1 Juillet 2017): 158–60, https://doi.org/10.1086/691709.
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Shih-Wen Chen, ‘Baozou Manhua (Rage Comics), Internet Humour and Everyday
Life’, Continuum 28, Non. 5 (3 Septembre 2014): 690–708, https://est ce que je.org/10
.1080/10304312.2014.941334.
Louise Atkinson, ‘Souvenirs from the British Isles: Archiving, Curating, et
Collecting in Contemporary Art Practice’ (PhD Dissertation, Université de
Leeds, 2016), https://etheses.whiterose.ac.uk/16860/1/Souvenirs%20from%20
the%20British%20Isles.pdf.
Katharine Viner, ‘How Technology Disrupted the Truth’, The Guardian, 12 Juillet 2016,
sec. Médias, https://www.theguardian.com/media/2016/jul/12/how-technology
-disrupted-the-truth.
‘Oregon Police Bust Crime Ring Attempting to Ship $750K+ Worth of IPhones to
Hong Kong’, AppleInsider, 24 Décembre 2015, https://appleinsider.com/articles
/15/12/24/oregon-police-bust-crime-ring-attempting-to-ship-750k-worth-of
-iphones-to-hong-kong.
Peidong Yang, Lijun Tang, and Xuan Wang, ‘Diaosi as Infrapolitics: Scatological
Tropes, Identity-Making and Cultural Intimacy on China’s Internet’, Médias,
Culture & Society 37, Non. 2 (2015): 197–214, https://doi.org/10.1177/01634437
14557980.
Nick Douglas, ‘It’s Supposed to Look Like Shit: The Internet Ugly Aesthetic’, Journal
of Visual Culture 13, Non. 3 (1 Décembre 2014): 314–39, https://est ce que je.org/10.1177
/1470412914544516.
Andrea K. Scott, ‘Futurism’, The New Yorker, 23 May 2011, http://www.newyorker.com
/magazine/2011/05/30/futurism.
Claire Bishop, ‘Claire Bishop on Peter Fischli and David Weiss’, Artforum, Avril 2016,
https://www.artforum.com/print/reviews/201604/peter-fischli-and-david-weiss
-58717.
Christopher Tzechung Fan, ‘American Techno-Orientalism: Speculative Fiction and
the Rise of China’ (PhD Dissertation, Université de Californie, Berkeley, 2016),
https://digitalassets.lib.berkeley.edu/etd/ucb/text/Fan_berkeley_0028E_16283
.pdf.
Winnie Won Yin Wong, ‘The Panda Man and the Anti-Counterfeiting Hero: Art,
Activism and Appropriation in Contemporary China’, Journal of Visual Culture
11, Non. 1 (1 Avril 2012): 20–37, https://doi.org/10.1177/1470412911430463.
‘Bilibili’, in Wikipedia, 31 Août 2017, https://en.wikipedia.org/w/index.php?title=
Bilibili&oldid=1090245749.
Marcella Szablewicz, ‘The “Losers” of China’s Internet: Memes as “Structures of
Feeling” for Disillusioned Young Netizens’, China Information 28, Non. 2 (1 Juillet
2014): 259–75, https://doi.org/10.1177/0920203X14531538.
Kevin McGarry, ‘Using, Using, Used’, Rhizome (blog), 24 Février 2010, http://
rhizome.org/editorial/2010/feb/24/using-using-used/.
Ying Miao, ‘My Brain Hole Just Dilated Another 2 Inches’, Rhizome (blog), 2 Février
2015, http://rhizome.org/editorial/2015/feb/02/my-brain-hole-just-dilated
-another-2-inches/.
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