ConTRiBuToRS
Lee Ambrozy is a PhD candidate in
the Department of Chinese Art History
and Archaeology at the Institute of Fine
Arts, New York University. She is editor and
translator of Ai Weiwei’s Blog: Writings,
Interviews, and Digital Rants, 2006–2009
(AVEC Presse, 2011) and has taught at Beijing’s
Central Academy of Fine Arts. The former
editor of Artforum’s Chinese language
website, her articles and reviews have
appeared in Artforum, Yishu, et
ArtAsiaPacific. Her current research
examines intertextuality in material
culture and painting of the late Tang
through the Song dynasties.
Christopher T. Green teaches at Baruch
College and is a PhD candidate in the
Department of Art History at the City
University of New York. His writing has
appeared in exhibition catalogues by the New
Museum and the Fondation Fernet-Branca
and he is a contributor to The Brooklyn Rail.
His research focuses on modern and contem-
porary Native American art and the pressures
of the digital mode on culture and art
making.
Robert Zhao Renhui is a visual artist born
and based in Singapore. His work includes
textual and media analysis, video, and pho-
tography projects, and he often adopts a
multidisciplinary/multimedia approach
presenting images together with documents
and objects. His recent exhibitions include
the Singapore Biennale 2013, The Institute
of Critical Zoologists at Chapter Arts Centre
(ROYAUME-UNI), ShanghART (Shanghai), and The
Kadist Art Foundation (San Francisco).
Bill Roberts is a research fellow in the
Department of History of Art at the
University of Warwick, ROYAUME-UNI. He has taught
at the Courtauld Institute of Art (University
de Londres) and the Ruskin School of Art
(Oxford). His articles and reviews have
appeared in Art History, Tate Papers, Troisième
Texte, Mute, Journal of Visual Culture, et
immediations. His current research examines
the relationship between contemporary art
and design since the 1990s.
Walid Sadek is an artist, writer, and faculty
member in the Department of Fine Arts and
Art History at the American University of
Beirut. His work investigates the legacies of
the Lebanese Civil War and endeavors to
structure a theory for a postwar society disin-
clined to resume normative living. His essays
have appeared in Third Text, Art Journal,
ARTMargins, Parachute, and Camera Austria.
Jon Solomon teaches at the Institute of
Transtextual and Transcultural Studies,
Université Jean Moulin, Lyon, France. Il a
lived in East Asia for twenty-five years and is
fluent in Chinese, Japonais, French, et
English. His current research investigates
the concept of “area” as an essential operation
for the governing capacity of the state in par-
allel to the question of “population.”
Sven Spieker teaches in the Comparative
Literature Program at the University of
California, Santa Barbara. Specializing in
modern and contemporary art and art theory,
he has lectured and published on topics rang-
ing from the historical avant-garde in Russia
and Germany to late 20th-century art. Son
last book, The Big Archive, focuses on the
archive as a crucible of European modernism
(AVEC Presse, 2008). Spieker is a founding edi-
tor of ARTMargins Print and a co-editor of
ARTMargins Online.
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