“The Object Comes Alive”: A Conversation with Claes Oldenburg* HAL FOSTER Hal Foster: Thanks so much for meeting, Claes. With your recent exhibition and book of writings in mind, I wanted to ask you a…
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Zoonotic Undemocracy*
Zoonotic Undemocracy* ARNAUD GERSPACHER In 1967, the Brazilian artist Nelson Leirner balked at the confining of a large dead pig to a gestation crate in the fourth Modern Art Salon of Brasília. He called out…
Lawrence Weiner’s
Lawrence Weiner’s Materialism* TREVOR STARK I wrote this essay for the forthcoming catalogue of what turned out to be the final exhibition of Lawrence Weiner’s lifetime: CLOSE TO A RAINBOW, curated by Anders Gaardboe Jensen…
Art Communities at Risk:
Art Communities at Risk: On Ukraine SVITLANA BIEDARIEVA To focus attention on the amplified hostility around the world to the figure of the artist and artistic expression, as well as to attend to the conditions…
Garrett Bradley. America. 2019.
Garrett Bradley. America. 2019. F / d o i / . / / 1 0 1 1 6 2 o c t o _ a _ 0 0 4 4 1 1 9 7 9…
“Killing for Show”:
“Killing for Show”: A Conversation with Julian Stallabrass MIGNON NIXON Mignon Nixon: Would you start us off by explaining what you mean by “killing for show,” the title of your new book (Killing for Show:…
Lying in the Gallery*
Lying in the Gallery* PAMELA L. LEE I On the topic of burnout, recent art, and working remotely under condi- tions of pandemic, I begin with a seemingly impolitic question: Why do we take things…
Lucia Moholy. Hands Peeling Potatoes. C. 1930.
Lucia Moholy. Hands Peeling Potatoes. C. 1930. F / d o i / . / / 1 0 1 1 6 2 o c t o _ a _ 0 0 3 9 3 1…
Aaron Douglas. Aspects of Negro Life:
Aaron Douglas. Aspects of Negro Life: From Slavery through Reconstruction (detail). 1934. © 2020 Heirs of Aaron Douglas. All Douglas images are licensed by VAGA at Artists Rights Society (ARS), New York. Aaron Douglas and Aspects…
Stock photo of a woman touching her face.
Stock photo of a woman touching her face. F / d o i / . / / 1 0 1 1 6 2 o c t o _ a _ 0 0 4 0 9…