Study in three phases An Adaptive Sound Installation C l A u d i o p A n A R i e l l o T C A R T S B A Study in three phases is an adaptive site-specific sound installation that includes 22 solenoids placed on metallic arches that surround visitors and react to environmental perturbations, creating a self- regulating soundscape of

Enacting Sonic-Cyborg Performance through the Hybrid Body in Teka-Mori and Why Should Our Bodies End at the Skin? A u R i E H S u a n d S T E v E n k E m P E R T C A R T S B A In “A Cyborg Manifesto,” Donna Haraway explores implications of the increasing hybridization of humans and machines.

Respire Virtual Reality Art with Musical Agent Guided by Respiratory Interaction K i V A n Ç t A t A r , M i r J A n A p r p A A N D p h i l i p p e p A S Q u i e r t c A r t S b A Respire is an immersive

The Musical Geometry of Genes Generating Rhythms from DNA A l v A R o YA n e z T C A R T S B A DNA encodes all sorts of information that makes us human, pero, aside from encoding genes, could DNA also encode for a mapping of musical rhythms in a very abstract way? This project sought to generate rhythms out of

Resounding Memory Aural Augmented Reality and the Retelling of History V e R ó n i c a S o R i a – M a R t í n e z t c a R t S B a This text discusses sound art projects in which artists have used augmented reality along with recordings or data of public spaces. All the works mentioned

Experimental Sound Mixing for The Well, a Short Film Made for Tablets K A R E n C o l l i n S a n d R u T h D o C K w R Ay T C A R T S B A This article presents an overview of the use of binaural recording and experimental headphone mixing for a short film.

The Sonic Witness On the Political Potential of Field Recordings in Acoustic Art G e r a l d F i e b i G T C a r T S b a Contemporary sonic artworks often use field recordings from places of historic or social significance to address political issues. This article discusses relevant works for radio and fixed media by Peter Cusack, Jacob

A Brief Introduction to Gremlins as Aesthetic Devices Heather Contant without a definite center or edge” [7]. Gremlins become an audible seam in the supposedly seamless global communications mesh that Watson and Bell started to weave when they invented the telephone. a b s t r a c t The sounds of electromagnetic interference, or “gremlins,” result from interactions among objects in the 21st century’s

Recomposing the City: A Survey of Recent Sound Art in Belfast Gascia Ouzounian a b s t r a c t This article introduces examples of recent sound art in Belfast, a city that has undergone radical transforma- tion over the past decade and is home to a burgeoning com- munity of sound artists. The text investigates the ways in which sonic art can redraw

A Compositional Approach Derived from Material and Ephemeral Elements Ellen Fullman coffee cans with large metal mix- ing bowls filled with water and rubbed the wires with my hands, tipping the bowl to modulate the sound. I wanted to be able to tune the wire, but changing the tension did nothing. I knew I needed help from an engineer. At the time I was listening

Seeking Out the Spaces Between: Using Improvisation in Collaborative Composition with Interactive Technology a b s t r a c t This article presents findings Sarah Nicolls In seeking to create responsive “performance en- vironments” at the piano, I explore live, performative control of electronics to create better connections for both performer (providing the same level of interpretive freedom as with a “pure” instrumental performance)

LMJ19 CD CoMpanion Listening for Music through Community curated by Pauline Oliveros Leonardo Music Journal CD Series Volume 19 Descargado de http://direct.mit.edu/lmj/article-pdf/doi/10.1162/lmj.2009.19.98/1970633/lmj.2009.19.98.pdf by guest on 07 Septiembre 2023 LMJ19 CD Listening for Music through Community Curated by Pauline Oliveros Leonardo Music Journal CD Series Volume 19 1. naMeLess sounD Youth enseMbLe + Guests: parenthesis 1 (5:13) Nameless Sound Youth Ensemble under the direction of David

Special Section introduction News and Olds from the Electronic Orchestra Pit When Nic Collins asked me to assist him in tapping into the “wisdom of the crowd” for a special section in LMJ19, I happily agreed to serve as a funnel for conveying the idea for the issue to the small crowd of knowledgeable people who honor me with their friendship. As mixed a bag

Special Section introduction The Institute of Sonology In 1956, a studio for electronic music was opened within the acoustics depart- ment of Philips Research Laboratories. The productions made in this studio emphasized functional music for (animated) película, ballet and exhibition areas and “popular” music for gramophone records. Philips decided in 1960 that the Research Laboratories could no longer house a studio, which was becoming more

s p e c i a l s e c t i o n Reflections on the Sonic Commons O+A (Bruce Odland and Sam Auinger) Nosotros, Odland and Auinger, are sonic thinkers. We trust our ears, not our eyes. We observe the world from a hearing perspective (Higo. 1). Although this text is a visual medium, it chronicles a sonic journey of personal experience. Como

2009 Author Index Leonardo Volume 42 and Leonardo Music Journal Volume 19 ACETI, LANFRANCO. “Without Visible Scars: Digital Art and the Memory of War,” Leonardo 42, No. 1 (2009). ADAMS, KATHRYN. Review of Ephemeral Bodies: Wax Sculpture and the Human Figure, edited by Roberta Panzanelli, Leonardo 42, No. 3 (2009). ADDERLEY, W.. PAUL, and YOUNG, MI- CHAEL. “Ground-Breaking: Scientific and Sonic Perceptions of Environ- mental

LMJ19 CD CoMpanion Listening for Music through Community curated by Pauline Oliveros Leonardo Music Journal CD Series Volume 19 Descargado de http://direct.mit.edu/lmj/article-pdf/doi/10.1162/lmj.2009.19.100/1970631/lmj.2009.19.100.pdf by guest on 07 Septiembre 2023 LMJ19 CD Listening for Music through Community Curated by Pauline Oliveros Leonardo Music Journal CD Series Volume 19 1. naMeLess sounD Youth enseMbLe + Guests: parenthesis 1 (5:13) Nameless Sound Youth Ensemble under the direction of David