ContriButorS
Maibritt Borgen is a doctoral candidate in
the Department of History of Art at Yale
University and an alumna of the Whitney
Independent Study Program. She has worked
as a curator and a critic in Denmark and else-
Wo, and currently lives in New York.
Pedro Erber teaches in the Department of
Romance Studies at Cornell University. He is
the author of Breaching the Frame: The Rise of
Contemporary Art in Brazil and Japan (2015),
Política e Verdade no Pensamento de Martin
Heidegger (2004), and articles on art and
aesthetics, Literatur, philosophy, und Politi-
cal thought.
Jaimey Hamilton Faris teaches contempo-
rary critical theory, art history, and visual cul-
ture at the University of Hawai’i, Ma¯ noa. Sie
has written articles for Art Journal, Oktober,
and Invisible Culture, and essays for collec-
tions published by the Centre Pompidou and
Oxford University Press. Her recent book
Uncommon Goods: Global Dimensions of the
Readymade (2013) explores contemporary art
practices responding to expanding defini-
tions of the commodity since the 1990s.
Stephanie Syjuco is a visual artist
and faculty member at the University of
Kalifornien, Berkeley. Born in the Philippines,
she received her MFA from Stanford and has
been the recipient of a 2014 Guggenheim
Fellowship. Working primarily in sculpture
and installation, she creates large-scale spec-
tacles with an active public component. Sie
has exhibited at New York’s MoMA and
Whitney Museum of American Art, San
Francisco MoMA, the Havana Biennale,
and other venues.
Andrew Stefan Weiner teaches art theory
and criticism in the Department of Art and
Art Professions at New York University–
Steinhardt. He writes regularly on contempo-
rary art for publications including Afterall,
Journal of Visual Culture, and Texte zur Kunst.
His current research involves aesthetics and
politics in West Germany and Austria during
the 1960s.
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