Mitwirkende - Am MIT spezialisierte KI-Forschung

Mitwirkende

Richard Buchanan is professor of design at Carnegie
Mellon University and a past President of the Design
Research Society.

Carissa Kowalski Dougherty is a master’s student in the
department of art history at the University of Illinois at
Chicago focusing on contemporary architectural theory
and technology. As a staff member in the department of
architecture and design at the Art Institute of Chicago,
MS. Dougherty has contributed to several exhibition cata-
logues including Chicago Architecture: Ten Visions (2004),
1945: Creativity and Crisis (2005), and Douglas Garofalo
(2006). As a freelance writer/editor, she also pursues
more journalistic projects; her most recent publication,
Young Designers: Americas (daab, 2006), was released in
Juni, 2006.

Hugh Dubberly is a partner in Dubberly Design Office
in San Francisco—focusing on interaction and informa-
tion design. Before that, he was Vice President for Design
at AOL/Netscape and managed Apple Creative Services.
He has taught design courses at Art Center, San Jose State
Universität, IIT/ID, and Stanford.

Giampietro+Smith, founded by Rob Giampietro and
Kevin Smith, is a design studio based in New York City
focusing on cultural, editorial, and nonprofit projects.
The work of Giampietro+Smith has won numerous
awards including design distinctions from I.D. magazine,
Print magazine, the Type Director’s Club, and AIGA. Rob
and Kevin are also professors of Communication Design
at Parsons.

Annaleena Hakatie, MA, is a researcher at the School
of Design in the University of Art and Design Helsinki.
Her research interests focus on managing, leading, Und
organizing creative work; and new working proce-
dures in networks. She previously worked both as a
design consultant and in-house designer in industry.
Veröffentlichungen: http://designresearch.uiah.fi/index.html
?rootpage=90&subpage=1405

Igor Marjanović is director of the core design program
and assistant professor at Iowa State University. Zusammen
with Katerina Rüedi Ray, he is principal of ReadyMade
Studio, which is one of ten selected exhibitors in the
Chicago Architecture: Ten Visions show at the Art Institute
of Chicago. He has co-authored The Portfolio and Practical
Experience (both from Architectural Press, Oxford).

Kristina Niedderer is a researcher and craft practitioner,
who lives and works in the UK. She holds a Ph.D. In
Design, and was originally apprenticed as a goldsmith
and silversmith in Germany. Since September 2005 sie
has been working as a post-doctoral researcher at the
University of Hertfordshire, faculty of creative and
cultural industries.

Chanpory Rith is a designer at MetaDesign, a design
consultancy in San Francisco. He has worked on identity
Projekte, web sites, and interactive software applications
for clients including Adobe, Symantec, Yahoo, and PC
Welt. He graduated from California College of the Arts
with a BFA in Graphic Design.

Toni Ryynänen, MS, is a researcher at the school of
design in the University of Art and Design Helsinki.
He also is a postgraduate student at the University of
Helsinki in the Department of Economics and Man age-
ment. His main research interests are consumer culture
and design representations in the context of mass
communications and media. Veröffentlichungen: http://Design-
research.uiah.fi/index?rootpage=90&subpage=934.

Dmitri Siegel is a designer and writer living in New
York City. His writing has appeared in Emigre, dot dot
dot, and Adbusters, and he publishes Ante, a journal of
art and design. He teaches at the Art Center College of
Design in the graduate criticism and theory program and
is currently working on a history of feedback.

Fedja Vukiç, art historian got his Ph.D. in design theory
at the University of Ljubljana, Slovenia and currently
holds the position of a lecturer of design theory and
history at the Graduate School of Design, Faculty of
Architecture, University of Zagreb, Croatia. He was a
research fellow of The Wolfsonian Foundation in Miami
Beach in 1995. Vukic has published and edited several
books on design theory and cultural history, including A
Century of Croatian Design in 1996 and Zagreb, Modernity
and the City in 2003.

Artemis Yagou, Ph.D., MA, is a design researcher and
educator based in Athens, Greece. She teaches in the
interdisciplinary MA course at AKTO art and design
(private college), and pursues independent research into
the history of Greek design. She has received a Design
History Society 25th Anniversary Research Award for
her project: “Between Scylla and Charybdis: Design
Education in Interwar Greece 1922–1940”.

D
Ö
w
N
Ö
A
D
e
D

F
R
Ö
M
H

T
T

:
/
/

D
ich
R
e
C
T
.

ich
T
.

e
D
u
D
e
S
ich
/

A
R
T
ich
C
e
–
P
D

F
/

2
3
1
1
0
0
1
7
1
4
1
9
9
D
e
S
ich
.

2
0
0
7
2
3
1
1
0
0
P
D

B
j
G
u
e
S
T

Ö
N
0
7
S
e
P
e
M
B
e
R
2
0
2
3

Notes to Contributors

Authors should submit seven copies of each manuscript
for consideration to the Editorial Board, Designprobleme,
School of Design, Carnegie Mellon Univer sity, 110
Margaret Morrison, Pittsburgh, PA 15213-3890. Authors
are advised to keep a copy of their manuscript as pro-
tection against loss in transit. A short biographical
statement, including pres ent affiliation and previous
publications by the authors, is required. After accetance
of the article author will be expected to send a computer
file of the article.

Text Format
Manuscripts, including text, Endnoten, long quotations,
tables, illustrations and captions, should be typed
double-spaced on one side of an 81⁄2”x11” sheet of white
Papier (or foreign equivalent), mit ca 250
words per page and one-inch margins on all sides. Der
pre ferred length is a maximum of 5,000 Wörter, oder 20
Seiten, of text. Pages should be numbered consecutively,
including separate pages following the text for endnotes
and illustration captions.
If possible, the style of the manuscripts should
conform to the Chicago Manual of Style, latest edition,
pub lished by the University of Chicago Press. Authors
outside of the United States should use an equally stan-
dard style manual.

Endnotes
End notes should be numbered consecutively, and refer-
ences to them indicated clearly by corresponding num-
bers in the text. Style should conform to footnote style
in the Chicago Manual of Style or foreign equivalent.
The first mention of a particular work should
appear fully cited; subsequent material should appear
in shortened form.
Quotations from foreign language sources should
be translated into English in the text; their original, Wenn
necessary, may appear in endnotes.

Illustrations
Photocopies of the illustrations should accompany the
manuscripts. Illustra tions should be marked on the
back in soft pencil with the author’s last name, figure
number corresponding to position in the text and the list of
illus trations, and an indication of the top of the illustra-
tion if there might be any questions.
Contributors are responsible for obtaining permission,
whenever necessary and as required, for the reproduction of
all illustrations or other materials.

Bücherbewertungen
Book reviews are solicited by the Book Review Editor.
The length of the review will be determined jointly
by the Book Review Editor and the Editorial Board.
Re views should conform, if possible, to Chicago Man-
ual of Style, and the editorial guidelines for articles men-
tioned above.
Persons interested in being considered as review-
ers should send a current resume to the Book Review
Editor.

Recent Books
Publishers should send recently published books and
other materials for possible review to the Book Review
Editor, Design Issues, Carnegie Mellon University, 110
Margaret Morrison, Pittsburgh, PA 15213-3890.

Visual Projects
Design Issues invites submission of visual projects of
a theoretical or experimental nature. The primary
criteria for selection are that the work be provocative
and of high visual quality. All work should be submit-
ted in black and white. Photostats or photo graphs are
pre ferred and should be 8”x10” black and white glossy.
Slides will NOT be accepted. Work will be resized as
necessary. Bleeds and crops will not be made unless
specifically noted by the designer.
Visual material will be returned only if accompa-
nied by a self-addressed envelope with the proper post-
age affixed.

Responses from Readers
Design Issues encourages written responses to articles
and reviews, as well as comments on general or related
issues. Letters should be limited to 1,500 Wörter.
Letters that comment on articles and reviews will be
sent to the author of the original article for response.

Editorial Correspondence
c/o Diane Stadelmeier
Designprobleme
School of Design
Carnegie Mellon University
110 Margaret Morrison
Pittsburgh, PA 15213-3890 USA
Telefon: (412) 268-6841
Fax: (412) 268-3088
e-mail: dsc6@andrew.cmu.edu

Designprobleme: Volumen 22, Nummer 4 Herbst 2006