Colaboradores
Daniel Cardoso Llach is assistant professor in the
Department of Architecture at The Pennsylvania
State University, where he teaches courses on the
history and theory of computational design and
fabrication media, and on creative computing. Él
holds an SM and PhD in Design and Computation
from the Massachusetts Institute of Technology (CON)
and a BArch from Universidad de los Andes, Bogotá.
His book Builders of the Vision (Routledge, 2015) com-
bines design, computation and STS methods to trace
the intellectual history of Computer-Aided Design
and digital fabrication technologies. Beginning in the
caída de 2015, he will join the faculty at the Carnegie
Mellon University School of Architecture.
Clive Dilnot is professor of Design Studies at New
School University, Nueva York. Recent publications
include Design and the Question of History (2015)
(with Tony Fry and Susan Stewart); Pirelli Work,
(Steidl 2007) (with Chris Killip); Ethics? Diseño?
(2005). He is the editor of a forthcoming reader on
the work of John Heskett, Design History Economics
(2015), and is preparing for the publication of
Heskett’s seminar on design and economics,
“Design and the Creation of Value” (2016).
Daphne Fecheyr-Lippens is a biomimicry fellow
in the Integrated Bioscience PhD program at the
University of Akron. Her doctoral research focuses
on understanding structural coloration (colores
without pigment) of CaCO3-based materials such as
avian eggshells, to inform eco-friendly and innovative
applications. Daphne received the Biomimicry
Specialist certificate (2012) and has a BSc and MSc in
Biotechnology from the University of Ghent, Bélgica.
Renate Gokl is the cover designer for this issue of
Design Issues vol. 31, No. 3 (Verano 2015). Renate’s
career spans twenty-five years as both a designer
and educator. Her work focuses on typography and
book design—primarily for cultural and educational
institutions—and is known for its resonant informa-
tion structures. She is an associate professor at the
School of the Art Institute of Chicago and serves
as the chair of the Visual Communication Design
departamento. She holds an MFA from the Rhode
Island School of Design and a BFA from the
University of Illinois at Urbana-Champaign.
Raiford Guins is associate professor of Culture
and Technology at Stony Brook University. Él es
Principal Editor with the Journal of Visual Culture,
Curator of the William A. Higinbotham Game
Studies Collection, and co-editor with Henry
Lowood of the Game Histories book series with MIT
Prensa. His most recent book is Game After: A Cultural
Study of Video Game After (CON prensa, 2014), and he’s
currently researching a book entitled, Atari Modern:
A Design History of Atari’s Coin-Operated Video Game
Cabinets, 1972–1979. His writings on game history
also appear in the following journals and magazines:
The Atlantic, Cabinet, Design and Culture, Diseño
Asuntos, Game Studies, Journal of Visual Culture, y
Reconstruction: Studies in Contemporary Culture.
Bor-Kai Hsiung is a biomimicry fellow in the
Integrated Bioscience PhD program at the University
of Akron. His doctoral research focuses on questions
about the evolution of structural colors in spiders.
Bor-Kai is a biomimicry specialist (2011, BSP,
Biomimicry 3.8), has a MS in Biomedical Science
from UC, Riverside; a MS in Life Sciences from
NTHU, Taiwán; and a BS in Applied Chemistry
from NCTU, Taiwán.
Elvin Karana is assistant professor in the Department
of Design Engineering (DE) at Delft University of
Tecnología (DUT), Los países bajos. Su investigacion
interests include materials driven design, comprensión
and mobilizing materials experience in design, y
designing with bio-based materials. She recently led a
nationally funded project on Meanings of Bio-Plastics,
and is a principal researcher/task leader of a Europe-
an Project (FP7) on Smart Material Interfaces. Ella es
published in Materials and Design Journal, Internacional
Journal of Design, Journal of Cleaner Production, y
Design Issues. Elvin is main editor of Materials
Experience: Fundamentals of Materials and Design
(Elsevier, 2014). She is the developer and coordinator
of the materials library ‘Made Of…’—a permanent
exhibition at DUT (http://www.io.tudelft.nl/madeof).
Emily Kennedy is a biomimicry fellow in the
Integrated Bioscience PhD Program at the University
of Akron. Her doctoral research focuses on develop-
ment and validation of pathways to biomimetic
solutions that can be readily implemented by
innovation teams. Emily has a BA in International
Relaciones (Minor: Environmental Studies) de
Colgate University and is a certified Innovation
Engineering Black Belt.
Problemas de diseño: Volumen 31, Número 3 Verano 2015
109
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Lucy Kimbell is associate fellow at Said Business
School, University of Oxford and principal research
fellow at the University of Brighton. She has published
on design thinking and design for service. Lucy’s
work appeared in the interdisciplinary exhibition
Making Things Public (2005) curated by Bruno Latour
and Peter Weibel. The research discussed in this paper
took place while she was head of social design at The
Young Foundation, Londres.
Matthew Kolodziej is a professor of art and one of the
principal investigators of the Biomimicry research and
Innovation Center (BRIC) at the University of Akron.
He earned a BA in economics from the University of
Chicago in 1988 and an MFA in painting from Rhode
Island School of Design in 1993. He is a recipient of
Pollock-Krasner and Fulbright grants. The transitory
quality of space and perception is a central theme in
his paintings. He uses images of architecture and
landscape to explore the presence of change. His work
has been exhibited around the country and abroad.
http://www.mattpaint.com/
Craig Martin is senior lecturer in Design Cultures
at The University of Edinburgh. As a design theorist
and cultural geographer his research interests range
across the politics of distribution and consumption,
vernacular design, new materialities, open design,
and design atmospherics. His writings have been
published in journals such as Society and Space,
and Environment and Planning A, and in various
edited books including Architecture in the Space of
Flows (Routledge).
Michele Mauri is a PhD student in Design at
Politecnico di Milano. He collaborates with Density-
Design Lab on data visualization and information
design projects. Previously, he worked as research
dfellow at CRISP, a statistics research lab. Su
research focuses on the design role in the process
of data gathering, analysis and dissemination.
Axel Meunier is the project manager of the EMAPS
proyecto. After a Master’s degree in Science and Tech-
nology Studies at EHESS, París, he has participated
in a research project on the history of low doses of
radiation as a public health issue at the University
of Strasbourg, and worked as manager of several
European projects. In parallel, he is a member of
several art collectives (es decir., Save As Draft, Quartier
Général) which address public issues from the angle
of representation, and create collective experiences
of our attachments to non-humans.
110
Peter H. Niewiarowski is a professor of Biology
and Integrated Bioscience and one of the principal
investigators of the Biomimicry Research and
Innovation Center (BRIC) at the University of Akron.
He has a BS in biology from Marlboro College and a
PhD in Ecology and Evolution from the University of
Pensilvania. His research interests span population
biology and life history evolution in reptiles and
amphibians and include a current major focus in
biomimicry in general and gecko adhesion in specific.
Karin Nugis is a graduate student in art history at
the Estonian Academy of Arts. She has a special
interest in the identity construction processes and in
the fine boundaries between art, crafts, and design.
Her research is focused on the history of design
exhibitions during the Soviet period.
Owain Pedgley is a senior lecturer in Industrial
Design at the University of Liverpool, Reino Unido. His princi-
pal research and educational expertise centers on how
materials can be used to positively affect product in-
teraction, product personality and user experiences.
Owain has extensive experience coordinating student
project-based innovation partnerships with firms
including Nokia, Bosch Siemens Hausgeräte and
Vitra. Prior to his academic career, he practiced
product design in the sports equipment and musical
instrument sectors, and co-founded the guitar innova-
tion venture “Cool Acoustics.”
Donato Ricci is a Communication designer and
a researcher in the area of data & información
visualization. Actualmente, he is a PostDoc researcher
and design lead at SciencesPo|médialab, where he
conducts researches about the use of visualization
in human and social sciences. Desde 2005 he has been
involved in the development of the DensityDesign
Lab, where he started and deepened his interest in
exploring the role of visual languages to increase
public engagement in complex social issues by using
digital data available on the net.
Valentina Rognoli is assistant professor in The
Design Department, at the School of Design, en
Politecnico di Milano (Italia), where she conducts
research activity in the field of materials and design.
After two years at Enzo Mari’s studio in Milan,
Valentina focused her PhD research on materials and
their expressive-sensory dimension, and developed
an “Expressive-Sensorial Atlas of Material” to
improve materials education in the field of design.
She contributed to define the concept of materials
experience and tinkering with materials. Su
current research topics delve into materials and
their relationship with user experience, education,
additive manufacturing, sustainability, DIY, imperfec-
tion and repair. She has published fundamental books
and articles in the domain of materials and design.
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Problemas de diseño: Volumen 31, Número 3 Verano 2015
Pino Trogu is assistant professor of Information
Design at San Francisco State University, where he
teaches drawing, exhibit design, and data visualiza-
ción. He holds an MFA in graphic design from the
Rhode Island School of Design, where he was a
Fulbright scholar; a BFA in graphic design from
Istituto Superiore Industrie Artistiche, Urbino, Italia;
and a Diploma in industrial design from Istituto
Statale d’Arte Oristano, Cerdeña, Italia.
Tommaso Venturini is professeur associé [associate
professor] and coordinator of the research activities
at the Sciences Po médialab. His research activities
focus on digital methods, environmental debates
and social modernization. He is leading scientist of
the projects EMAPS and MEDEA and teaches courses
in Controversy Mapping, Digital Methods, Data Jour-
nalism and STS at graduate and undergraduate level.
James “TJ” Wang is professor of architecture at
the National Taipei University of Technology.
He is author of Challenging ICTs Applications in
Architectural, Ingeniería, and Industrial Design
Educación (IGI Press, 2012), as well as three chapter
books (Ashgate Press, 2011; Nova Press, 2012; y
IGI Press, 2014) respectivamente. His current book
project involves the development of design learning
environments that are sensitive to culturally ethical
issues and the development of context-recognition
pedagogies and design strategies for ubiquitous
computing environments in the traditional design
studio. He has published and lectured internationally
on these topics.
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Problemas de diseño: Volumen 31, Número 3 Verano 2015
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