Colaboradores
Anders Albrechtslund holds a MA in Philosophy
(University of Southern Denmark, 2003) and a PhD
in Information Studies (Aalborg University, 2008),
and he is currently an Associate Professor at Aarhus
Universidad. Research interests include surveillance
estudios, redes sociales, urban spaces and ethics.
Mike Esbester is an Early Career Fellow in the
Department of History at Oxford Brookes University.
He is funded by the Arts and Humanities Research
Council of the UK (AHRC), and is principal
investigator on the project “Living in Safety: el
Culture of ‘Safety’ and Accident Prevention in
Everyday Life in Britain, c.1900–2000,” which explores
the spread of safety education throughout twentieth-
century British society. This article arises from his
previous work at the University of Reading, sobre el
project “Designing information for everyday life, 1815–
1914" (www.designinginformation.org), also funded by
the AHRC.
Barbara Hahn is a communication designer with
her business partner Christine Zimmermann in their
graphic design studio, Hahn and Zimmermann, en
Berna. Desde 2007, she has been working part-time as a
research scientist at Bern University of the Arts where
she initiates and carries out research projects within
the research area of Communication Design with a
special interest in the research field of “Knowledge
Visualization.”
Paul Hekkert is full professor of form theory at
the Faculty of Industrial Design Engineering, Delft
University of Technology, where he supervises a
group carrying out research on our sense perception
y (emotional) experience of products (http://
studiolab.io.tudelft.nl/dfe/). Paul is co-editor of “The
Experience of Everyday Things” (2004) and “Product
Experience” (2008). Together with a colleague/
designer, he developed an interaction-centered design
acercarse, Vision in Product design (ViP). A book about
the approach will be published in the summer of 2011.
Paul is co-founder and chairman of the Design and
Emotion society (http://www.designandemotion.org)
and serves as a member of the editorial boards of The
Design Journal, Empirical Studies of the Arts, y el
International Journal of Design.
Mark Inglis has worked over the past 24 years as a
graphic designer at Ziff Marketing and Pentagram, como
Cover Art Director at Newsweek Magazine, as Creative
Director at the Earth Institute at Columbia University
and as an adjunct Professor at Pratt Institute.
Actualmente, he is the Vice President of Marketing &
Communications at the Cleveland Institute of Art. Como
an artist, he has created numerous works in various
mediums that include photography, silkscreening,
digital printing, and oil painting.
Nina Murayama received her PhD in Art History in
2009 from The Graduate Center, The City University
of New York (CUNY), where she completed her
dissertation on Donald Judd’s furniture design. Su
research focuses on cross-cultural, interdisciplinary
practices in contemporary art, photography, y
diseño. She taught art history at Parsons The New
School for Design, the College of New Rochelle, y
currently teaches at Queensborough Community
College, CUNY, and is a lecturer at the Noguchi
Museum in New York.
Alison Perelman is a doctoral candidate at the
Annenberg School for Communication at the
Universidad de Pennsylvania. Her research interests
include consumer culture, alimento, and taste. Ella es
currently investigating the interplay between class and
consumption in American political campaigns, and is
particularly interested in the way food is mobilized
rhetorically within political discourse.
David Rifkind teaches architectural history and
theory in the College of Architecture and the Arts at
Florida International University. He taught courses
in twentieth-century architecture and design at
Columbia University, the Parsons School of Design, el
University of Virginia and the Cooper-Hewitt, National
Design Museum. He completed his dissertation on
the relationships between fascist politics and modern
architecture in Italy, Quadrante and the Politicization
of Architectural Discourse in Fascist Italy, at Columbia
University in 2007. He spent a month in residence
at the American Academy in Rome as the inaugural
Wolfsonian-FIU Affiliated Fellow, in support of his
current research on urbanism and architecture in
Ethiopia during the Italian occupation (1936–41).
A practicing architect, he is a graduate of McGill
University’s program in architectural history and
theory and the Boston Architectural Center.
108
Design Issues: Volumen 27, Número 3 Verano 2011
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Peter-Paul Verbeek is professor of Man and
Technology at the University of Twente. He also
holds the part-time Socrates chair in the Philosophy
of Human Enhancement at Delft University of
Tecnología. His publications include What Things Do
(Penn State University Press, 2005) and Moralizing
Tecnología: Understanding and Designing the Morality of
Things (University of Chicago Press, 2011).
Christine Zimmermann is a communication designer
with her business partner Barbara Hahn in their
graphic design studio, Hahn and Zimmermann, en
Berna. Desde 2007, she has been working part-time as a
research scientist at Bern University of the Arts where
she initiates and carries out research projects within
the research area of Communication Design with a
special interest in the research field of “Knowledge
Visualization.”
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Thomas Ryberg is associate professor (MAMÁ, PhD) en
the Department of Communication and Psychology
at Aalborg University (AAU), Dinamarca. His primary
research interests are within the fields of Networked
Aprendiendo, Computer Supported Collaborative Learning
(CSCL), ICT and learning for development (ICT4D)
y Diseño. En particular, he is interested in how
new media and technologies transform our ways of
thinking about and designing for learning.
Fernando Secomandi is a doctoral researcher in
the Faculty of Industrial Design Engineering, Delft
University of Technology, Los países bajos. He holds
a bachelor’s degree in industrial design and a MSc
in strategic product design. His research focuses on
design practice and service innovation.
Dirk Snelders is associate professor at the Department
of Industrial Design, Eindhoven University of
Tecnología, Los países bajos, and visiting professor
at the International Design Business Management
program at Aalto University, Helsinki, Finland. Él
received his PhD from Industrial Design Engineering
(IDE) at Tu Delft, en 1995, and previously worked at
the business School of the University of Namur in
Bélgica, and Delft University of Technology in The
Países Bajos. Dirk Snelder’s research focuses on the
importance of design for processes of competition and
innovation. Earlier work focused on aesthetic product
judgments and the role of novelty and branding in
such judgments. His articles have, among others,
appeared in Design Issues, Design Studies, the Journal of
Product Innovation Management, and the British Journal
of Psychology.
Nynke Tromp is a PhD researcher at Delft University
of Technology. She completed both her Bachelors in
Industrial Design Engineering and Masters Design
for Interaction at Delft University of Technology. Ella
graduated cum laude in 2007 on her master thesis
“Designing Social Cohesion,” in which she carried out
an initial exploration to the possible contributions of
designers in solving issues of societal kind. Her PhD
research aims to deliver the knowledge and tools for
designers to deliberately design the implicit influence
products inherently have on human behavior for the
benefit of society
Robbert van Strien graduated from the design LAB
of the Gerrit Rietveld Academy in Amsterdam in
December 2009. Actualmente, he follows the Master
course Design Cultures at the VU University in
Ámsterdam, and is the editorial assistant at the Dutch
design magazine Items, and web editor for Items.nl. Él
lives in Leiden.
Design Issues: Volumen 27, Número 3 Verano 2011