Design Issues: Authors Index - IA de Investigación especializada en el MIT

Design Issues: Authors Index

A
Amagai, Yoshinori. The Kobu Bijutsu Gakko and
the Beginning of Design Education in Modern Japan
(19:2 Primavera, 2003), 35–44.
amir, Sulfikar. Industrial Design in Indonesia:
Educación, Industry and Policy (18:1 Invierno, 2002),
36–48.
Anceschi, Giovanni. Introduction to Enzo Paci’s
Presentation at the 10th Triennial (18:4 Otoño,
2002), 48–50.
Anceschi, Giovanni. Visibility in Progress
(12:3 Otoño, 1996), 3–13.
Anysley, Jeremy. Pressa Cologne, 1928: Exhibitions
and Publications Design in the Weimar Period (10:3
Otoño, 1994), 52–76.
Arnheim, Rudolf. Sketching and the Psychology
of Design (9:2 Primavera, 1993), 15–19.
Arnheim, Rudolf. The Way of the Crafts
(10:1 Primavera, 1994) 29–36.
Ashwin, Clive. Drawing, Design and Semiotics
(1:2 Caer, 1984) 42–52.
Athavankar, Uday A. Categorization: Natural
Language and Design (5:2 Primavera, 1989), 100–111.
Athavankar, Uday. Design in Search of Roots:
An Indian Experience (18:3 Verano, 2002) 43–57.
Atzmon, Leslie. Arthur Rackham’s Phrenological
Landscape: In-betweens, Goblins, and Femmes Fatales
(18:4 Otoño, 2002) 64–83.
Atzmon, Leslie. The Scarecrow Fairytale:
A Collaboration of Theo Van Doesburg and Kurt
Schwitter (12:3 Otoño, 1996) 14–35.
Avenier, Marie-Jose.; Nourry, Laetitia. Sciences of
the Artificial and Knowledge Production:
The Crucial Role of Intervention Research in
Management Sciences (15:2 Verano, 1999) 55–70.
Azrikan, Dmitri. VNIITE, Dinosaur of
Totalitarianism or Plato’s Academy of Design?
(15:3 Otoño, 1999), 45–77.

B
Badaracco, Claire Hoertz. George Salter’s Book
Jacket Design, 1925–1940 (17:3 Verano, 2001),
40–8.
Badaracco, Claire. Rational Language and
Print Design in Communication Management
(12:1 Primavera, 1996), 26–37.
Bagnara, Sebastiano. The Design of Training and
Education in Automation (7:1 Caer, 1990), 53–70.
Bailey, Christopher, reviewer. A View from
the Interior: Feminism, Women and Design
(book review) (7:1 Caer, 1990), 71–75.
Bailey, Christopher, reviewer. Design History and
the History of Design (book review)
(7:1 Caer, 1990), 71–75.
Bailey, Christopher, reviewer. Design History
Australia: A Source Text in Methods and Resources
(book review) (7:1 Caer, 1990), 71–75.
Panadero, Steve. Flying, Stealing: Design’s Improper
Criticism (13:2 Verano, 1997), 65–76.
Balaram, S. Product Symbolism of Gandhi and
Its Connection with Indian Mythology
(5:2 Primavera, 1989), 68–85.
Barnhurst, Kevin G.; Nerone, John.
Civic Picturing vs. Realist Photojournalism: El
Regime of Illustrated News, 1856–1901 (16:1 Primavera,
2000), 59–79.
Barrese, Antonio; Cortesi, Angelo; Dorfles,
Gillo; De Pas, Jonathan. Scientific Program
on the Themes of the 1983 ICSID Congress
(1:1 Primavera, 1984), 64–78.
Barris, Roann, reviewer. The Avant-garde Frontier
(book review) (10:3 Otoño, 1994), 84–6.
Barris, Roann, reviewer. New Russian Design.
Novyi russkii dizain (book review) (10:3 Otoño,
1994), 84–6.
Barris, Roann, reviewer. Theater in Revolution:
Russian Avant-Garde Stage Design 1913-1935
(book review) (9: 1 Caer, 1992), 89.

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Barris, Roann. The Constructivist Engaged
Spectator: A Politics of Reception (15:1 Primavera,
1999), 31–48.
Bartl, Peter. Some Thoughts on the “Vernacular”
Illustrations (9:2 Primavera, 1993), 32–33.
bennett, Audrey. Interactive Aesthetics
(18:3 Verano, 2002) 62–9.
bennett, James, reviewer. Technology’s
Storytellers: Reweaving the Human Fabric
(book review) (7:1 Caer, 1990), 76–77.
apuestas, Mary Beth, reviewer. Joseph Urban:
Arquitectura, Theatre, Opera, Film (book review)
(11:3 Otoño, 1995), 74–5.
apuestas, Pablo, reviewer. Fast Cars, Clean Bodies
(book review) (13:2 Verano, 1997), 83–4.
apuestas, Pablo. Ciencia, Semiotics and Society:
The Ulm Hochschule für Gestaltung in Retrospect
(14:2 Verano, 1998), 67–82.
Blaich, Robert I. Philips Corporate Industrial
Diseño: A Personal Account (5:2 Primavera, 1989),
1–8.
Blankenship, Sherry. Cultural Considerations:
Arabic Calligraphy and Latin Typography?
(19:2 Primavera, 2003), 60–63.
Blaszczyk, Regina Lee, reviewer. Terra-cotta
Skyline (book review) (16: 1 Primavera, 2000), 80–1.
Blauvelt, Andrew, reviewer. Picturing the Beast:
animales, Identity and Representation (book review)
(12:1 Primavera, 1996), 70–72.
Bonsiepe, Gui. Designing the Future: Perspectives
on Industrial and Graphic Design in Latin America
(7:2 Primavera, 1991), 17–24.
Bonsiepe, Gui. The Invisible Facets of the Hfg Ulm
(11:2 Verano, 1995), 11–20.
Bonsiepe, Gui. A Step Towards the Reinvention
of Graphic Design (10:1 Primavera, 1994), 47–52.
Bonsiepe, Gui. The Chain of Innovation: Ciencia
Technology Design (11:3 Otoño, 1995), 33–6.
Booth, David W. Mathematics as a Design Tool:
The Case of Architecture Reconsidered
(12:3 Otoño, 1996), 77–87.
Borgmann, Alberto. Information and Reality at the
Turn of the Century (11:2 Verano, 1995), 21–30.
Branzi, Andrea. We are the Primitives
(3:1 Primavera, 1986), 23: 7.

Brett, David. Design Reform and the Laws of Nature
(11:3 Otoño, 1995), 37–49.
Brett, David. Drawing and the Ideology of
Industrialization (3:2 Caer, 1986), 59–72.
Buchanan, Ricardo, reviewer. Elements of Graph
Diseño (book review) (12:1 Primavera, 1996), 73–75.
Buchanan, Ricardo, reviewer. Emilio Ambasz:
The Poetics of the Pragmatic (book review)
(7: 1 Caer, 1990), 78–82.
Buchanan, Ricardo, reviewer. Flow:
The Psychology of Optimal Experience
(book review) (8:1 Caer, 1991), 80.
Buchanan, Ricardo, reviewer. Gaetano Pesce:
Architecture Design Art (book review)
(7:1 Caer, 1990), 78–82.
Buchanan, Ricardo, reviewer. The Materials of
Invention: Materials and Design (book review)
(7:1 Caer, 1990), 78–82.
Buchanan, Ricardo. Branzi’s Dilemma: Diseño
in Contemporary Culture (14:1 Primavera, 1998), 3–20.
Buchanan, Ricardo. Children of the Moving
Present: The Ecology of Culture and the Search for
Causes in Design (17:1 Invierno, 2001), 67–84.
Buchanan, Ricardo. Declaration by Design:
Rhetoric, Argument, and Demonstration in Design
Practice (2:1 Primavera, 1985), 4–22.
Buchanan, Ricardo. Design Research and the New
Aprendiendo (17:4 Otoño, 2001), 3–23.
Buchanan, Ricardo. Education and Professional
Practice in Design (14:2 Verano, 1998), 63–6.
Buchanan, Ricardo. Human Dignity and Human
Rights: Thoughts on the Principles of Human-
Centered Design (17:3 Verano, 2001), 35–9.
Buchanan, Ricardo. Myth and Maturity:
Toward a New Order in the Decade of Design
(6:2 Primavera, 1990), 70–80.
Buchanan, Ricardo. A Response to Klaus
Krippendorff (2:2 Caer 1985), 71–74.
Buchanan, Richard.Wicked Problems
in Design Thinking (8:2 Primavera, 1992), 5–22.
Buchanan, Ricardo; Doordan, Dennis;
Margolin, Victor. A Statement of Editorial Policy:
To Begin Again (10:1 Primavera, 1994), 1–4.

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Buckley, Cheryl. Made in Patriarchy:
Towards a Feminist Analysis of Women and Design
(3:2 Caer, 1986), 3–14.
Bull, David, reviewer. Graphic Design Sources
(book review) (15:3 Otoño, 1999), 78–9.
Burall, Pablo. The Official Critic—Irrelevant or
Influential? (13:2 Verano, 1997) 36–9.
Burke, Christopher, reviewer. The Graphic
Language of Neville Brody (book review). (12:2
Verano, 1996), 80–3.
Burkhardt, François. Tendencies of German Design
Theories in the Past Fifteen Years (3:2 Caer, 1986),
31–6.
Burns, Auˇsra. Emotion and Urban Experience:
Implications for Design (16: 3 Otoño, 2000),
67–79.
Arbusto, Anne. Criticism and the Discerning Eye
(13:2 Verano, 1997), 16–23.
Arbusto, Donald J., reviewer. By Design:
Why There Are No Locks on the Bathroom Doors
in the Hotel Louis XIV and Other Object Lessons
(book review) (1: 2 Caer, 1984), 80-82.
Arbusto, Donald J., reviewer. Design for Human
Scale (book review) (1:2 Caer, 1984), 80-82
Arbusto, Donald J., reviewer. Xanadu,
The Computerized Home of Tomorrow and How It
Can Be Yours Today! (book review) (1:2 Caer, 1984),
80–82.
Arbusto, Donald, reviewer. C.R. Ashbee: Architect,
Designer and Romantic Socialist (book review)
(3:2 Caer, 1986), 86–89.
Arbusto, Donald, reviewer. Redesigning the World:
William Morris, the 1880s, and the Arts and Crafts
(book review) (3:2 Caer, 1986), 86–89.
Arbusto, Donald, reviewer. The Simple Life: C.R.
Ashbee in the Cotswolks (book review) (3:2 Caer,
1986), 86–89.
Arbusto, Donald, reviewer. Utopian Craftsmen: El
Arts and Crafts Movement from the Cotswolds to
chicago (book review) (3:2 Caer, 1986), 86–89.

mayordomo, Frances C. Eating the Image: The Graphic
Designer and the Starving Audience (1:1 Primavera,
1984), 27–40.
mayordomo, Frances, C., reviewer. The Un-Necessary
Image (book review) (1:2 Caer, 1984), 80–89.
mayordomo, Frances, C., reviewer. Truth & Falsehood
in Visual Images (book review) (1:2 Caer, 1984),
82–86.
Butter, Reinhart. Putting Theory into Practice:
An Application of Product Semantics to Transpor-
tation Design (5:2 Primavera, 1989), 51–67.

C
Cabianca, David. Great Expectations: A Note on
the AIGA 365 Debate (19:4 Otoño, 2003), 19–25.
Celano, cristina. A Typographic Visualization of
the Narrative Structure of On the Road
(9:1 Caer, 1992), 45–55.
Charter of Graphic Design: Proposal for Debate on
Visual Communication Design (8:1 Caer, 1991),
67–73.
cheng, A. Line (7:2 Primavera, 1991), 5-dieciséis.
Chiapponi, Medardo. Environmental Design
and Industrial Design: Integrating Knowledge
around Urgent Issues (14:3 Otoño, 1998), 74–84.
Chu, Cecilia. Interior Design in Hong Kong:
A Practice in Transition (19: 3 Verano, 2003),
37–37.
Chung, Kyung Won. Strategies for Promoting
Korean Design Excellence (14:2 Verano, 1998),
3-15.
Chung, Siu King. Redeveloping Design Education
in Hong Kong? (19:3 Verano, 2003), 83–93.
Chung, Wayne C., reviewer. Real time:
Preparing for the Age of the Never Satisfied Customer
(book review). (15:1 Primavera, 1999), 80.
clark, Hazel. Introducción (19:3 Verano, 2003),
1–4.
Clayton, hollys, reviewer. The Spectacle of Women:
Imagery of the Suffrage Campaign, 1907-1914
(book review) (6:2 Primavera, 1990), 85–86.
Clegg, Sue; Mayfield, Wendy. Gendered by
Diseño: How Women’s Place in Design is Still
Defined by Gender (15:3 Otoño 1999), 3-dieciséis.

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Cogdell, Christina. Products or Bodies? Streamline
Design and Eugenics as Applied Biology
(19: 1 Invierno, 2003), 36–53.
cohen, Stuart, reviewer. Artists Design Furniture
(book review) (2:2 Caer, 1985), 77-80
cohen, Stuart, reviewer. Chicago Furniture. Arte,
Craft, & Industria, 1833-1983(book review)
(2:2 Caer, 1985), 77–80.
cohen, Stuart, reviewer. Master Pieces:
Making Furniture from Paintings (book review)
(2:2 Caer, 1985), 77–80.
cohen, Stuart, reviewer. Mid-Century Modern
(book review) (2:2 Caer, 1985), 77–80.
collins, Bradford R. The Poster as Art:
Jules Cheret and the Struggle for the Equality of the
Arts in late Nineteenth-Century France
(2:1 Primavera, 1985), 41–50.
Conradi, Ene, reviewer. Brodovitch (book review)
(8:2 Primavera, 1992), 86.
Conradi, Ene, reviewer. Typographic Communica–
tions Today (book review) (8:2 Primavera, 1992), 86.
Cooper, Rachel. Winners! (book review)
(14:2 Verano, 1998), 95–6.
Correa de Jesus, Sergio. Environmental Commu–
nication: Design Planning for Wayfinding (10:3
Otoño, 1994), 32–51.
Cox, Geoff. The Digital Crowd: Some Questions
on Globalization and Agency (15:1 Primavera, 1999),
16–25.
Coyne, Ricardo; Snodgrass, Adrian. Problema
Setting within Prevalent Metaphors of Design
(11:2 Verano, 1995), 31–61.
Craig, Robert L. Designing Ethnicity: The Ideology
of Images (7:2 Primavera, 1991), 34–42.
Craig, Roberto. Ideological Aspects of Publication
Diseño (6:2 Primavera, 1990), 18–27.
Crawford, alan. Ideas and Objects: The Arts and
Crafts Movement in Britain (13:1 Primavera, 1997),
15–26.

Cruz, Nigel. Can a Machine Design?
(17: 4 Otoño, 2001), 44–50.
Cruz, Nigel. Design Research: A Disciplined
Conversation (15:2 Verano 1999), 5–10.
Cruz, Nigel. Designerly Ways of Knowing:
Design Discipline versus Design Science
(17:3 Verano, 2001). 49–55.
Csikszentmihalyi, Mihaly. Design and Order
in Everyday Life (8:1 Caer, 1991), 26–34.

D
Declaration of the Central European Design
Conferencia. (9:1 Caer, 1992), 86–88.
DeForest, Pablo, reviewer. Macro: A Clear Vision of
How Science and Technology Will Shape Our Future
(book review) (2:1 Primavera 1985), 82–84.
DeForest, Pablo, reviewer. The Culture of
Tecnología (book review) (2:1 Primavera, 1985),
82–84.
Deforge, Yves. Avatars of Design: Design before
Diseño (6:2 Primavera, 1990), 43–50.
Design quo vadis? Strategies and Tools for the Future
of European Design—A Recommendation to the
European Community (10: 3 Otoño, 1994), 77–83.
Diani, Marco, reviewer. Forces of Production:
A Social History of Industrial Automation (libro
revisar) (2:2 Caer, 1985), 81–84.
Diani, Marco, reviewer. Work Transformed:
Automation and Labor in the Computer Age
(book review) (2:2 Caer, 1985), 81–84.
Diani, Marco. Immateriality takes Command
(4: 1-2 1988), 6–11.
Diani, Marco. The Science of Design (4:1-2 1988),
65–66.
Diani, Marco. The Social Design of Office Auto–
formación (3:2 Caer, 1986), 73–82.
Dilnot, Clive. The State of Design History, Part I:
Mapping the Field (1:1 Primavera, 1984), 3–23.
Dilnot, Clive. The State of Design History: Part II:
Problems and Possibilities (1:2 Caer, 1984), 3–20.
Dilnot, Clive. Which Way Will the Dragon Turn?
Four Scenarios for the Design of China/Hong Kong in
the Next Half Century (19:3 Verano, 2003), 5–20.

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Dilnot, Clive. The Gift (9:2 Caer, 1993), 51–65,
DiSalvo, Carl Francis. World Wide Web Interfaces
and Designing of the Emergence of Knowledge (18:1
Invierno, 2002), 68–77.
Doloughan, Fiona J. The Language of Reflective
Practice in Art and Design (18:2 Primavera, 2002),
57–64.
Donnelly, brian, reviewer. The Visible Word:
Experimental Typography and Modern Art 1909-
1923 (book review) (14:1 Primavera, 1998), 81–3.
Doordan, Dennis P.. In the Shadow of the Fasces:
Political Design in Fascist Italy (13: 1 Primavera, 1997),
39–52.
Doordan, Dennis P.. Introducción (13:1 Primavera,
1997), 1–4.
Doordan, Dennis P.. On History (11:1 Primavera
1995), 76–81.
Doordan, Dennis P.. Promoting Aluminum:
Designers and the American Aluminum Industry
(9:2 Primavera, 1993), 44–50.
Doordan, Dennis P.. Simulated Seas: Exhibition
Design in Contemporary Aquariums (11:2 Verano,
1995), 3–10.
Doordan, Dennis P., reviewer. Bamboo in Japan
(book review). (18:2 Primavera, 2002), 78–9.
Doordan, Dennis P.. On Materials (19:4 Otoño,
2003), 3–8.
Doordan, Dennis P.. Design at CBS (6:2 Primavera,
1990), 4–17.
Doss, Erika. Toward an Iconography of American
Labor: Work, Workers, and the Work Ethic in
American Art, 1930-1945 (13:11 Primavera, 1997),
53–66.
Drucker, Johanna. Black Riders: The Visible
Language of Modernism (book review). (10:2
Verano, 1994). 84.
Duszek, Roman; Porebski, Jerzy; Surawski,
Jacek; Wroblewski, Andrzej.
System for Orientation in Cities (2:1 Primavera, 1985),
33–40.

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Eames, Charles; Eames, Rayo. The Eames Report
(7:2 Primavera, 1991), 63–75.
Eckersley, Miguel; Makela, PAG. Scott;
Byrne, j. Kevin; Shaffer, Ellen. Three Lies to Live
(10:3 Otoño, 1994), 3–21.
Edman, ross, reviewer. In Pursuit of Beauty:
Americans and the Aesthetic Movement
(book review) (5:1 Caer, 1988), 112–116.
Edman, ross, reviewer. The Art That is Life:
The Arts and Crafts Movement in America 1975-
1920 (book review) (5:1 Caer, 1988), 112–116.
Ehses, Hanno H. j. Representing Macbeth:
A Case Study in Visual Rhetoric (1:1 Primavera, 1984),
53–63.
Ehses, Hanno. Speaking of the Heart:
Some Annotations (18:1 Invierno, 2002), 62–67.
Engelbrecht, Lloyd C., reviewer. Consultant
Diseño (book review) (1:1 Primavera, 1984), 85–87.
Engelbrecht, Lloyd C., reviewer. The Industrial
Designer and His Public (book review)
(1:1 Primavera, 1984), 85–87.
Er, h. Alpay; Bayazit, Nigan.
Redefining the “Ph.D. in Design” in the Periphery:
Doctoral Education in Industrial Design in Turkey
(15: 3 Otoño, 1999), 34–44.
Er, h. Alpay; Korkut, Fatma and Özlem, Er.
A NOSOTROS. Involvement in the Development of Design in
the Periphery: The Case History of Industrial Design
Education in Turkey, 1950s-1970s
(19: 2 Primavera, 2003), 17–34.
Ernyey, Gyula. Developmental Problems and
Possibilities in Times of Change (5:1 Caer, 1988),
82–6.
Eskilson, esteban. Color and Consumption
(18:2 Primavera, 2002), 17–29.

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F
Fathers, James. Peripheral Vision: An Interview
with Gui Bonsiepe Charting a Lifetime of
Commitment to Design (19:4 Otoño, 2003),
44–56.
Feldman, Roberta M., reviewer. Discrimination
by Design: A Feminist Critique of the Man-Made
Environment (book review) (9:2 Caer, 1993), 83.
Ferraris, Maurizio. Postmodernism and the
Deconstruction of Modernism (4:1-2 1988), 12–24.
Findeli, Alain. Design History and Design Studies:
Methodological, Epistemological and Pedagogical
Consulta (11:1 Primavera, 1995), 43–65.
Findeli, Alain. Ethics, Aesthetics, y Diseño
(10:2 Verano, 1994), 49–68.
Findeli, Alain. Rethinking Design Education for
the 21st Century: Teórico, Methodological, y
Ethical Discussion (17:1 Invierno, 2001), 5–17.
Findeli, Alain. The Methodological and
Philosophical Foundations of Moholy-Nagy’s Design
Pedagogy in Chicago (1937-1946) (7:1 Caer, 1990),
4–19.
Findeli, Alain. Introducción (15:2 Verano, 1999),
1–4.
Fleischmann, Gerd. A Poster by Max Bill, or the
Love of Geometry (17:2 Primavera, 2001), 53–63.
Fleming, David. Design Talk: Constructing the
Object in Studio Conversations (14:2 Verano,
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Fletcher, Kate T.; Goggin, Phillip A.
The Dominant Stances on Ecodesign: A Critique
(17:3 Verano, 2001), 15–25.
Flusser, Vilém. Three Essays and an Introduction
(11:3 Otoño, 1995), 50–61.
Forest, fred. Communication Esthetics, Interactive
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Forlizzi, Jodi; Lebbon, Cherie. From Formalism
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Forty, Adrian. Debate: A Reply to Victor Margolin
(11: 1 Primavera, 1995), 16–18.
Frascara, jorge, reviewer. Manufactured Pleasures/
Psychological Responces to Design (book review)
(12:1 Primavera, 1996), 76–7.

Frascara, jorge. Communications for Change:
Strategies and Difficulties (12:3 Otoño, 1996),
44–59.
Frascara, jorge. Graphic Design: Fine Art or Social
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Fredrickson, Laurel. Vision and Material Practice:
Vladimir Tatlin and the Design of Everyday Objects
(15:1 Primavera, 1999), 49–74.
Fry, Tony, reviewer. New American Design:
Products and Graphics for a Post-Industrial Age
(book review) (6:2 Primavera, 1990), 81–82.
Fry, Tony. Against an Essential Theory of “Need”:
Some Considerations for Design Theory
(8:2 Primavera, 1992), 41–54.
Fry, Tony. The “Futurings” of Hong Kong
(19: 3 Verano, 2003), 71–82.
Fry, Tony. A Geography of Power: Diseño, Historia
and Marginality (6:1 Caer, 1989), 15–30.

GRAMO
Gartman, David. Harley Earl and the Art and Color
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(10:2 Caer, 1994), 3–26.
Gauthier, Philippe. Technological Intervention
and the Malady of Happiness (15:2 Verano, 1999),
40–54.
Gavreau, Jean-Marie. Arte, Handicrafts, y
National Culture in Quebec from the 1920s until the
1950s (10:3 Otoño 1994), 22–31.
Jorge, Leigh, reviewer. The Form of the News:
Una historia (Book review) (19:1 Invierno, 2003),
89–90.
Jorge, Leigh. “The Sun’s Only Rival:” General
Electric’s Mazda Trademark and the Marketing of
Electric Light (19:1 Invierno, 2003), 62–71.
Gessert, Jorge. Kitsch Ornamental Plants
(13:3 Otoño 1997), 45–51.
Ghose, Rajeshwari. Diseño, Desarrollo, Cultura
and Cultural Legacies in Asia (6:1 Caer, 1989), 31–48.
Giard, Jacques R. Design Education in Crisis:
The Transition from Skills to Knowledge
(7:1 Caer, 1990), 23–8.
Gillman, Ursula. Only Flying is More Beautiful
(8:2 Primavera, 1992), 54–9.

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Glanville, Ranulph. Researching Design and
Designing Research (15:2 Verano, 1999), 80–91.
Goldschmidt, Gabriela. The Backtalk of Self-
Generated Sketches (19:1 Invierno, 2003), 72—88.
Goldschmidt, Gabriela; Weil, Maya.
Contents and Structure in Design Reasoning
(14:3 Otoño, 1998), 85–100.
Golec, Miguel, reviewer. The New Typography
(book review) (13:2 Verano, 1997), 79–81.
Golec, Miguel, reviewer. The End of Print:
The Graphic Art of David Carson (book review)
(13:2 Verano, 1997), 79–81.
Golec, Miguel. A Natural History of a Disem–
bodied Eye: The Structure of Gyorgy Kepes’s
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Golsby-Smith, Tony. Fourth Order Design:
A Practical Perspective (12:1 Primavera, 1996), 5–25.
Gorman, Carma R. “An Educated Demand:"
The Implications of “Art in Every day Life”
for American Industrial Design, 1925–1950
(16:3 Otoño, 2000), 45–66.
Gorman, Carma R. Reshaping and Rethinking:
Recent Feminist Scholarship on Design and
Designers (17:4 Otoño, 2001), 72–88.
Gottfried, Herbert, reviewer. An Introduction
to Design and Culture in the Twentieth Century
(book review) (3:2 Caer, 1986), 90–91.
Gottschalk, Fritz. (Obituario) (12:2 Verano,
1996), 71.
Gowan, Alabama, reviewer. A History of Graphic Design
(book review) (1:1 Primavera, 1984), 87–89.
Gowan, Alabama, reviewer. History of Graphic Design
and Communication (book review)
(1:1 Primavera, 1984), 87–89.
Gravier, Marina Garone. Nineteenth-Century
Mexican Graphic Design: The Case of Ignacio
Cumplido (18:4 Otoño, 2002), 54–63.
Greeley, Robin Adèle. Richard Duardo’s “Aztlán”
Poster: Interrogating Cultural Hegemony in Graphic
Diseño (14:1 Primavera, 1998), 21–34.
Gutierres, Laurent; Portefaix, Valerie.
Homes for China (19:3 Verano, 2003), 21–36.

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Hadlaw, Janin. The London Underground Map:
Imagining Modern Time and Space
(19:1 Invierno, 2003), 25–35.
Haiman, György. Imre Kner and the revival
of Hungarian Printing (7:2 Primavera, 1991), 43–53.
Hales, Peter, reviewer. Half a Truth is Better
Than None (book review) (1:1 Primavera, 1984),
82–85.
Hanington, bruce, reviewer. Designing
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Human Factors (book review) (18:1 Invierno, 2002),
87.
Hanington, bruce. Methods in the Making:
A Perspective on the State of Human Research in
Diseño (19:4 Otoño, 2003), 9–18.
Hardy, Tom, reviewer. Marketing Aesthetics:
The Strategic Management of Brands, Identity, y
Image (book review) (15:1 Primavera, 1999), 81–82.
Harrington, Kevin. (Interviewer)
Bauhaus Symposium (5:1 Caer, 1988), 45–58.
Hartlaub, G.F. Art as Advertising (1928)
(9:2 Caer 1993), 72–76.
Haruhiko, Fujita. Notomi Kaijiro: An Industrial
Art Pioneer and the First Design Educator of Modern
Japón (17: 2 Primavera, 2001), 17–31.
Hausmann, Raoul. Photomontage; Form Dialectic
in Photograpyh; Typography (14: 3 Otoño, 1998),
65–73.
infierno, Steven, reviewer. The Origins of Graphic
Design in America, 1870-1920 (book review)
(14:1 Primavera, 1998), 84–5.
infierno, Steven, reviewer. The Swastika
(book review) (11:3 Otoño, 1995), 81–3.
infierno, Steven, reviewer. The Art of the Masses:
A Radical Magazine and Its Graphics, 1911–1917
(book review) (6:2 Primavera, 1990) 83–84.
infierno, Steven. reviewer. The Unexplored Art
of Designer’s Biographies (book review)
(5:1 Caer, 1988), 106–108.
infierno, Steven. Dan Friedman, 1945–1995 (11:3
Otoño, 1995), ii.
infierno, Steven. Paul Rand, 1914–1996 (13.1
Spring1997), 82.
infierno, Steven. Notes on the Cover Designer
(12:3 Otoño, 1996), 88–9.
infierno, Steven. Bonehead Design: Style as Language
(12:2 Verano, 1996), 61–70.

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Henderson, Susan R. “New Buildings Create New
People”: The Pavilion Schools of Weimar Frankfurt as
a Model of Pedagogical Reform (13:1 Primavera, 1997),
27–38.
Heskett, John, reviewer. American Design Ethic
(book review) (1:1 Primavera, 1984), 79–81.
Heskett, John, reviewer. Russel Wright: Americano
Designer (book review) (1:1 Primavera, 1984), 79–91.
Heskett, John. Past, Present, and Future in Design
for Industry (17:1 Invierno, 2001), 18–26.
Heward, Tony. Revivalism and Cultural Shift:
British Graphic Design Since 1945 (15:3 Otoño,
1999), 17–33.
Hewitt, John. Posters of Distinction: Arte,
Advertising and the London, Midland, and Scottish
Railways (16:1 Primavera, 2000), 16–35.
Higgins, Hannah B, reviewer. Visual Display
Culture beyond Appearances (book review)
(13:1 Primavera, 1997), 83–6.
Hirano, Takuo. The Development of Modern
Japanese Design: A Personal Account
(7:2 Primavera, 1991), 54–62.
primero, John M. Values in Design: “Existenz–mini-
mum,” “Maximum Quality,” and “Optimal Balance”
(12: 1 Primavera, 1996), 38–47.
Hosey, Lance. HALO Communication Booth
(8:3 Verano, 2002), 58–61.
Houze, rebeca. From “Wiener Kunst im Hause”
to the Wiener Werkstätte: Marketing Domesticity
with Fashionable Interior Design (18:1 Invierno,
2002), 3–23.
Hull, Judith S., reviewer. Cranbrook Design:
The New Discourse (book review) (9:2 Caer, 1993),
84–87.
Hull, Judith S., reviewer. Design in America:
The Cranbrook Vision 1925–1950 (book review)
(9:2 Caer, 1993), 84-87.
Huszar, Marta J., Make-Overs: The Shifting Palettes
of Change (14:1 Primavera, 1998), 35–39.
Huygen, Frederike. Report from Holland: Diseño
Criticism after Postmodernism (13:2 Verano, 1997),
40–3.

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Iadin, Omar C., Scribe 1984 or A Fiction in Design
(4:1-2 1988), 52–58.
Ingram, Jacobo, reviewer. The Design Agenda:
A Guide to Successful Design Management (libro
revisar). (13:2 Verano, 1997), 82.
Isaacs, Ken, reviewer. The Green Imperative:
Design for the Real World (book review).
(13:2 Verano, 1997), 78.
Iwao, Yamawaki; introduction by Chow, Mary.
Reminiscences of Dessau (2:2 Caer, 1985), 56–68.

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Jackson, Simón. The “Stump-Jumpers:” National
Identity and the Mythology of Australian Industrial
Design in the Period 1930-1975 (18:4 Otoño,
2002), 14–23.
Jaffee, Barbara, reviewer. Hiding in the Light,
On Images and Things (book review)
(8:2 Primavera, 1992), 84–85.
Jaskot, Pablo, reviewer. The Bauhaus Idea and
Bauhaus Politics (book review).
(14:2 Verano, 1998), 93–4.
Jerrard, Roberto. Quantifying the Unquantifiable:
An Inquiry into the Design Process
(14:1 Primavera, 1998), 40–53.
Jerrard, Roberto. Person-system Interaction and
Designing: Re-establishing Values (9:2 Primavera,
1993), 20–31.
Jiménez Narváez, Luz María. Design’s Own
Knowledge (16:1 Primavera, 2000), 36–51.
Jonas, Wolfgang, reviewer. the internet and every-
uno (book review) (17:3 Verano, 2001), 88–9.
Jonas, Wolfgang. A Scenario for Design
(17:2 Primavera, 2001), 64–80.
jones, John Chris, reviewer. Modelos & Constructs:
Margin Notes to a Design Culture (book review) (8:
2 Primavera, 1992), 87–88.
jones, John Chris, reviewer. The Crafts in Britain
in the 20th Century (book review)
(17:1 Invierno, 2001), 91–2.
Juan, Adelaida de. Three Essays on Design
(16:2 Verano, 2000), 45–61.
Jue-Steuck, Jennifer. Juan J.. graham: Behind the
Peacock’s Plumage (19:4 Otoño, 2003), 91–96.

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Kathman, Jerry. Brand Identity Development in the
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katz, Barry M., reviewer. Being Digital (libro
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katz, Barry M., reviewer. City of Bits
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katz, Barry. “Leading ‘The Simple Life’:
The Arts and Crafts Movement in Britain, 1880–
1910" (16: 2 Verano, 2000), 87–9.
katz, Barry. The Arts of War :”Visual Presentation”
and National Intelligence (12:2 Verano, 1996),
3–21.
Kazmierczak, Elzbieta T. Design as Meaning
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Thinking (19:2 Primavera, 2003), 45–59.
Kelly, Rob Roy. Recollections of Josef Albers
(16:2 Verano, 2000), 3–24.
Kelly, Rob Roy. The Early Years of Graphic Design
at Yale University (17:3 Verano, 2001), 3–14.
Keyvanian, Carla. Manfredo Tafuri: Desde
Critique of Ideology to Microhistories (16:1 Primavera,
2000), 3-15.
Kinross, Robin, reviewer. Pioneers of Modern
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89-91
Kinross, Robin. The Rhetoric of Neutrality
(2:2 Caer, 1985), 18–30.
Kintzele, Jeff. Man, Money and Time. Logic of
Credit – Logic of Modernity? (4:1-2 1988), 131–140.
Knupfer, Anne Meis. African-American Designers:
The Chicago Experience Then and Now (16:3
Otoño, 2000), 84–91.
Kotro, Tanja; Pantzar, Mika. Product Development
and Changing Cultural Landscapes—Is Our Future
in “Snowboarding”? (18:2 Primavera, 2002), 30–45.
Krampen, Martín. Semiotics in Architecture and
Industrial Product Design (5:2 Primavera, 1989),
124–140.

Krippendorf, Klaus. Comments to Richard
Buchanan’s”’Declaration by Design” (2:2 Caer,
1985), 70.
Krippendorf, Klaus. On the Essential Contexts
of Artifacts or On the Proposition That “Design is
Making Sense (of Things)" (5:2 Primavera, 1989), 9–39.
Krohn, Lisa; McCoy, Miguel. Beyond Beige:
Interpretive Design for the Post-Industrial Age (5:2
Primavera, 1989), 112–123.
Külling, Ruedi. (Obituario) 12: 2 Verano, 1996,
72.

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Lagana, Gretchen. Collecting Design Resources
at the University of Illinois at Chicago (3:2 Caer,
1986), 37–46.
Lange, Martha. Italian Death Notices: Seen on
your Morning Walk: The Morning After: italiano
Mourning Posters (5:1 Caer, 1988) 30–3.
Lange, Martha. Session with Gerhard Richter,
Former Bauhaus Student (5:1 Caer, 1988), 35–44.
Lannoch, Helga; Lannoch Hans Jurgen.
Toward a Semantic Notion of Space (5:2 Primavera,
1989), 40–50.
Large, Miguel. Communication Among all People,
Everywhere: Paul Arthur and the Maturing of
Diseño (17:2 Primavera, 2001), 81–90.
lorenzo, Sidney. Declaration of Function:
Documents from the Museum of Modern Art’s
Design Crusade, 1933-1950 (2:1 Primavera, 1985),
65–77.
Leong, Benny; clark, Hazel. Culture Based
Knowledge: Towards New Design Thinking and
Practice—A Dialogue (19: 3 Verano, 2003), 48–58.
Exacción, Richard S., reviewer. The Swastika: Symbol
beyond Redemption (book review) (17:3 Verano,
2001), 91–2.
Exacción, Ron. Design Education: Time to Reflect
(7:1 Caer, 1990), 42–52.
Exacción, Ron. Toward a Technoethic and Anxious
Enlightenment (9:2 Caer, 1993), 5–14.
lloyd, Peter; Busby, Jerry. Softening Up the Facts:
Engineers in Design Meetings (17:3 Verano, 2001),
67–82.

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Lupton, Ellen. Reading Isotype (3:2 Caer, 1986),
47–58.
Lutchmansingh, Larry D. Evolutionary Affinity
in Arthur Mackmurdo’s Botanical Design
(6:2 Primavera, 1990), 51–57.

METRO
Maciuika, John V. Adolf Loos and the Aphoristic
Style: Rhetorical Practice in Early Twentieth-century
Design Criticism (16:2 Verano, 2000), 75–86.
Madge, Pauline. Ecological Design: A New Critique
(13:2 Verano, 1997), 44–54.
Maffei, Nicolas, reviewer. The Work of Charles
and Ray Eames (book review) (15:1 Primavera, 1999),
75–9.
Maffesoli, Michel. Jeux De Masques: Postmodern
Tribalism (4:1-2 1988), 141–151.
Makela, Laurie Haycock. Little Miss Alpha Bit
Stories and Projects for Pre-Literate Kids and Post-
Modern Types (12:2 Verano, 1996), 33–9.
Maldonado, Tomás. Taking Eyeglasses Seriously
(17:4 Otoño, 2001), 32–43.
Maldonado, Tomás. Defoe and the “Projecting
Age” (18:1 Invierno, 2002), 78–85.
Maldonado, Tomás. The Idea of Comfort
(8:1 Caer, 1991), 35–43.
Manovich, Lev. “Real” Wars: Esthetics and
Professionalism in Computer Animation
(8:1 Caer, 1991), 18–25.
Manzini, Ezio. Prometheus of the Everyday:
The Ecology of the Artificial and the Designer’s
Responsibility (9:1 Caer, 1992), 5–20.
Manzini, Ezio. Diseño, Environment and Social
Quality: From Existenzminimum to Quality
Máximo (10:1 Primavera, 1994), 37–43.
Manzini, Ezio. Hong Kong as “Laboratory of the
Future” (19:3 Verano, 2003), 59–70.
Manzini, Ezio. Hong Kong as “Laboratory of the
Future” (19:3 Verano, 2003), 59–70.

Marchand, roland, reviewer. Philips: A Study of
the Corporate Management of Design (book review)
(7:1 Caer, 1990), 83–84.
Marchand, roland. The Designers go to the Fair II:
Norman Bel Geddes, the General Motors “Futurama”
and the Visit to the Factory Transformed (8:2 Primavera,
1992), 23–40.
Marchand, roland. The Designers go to the Fair:
Walter Dorwin Teague and the Professionalization of
Corporate Industrial Exhibits, 1933-1940
(8:1 Caer, 1991), 4–17.
Margolin, Victor, reivewer. Avant-Garde Book
Diseño, 1900-1950 (19:4 Otoño, 2003), 97–99.
Margolin, Victor, reviewer. Chinese Graphic
Design in the Twentieth Century (book review)
(8:2 Primavera, 1992), 82–83.
Margolin, Victor, reviewer. The Meanings of
Modern Design: Towards the Twenty-First Century
(book review) (8:1 Caer, 1991), 81–83.
Margolin, Victor. The Age of Communication:
A Challenge to Designers (10:1 Primavera, 1994),
65–70.
Margolin, Victor. A Reply to Adrian Forty
(11:1 Primavera, 1995), 19–21.
Margolin, Victor. Design for a Sustainable World
(14:2 Verano, 1998), 83–92.
Margolin, Victor. Design History or Design
Estudios: Subject Matter and Methods (11:1 Primavera,
1995), 4-15.
Margolin, Victor. Expanding the Boundaries of
Diseño: The Product Environment and the New User
(4:1-2 1988), 59–64.
Margolin, Victor. Global Expansion or Global
Equilibrium? Design and the World Situation
(12:2 Verano, 1996), 22–32.
Margolin, Victor. Micky Wolfson’s Cabinet of
Wonders: From Private Passion to Public Purpose
(13:1 Primavera, 1997), 67–81.
Margolin, Victor. Rebellion, Reform, y
Revolution: American Graphic Design for Social
Cambiar (5:1 Caer, 1988), 59–70.
Margolin, Victor. The Shoeshine Boxes of Turkey
(19:1 Invierno, 2003), 54–56.

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Margolin, Victor; Margolin, Sylvia. A “Social
Model” of Design: Issues of Practice and Research
(18:4 Otoño, 2002), 24–30.
McCoy, Katherine. Information and Persuasion:
Rivals or Partners? (16:3 Otoño, 2000), 80–3.
McCoy, Katherine. Professional Design Education:
An Opinion and a Proposal (7:1 Caer, 1990), 20–2.
Meggs, Phillip, reviewer. Herbert Bayer:
The Complete Work (book review) (2:2 Caer, 1985),
88.
Meikle, Jeffrey L., reviewer. A History of
Industrial Design (book review) (1:2 Caer, 1984),
87–89.
Meikle, Jeffrey L., reviewer. Aluminum by Design
(book review).(18:3 Verano, 2002), 89–90.
Meikle, Jeffrey L., reviewer. Design Since 1945
(book review) (1:2 Caer, 1984), 87–89.
Meikle, Jeffrey L., reviewer. Advertising the
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1940 (book review) (3:1 Caer, 1986), 85–86.
Meikle, jeffrey. Design History for What?
Reflections on an Elusive Goal (11:1 Primavera, 1995),
71–5.
Meiksins, Peter, reviewer. What Engineers Know
and How They Know It (book review)
(12:2 Verano, 1996), 75–6.
Meurer, Bernd. The Transformation of Design
(17:1 Invierno, 2001), 44–53.
Meurer, Bernd. New Design Challenges and
Conceptos (15:1 Primavera, 1999), 26–30.
Miguel, Vincent. Reyner Banham: Signs and
Designs in the Time Without Style
(18:2 Primavera, 2002), 65–77.
Miles, Malcom. Picking Up Stones: Diseño
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32–52.
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Punt, Miguel. Accidental Machines: the Impact
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(14:1 Primavera, 1998), 54–80.

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Simmons, Sherwin. Grimaces on the Walls: Anti-
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Stafford, Barbara Maria. An Image of One’s Own:
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Stairs, David. Okuwangaala: The Persistent Vitality
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Strom, Kirsten. Reading Scott Makela:
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Taue, James E. Seducing the Eye: Contemporary
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Design Issues: Volumen 20, Número 1 Invierno 2004

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