Colaboradores

Karen Benezra teaches in the Department
of Latin American and Iberian Cultures at
Columbia University. An ARTMargins editor,
she is currently completing a manuscript that
studies the notion of dematerialization in
Latin American art and industrial design.

Heidi Ellison is a Paris-based writer,
editor, and translator. She is the founder of
ParisUpdate.com.

Alex Kitnick is Brant Foundation Fellow in
Contemporary Arts at Bard College. Kitnick’s
writing has appeared in publications that
include Artforum, Puede, Octubre, and Texte zur
Kunst. He is currently preparing a book about
Marshall McLuhan and his relationship to
las artes.

Faride Mereb is a graphic artist and
researcher from Venezuela. She has been
the recipient of an art scholarship at the
Universidad Arturo Michelena. Mereb con-
ducts archival research on design, poetry,
and typography, which has resulted in self-
published books and art installations. Ella
is currently the art director and editor at
Ediciones Letra Muerta.

Maryam Mohajer is an animator-director
based in London. Born and raised in Tehran,
she received her MA in animation at the
Royal College of Art in 2007. Her published
translations include Iranian Cinema
Uncensored by Dr. Shiva Rahbaran
(I. B. Tauris, 2016) and Dear Enemy by
Jane Webster (Jica, 2016).

Morad Montazami is an adjunct curator
for the Middle East and North Africa at
Tate Modern (Londres). He has co-curated
Unedited History: IRAN 1960–2014 at the
Musée d’Art Moderne de la Ville de Paris and
at MAXXI (Roma). Montazami is the director
of Zamaan Books and editor of the jour-
nal Zamân, a French-language visual studies
journal exploring Arab, African, y asiático
artistic genealogies.

Benjamin Murphy is a PhD candidate in
the Department of Art and Archaeology at
Universidad de Princeton. His dissertation consid-
ers the emergence of video art in several
Latin American countries in relation to devel-
opments in the social sciences. His research
focuses on intersections between art and
technology within a transnational postwar
context and on how these intersections can
contribute to alternative intellectual histories.

Christopher Schmidt teaches English at
LaGuardia Community College, City
University of New York (CUNY), and in the
Master of Liberal Studies program at the
Graduate Center, CUNY. He is the author of
The Poetics of Waste: Queer Excess in Stein,
Ashbery, Schuyler, and Goldsmith (Palgrave
Macmillan, 2014) and a book of poems, El
Next in Line (Slope Editions, 2008). Él es
currently working on a creative-critical
project about the Brazilian landscape artist
Roberto Burle Marx.

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