retrActIon of HoLMes, ros. 2018. “MeAnWHILe In cHInA … MIAo

yIng AnD tHe rIse of cHInternet UgLy.” ArtMArgIns 7 (1): 31–57

“Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly,"
published in ARTMargins Volume 7, Issue 1, (https://doi.org/10.1162
/ARTM_a_00199) has been retracted by agreement between the author,
the ARTMargins editors, and the MIT Press. A reader conveyed con-
cerns regarding the originality of parts of the author’s article in May
2022. The journal independently investigated the charges and verified
a ellos. Following Dr. Holmes’s admission of plagiarism in all the
instances identified by the ARTMargins investigation, the journal
informed the journals and authors whose work was left un-cited, también
as the Ethics Committee at the author’s university. Below is a non-
exhaustive list of the sources the author failed to cite:

Alice Ming Wai Jim, ‘The Different Worlds of Cao Fei’, Yishu: Journal of Contemporary

11, No. 3 (Junio 2012).

David Joselit, ‘What to Do with Pictures’, Octubre 138 (2011): 81–94, https://doi.org

/10.1162/OCTO_a_00068.

Laurie Penny, ‘Laurie Penny on Psychology: If You Live in a Surveillance State for

Long Enough, You Create a Censor in Your Head’, New Statesman (blog),
10 Junio 2021, https://www.newstatesman.com/science-tech/2013/06/if-you
-live-surveillance-state-long-enough-you-create-censor-your-head.

Jack L. Goldsmith and Tim Wu, Who Controls the Internet? Illusions of a Borderless

Mundo (Nueva York: prensa de la Universidad de Oxford, 2008).

Gabriele de Seta, ‘Postdigital Wangluo: The Internet in Chinese Everyday Life’,

Anthropology Now 7, No. 3 (2 Septiembre 2015): 106–17, https://doi.org/10.1080
/19428200.2015.1103621.

Wenny Teo, ‘The Elephant in the Church: Ai Weiwei, the Media Circus and the

Global Canon’, in Re-Envisioning the Contemporary Art Canon: Perspectives in a
Global World, ed. Ruth Iskin (Londres; Nueva York: Routledge, taylor & Francisco
Group, 2017).

Guobin Yang, ‘A Chinese Internet? Historia, Practice, and Globalization’, Chino
Journal of Communication 5, No. 1 (1 Marzo 2012): 49–54, https://doi.org/10
.1080/17544750.2011.647744.

Laine Nooney and Laura Portwood-Stacer, ‘One Does Not Simply: Una introducción a
the Special Issue on Internet Memes’, Journal of Visual Culture 13, No. 3 (2014):
248–52, https://doi.org/10.1177/1470412914551351.

Maghiel van Crevel, ‘Book Review: Verse Going Viral: China’s New Media Scenes,

Written by Heather Inwood’, Asiascape: Digital Asia 2, No. 1–2 (15 Enero 2015):
162–68, https://doi.org/10.1163/22142312-12340026.

Jonathan Hassid, ‘The Internet, Social Media, and a Changing China, Edited by
Jacques DeLisle, Avery Goldstein, and Guobin Yang’, The China Journal 78
(1 Julio 2017): 158–60, https://doi.org/10.1086/691709.

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Shih-Wen Chen, ‘Baozou Manhua (Rage Comics), Internet Humour and Everyday

Life’, Continuum 28, No. 5 (3 Septiembre 2014): 690–708, https://doi.org/10
.1080/10304312.2014.941334.

Louise Atkinson, ‘Souvenirs from the British Isles: Archiving, Curating, y

Collecting in Contemporary Art Practice’ (PhD Dissertation, Universidad de
Leeds, 2016), https://etheses.whiterose.ac.uk/16860/1/Souvenirs%20from%20
the%20British%20Isles.pdf.

Katharine Viner, ‘How Technology Disrupted the Truth’, The Guardian, 12 Julio 2016,
segundo. Media, https://www.theguardian.com/media/2016/jul/12/how-technology
-disrupted-the-truth.

‘Oregon Police Bust Crime Ring Attempting to Ship $750K+ Worth of IPhones to

Hong Kong’, AppleInsider, 24 December 2015, https://appleinsider.com/articles
/15/12/24/oregon-police-bust-crime-ring-attempting-to-ship-750k-worth-of
-iphones-to-hong-kong.

Peidong Yang, Lijun Tang, and Xuan Wang, ‘Diaosi as Infrapolitics: Scatological
Tropes, Identity-Making and Cultural Intimacy on China’s Internet’, Media,
Cultura & Sociedad 37, No. 2 (2015): 197–214, https://doi.org/10.1177/01634437
14557980.

Nick Douglas, ‘It’s Supposed to Look Like Shit: The Internet Ugly Aesthetic’, Diario

of Visual Culture 13, No. 3 (1 December 2014): 314–39, https://doi.org/10.1177
/1470412914544516.

Andrea K. Scott, ‘Futurism’, The New Yorker, 23 Puede 2011, http://www.newyorker.com

/magazine/2011/05/30/futurism.

Claire Bishop, ‘Claire Bishop on Peter Fischli and David Weiss’, Artforum, Abril 2016,
https://www.artforum.com/print/reviews/201604/peter-fischli-and-david-weiss
-58717.

Christopher Tzechung Fan, ‘American Techno-Orientalism: Speculative Fiction and
the Rise of China’ (PhD Dissertation, Universidad de California, berkeley, 2016),
https://digitalassets.lib.berkeley.edu/etd/ucb/text/Fan_berkeley_0028E_16283
.pdf.

Winnie Won Yin Wong, ‘The Panda Man and the Anti-Counterfeiting Hero: Arte,

Activism and Appropriation in Contemporary China’, Journal of Visual Culture
11, No. 1 (1 Abril 2012): 20–37, https://doi.org/10.1177/1470412911430463.
‘Bilibili’, in Wikipedia, 31 Agosto 2017, https://en.wikipedia.org/w/index.php?title=

Bilibili&oldid=1090245749.

Marcella Szablewicz, ‘The “Losers” of China’s Internet: Memes as “Structures of

Feeling” for Disillusioned Young Netizens’, China Information 28, No. 2 (1 Julio
2014): 259–75, https://doi.org/10.1177/0920203X14531538.

Kevin McGarry, ‘Using, Usando, Used’, Rhizome (blog), 24 Febrero 2010, http://

rhizome.org/editorial/2010/feb/24/using-using-used/.

Ying Miao, ‘My Brain Hole Just Dilated Another 2 Inches’, Rhizome (blog), 2 Febrero
2015, http://rhizome.org/editorial/2015/feb/02/my-brain-hole-just-dilated
-another-2-inches/.